From a The Architectural Review online article (April 9, 2020):
The sleep industry caters to a working consumer’s wish to sleep less, yet sleep more productively, and accommodates transnational industry which has joined the state as a custodian of biopolitics. Jonathan Crary’s 24/7 spells out in detail how the state and a capitalist economy are encroaching stupendously on the private sphere, in which sleep was one of the last vestiges of unfettered time.
About 15 years ago, someone calculated the financial loss US companies incurred through workers’ illicit practice of sleeping on the job. Indeed, the trope of the lazy sleeper is an old one, resignified at present in our more than callous attitude towards the homeless, whose sleeping bodies punctuate many a journey to and from work.
Even in this most passive stance – someone simply disregarding normative codes and regulations by giving in to a physical need – sleep seems suspiciously subversive. Less an act than a way of being, the sleeper, by sleeping when and where it is not condoned, challenges everyone else, who is doing/working/functioning/functionalised. Contrary to the tree falling in the forest, the sleeper in the workplace or in public space affects and thus ever so slightly transforms those around them.


From reception pavilion to proper house, 2m26’s houses are unique pieces. They are produced made to measure, on demand. They absolutely fit to the landscape. The houses are made of pine planks, rough cuted. The structure is protected with linseed oil to resist to weather conditions and walnut stain can be added to obtain a dark color.
The building process / prefab gives the opportunity to prepare all the pieces at the Atelier. Moreover, it reduces on site time of construction, damages on plants and minimizes noise pollution. On site construction can be scheduled from a week to a month.
beautifully handcrafted backgammon sets, luxury games and bespoke furniture. Her designs are both games and objets d’art.

Monocle 24’s “The Stack” chats with Randy Kennedy, editor of ‘Ursula’, the beautiful print quarterly from Hauser & Wirth.