Galerie Michael Presents JOE TAVERAS
Joe Taveras is a Boston-based roboticist, designer, and artist who has spent the majority of his career selling robots around the world. A creative from the outset, his art initially consisted of eclectic musical compositions. It wasn’t until the arrival of the pandemic (March 2020) that he migrated to a new medium: painting. Having had no formal training, he used his time in quarantine to engage in rapid experimentation with an array of styles and mediums in order to truthfully convey his vision. He consistently aims to push the boundaries of innovation with his art, exploring new techniques that reflect his inner and outer environment, questioning our collective future, social norms, and our interminable integration with technology.
His paintings are in private collections in New York, Los Angeles, Miami, the Middle East, Sweden, Spain, Norway, Ghana, Vietnam, China, Canada, and more.
Alex Roediger, MoMA’s senior information coordinator, looks at Helen Frankenthaler’s “Jacob’s Ladder” (1957) with a painter’s eye, and finds that “more paint” isn’t always the key to making a dramatic statement—even in Abstract Expressionism.
Picasso’s stunning painting ‘Femme Accroupie’, offered in Sotheby’s upcoming Modern Art Evening Sale (9 October | Hong Kong), is a portrait of his ultimate muse and wife, Jacqueline Roque. In this latest Expert Voices, Sotheby’s Chairman Brooke Lampley tells us of the huge artistic inspiration Jacqueline had on Picasso. Discover how this work was the final summation of an entire series of portraits of her, and how it was inspired by master artists of previous centuries.
William Lee Hankey RWS, RI, ROI, RE, NS was a British painter and book illustrator. He specialised in landscapes, character studies and portraits of pastoral life, particularly in studies of mothers with young children such as “We’ve Been in the Meadows All Day”.
A painting has to be an experience for 52-year old Dutch Painter Simeon Nijenhuis, it needs to “live” and touch your senses. If you look at a painting of chestnuts, you should be able to smell the autumn. In order to meet its own standards, Simeon Nijenhuis must therefore work thorough.
Each new topic means many studies before and he is continually exploring new possibilities. He is not only concerned to master the technique, but also to develop his own vision. And it may be said that Simeon Nijenhuis has more than succeeded in this. His paintings are compelling, contemporary and very personal. And my senses at least ask for more.
Painted in 1919 after the artist fled Paris for the south of France, ‘Jeune Fille en Bleu’ is one of the finest works from the penultimate year of Amedeo Modigliani’s life. In this episode of Expert Voices, Sotheby’s Senior Specialist Simon Stock explains how the search for new subjects in this new location saw Modigliani depicting informal models found in local bars and shops. This portrait captures the serenity of the young girl sitter and we see all the recognisable traits of Modigliani’s late work: the simplified human form, the elongated neck and the vacant eyes.
Amedeo Clemente Modigliani was an Italian Jewish painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures that were not received well during his lifetime, but later became much sought-after.
Director Colin B. Bailey takes a close look at three drawings by Jean-Antoine Watteau (1684–1721), considered some of the finest drawings in the Morgan’s collection: Seated Young Woman (ca. 1716), Young Woman Wearing a Chemise (ca. 1718), and Two Studies of the Head and Shoulders of a Little Girl.