Often called the Father of Impressionism, Claude Monet inspired the term that defined this movement. Born in Paris, Monet would later live in Giverny, where he purchased a property, planted sprawling gardens, and painted his famous water lilies. https://www.philamuseum.org/collectio…
“I want to paint like a bird sings,” Claude Monet once stated. In this episode of Expert Voices, Simon Shaw describes Monet’s direct and unmediated response to his subject matter. In The Islands in Port-Villez, one can feel just that – Monet sitting on his boat on the seine, absorbing his surroundings.
Our latest exhibition, Gauguin and the Impressionists: Masterpieces of the Ordrupgaard Collection, has humble roots in the home of Wilhelm and Henny Hansen.
In this video produced by Ordrupgaard, discover how the Hansens transformed their private home into a jewel in the crown of the Danish art scene.
The Ordrupgaard museum in Denmark is the permanent home of important works by French Impressionists as well as Danish art from the Golden Age. Learn about the lives of Wilhelm and Henny Hansen, and what circumstances led them to begin this exceptional, methodically acquired collection – part of which is now featured at the Royal Academy.
Step into our galleries to experience ‘Gauguin and the Impressionists: Masterpieces from the Ordrupgaard Collection’. Explore the carefully curated collection of Wilhelm and Henny Hansen, who utilised their exceptional eye for quality to assemble works by Renoir, Monet, Degas, Morisot, Manet and Pissarro among many others.
The theft and recovery of Claude Monet’s Sunrise, the painting that began the impressionist movement.
Impression, Sunrise is a painting by Claude Monet first shown at what would become known as the “Exhibition of the Impressionists” in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet’s hometown.
This comprehensive study of Vincent van Gogh offers a complete catalogue of his 871 paintings, alongside writings and essays, charting the life and work of a master who continues to tower over art to this day.
Today, the works of Vincent van Gogh (1853–1890) are among the most well known and celebrated in the world. In paintings such as Sunflowers, The Starry Night, and Self-Portrait with Bandaged Ear, we recognize an artist uniquely dexterous in the representation of texture and mood, light and place.
Yet in his lifetime, van Gogh battled not only the disinterest of his contemporary audience but also devastating bouts of mental illness. His episodes of depression and anxiety would eventually claim his life, when, in 1890, he committed suicide shortly after his 37th birthday.
Ingo F. Walther (1940–2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther’s many titles for TASCHEN include Vincent van Gogh, Pablo Picasso, Art of the 20th Century, and Codices illustres.
Rainer Metzger studied art history, history, and German literature in Munich and Augsburg. In 1994, he earned his Ph.D. on the subject of Dan Graham, and subsequently worked as a fine arts journalist for the Viennese newspaper Der Standard. He has written numerous books on art, including volumes on van Gogh and Chagall. Since 2004, he has worked as Professor of art history at the Academy of Fine Arts in Karlsruhe.
In the summer of 1891, Claude Monet began to paint a row of poplar trees that lined the river Epte near his house at Giverny. The trees were auctioned off for timber shortly thereafter, but Monet made a deal with the purchaser to delay cutting them so he could continue to paint the trees through the autumn. Using a shallow rowboat that had slots in the bottom capable of holding several canvases at once, Monet painted twenty-four pictures of the poplars from his floating studio.
The resulting pictures reflect the view at different seasons and times of day and were known as the “Poplar Series” when they were exhibited in February 1892.
TEFAF’s Meet the Experts presents Howard Shaw from Hammer Gallery shares what Van Gogh would have most likely seen when he visited Paris in 1886. This period of Van Gogh’s life is pivotal to his works as an artist.
Joining an already impressive collection of Scandinavian art, one of the first French paintings Hansen acquired was Woman with a Fan, Portrait of Madame Marie Hubbard (1874) by Berthe Morisot. This gently ironic work set the tone for his perceptive and adventurous collecting style.
Drawn from the remarkable Ordrupgaard Collection of the Danish insurance broker and art lover Wilhelm Hansen, the masterpieces of 19th-century French painting in this volume represent the very best of French impressionism.
A burst of acquisitions from 1916 to 1918, during which he took advice from the influential critic Théodore Duret, saw his collection grow to include works by Cézanne, Courbet, Gauguin, Manet, Matisse, Monet, Renoir and Sisley.
With stunning reproductions of 60 works, the authors explore the history of the collection and provide detailed analysis of the works themselves.
From a Sotheby’s Online Magazine (March 26, 2020):
From Sargent to Sorolla, Jonas Wood to Winston Churchill, Berkshire to Bali — how artists have found solace and inspiration in gardens the world over.