A selection of three essential articles read aloud from the latest issue of The Economist. This week, the business of survival—those companies that survive the coronavirus crisis will need to master a new environment. Plus, how to reopen factories after covid-19 (9:23) and Venezuela’s navy battles a cruise ship, and loses (17:41).
From a The Architectural Review online article (April 9, 2020):
The sleep industry caters to a working consumer’s wish to sleep less, yet sleep more productively, and accommodates transnational industry which has joined the state as a custodian of biopolitics. Jonathan Crary’s 24/7 spells out in detail how the state and a capitalist economy are encroaching stupendously on the private sphere, in which sleep was one of the last vestiges of unfettered time.
About 15 years ago, someone calculated the financial loss US companies incurred through workers’ illicit practice of sleeping on the job. Indeed, the trope of the lazy sleeper is an old one, resignified at present in our more than callous attitude towards the homeless, whose sleeping bodies punctuate many a journey to and from work.
Even in this most passive stance – someone simply disregarding normative codes and regulations by giving in to a physical need – sleep seems suspiciously subversive. Less an act than a way of being, the sleeper, by sleeping when and where it is not condoned, challenges everyone else, who is doing/working/functioning/functionalised. Contrary to the tree falling in the forest, the sleeper in the workplace or in public space affects and thus ever so slightly transforms those around them.
Charles Mahoney,(18 November 1903 – 11 May 1968): Painter, muralist, draughtsman and teacher, born Cyril Mahoney in London – his fellow-student Barnett Freedman re-christened him Charlie at the Royal College of Art, which he attended 1922-6 after a period at Beckenham School of Art under Percy Jowett. Early on, Mahoney established a reputation as a conscientious teacher.
He was at the Royal College 1928-53, from 1948-53 as a painting tutor, and was noted there for his concern for academic discipline.
His portrait is included in Rodrigo Moynihan’s celebrated Teaching Staff of the Painting School at the Royal College of Art, 1949-50. From 1954 to 1963 he taught at the Byam Shaw School of Drawing and Painting and from 1961 to 1968 at the Royal Academy Schools. He painted murals at Morley College 1928-30 with his colleagues Eric Ravillious and Edward Bawden.
Unfortunately these murals were destroyed during World War II. The work led to further murals: at Brockley School, Kent, with Evelyn Dunbar; and at Campion Hall Lady Chapel, Oxford. His oil paintings are frequently of a religious nature. He was a skilled botanist, and many of his drawings depict his garden at Wrotham, Kent.
He exhibited at NEAC and the RA, being made an RA elect in 1968. He is represented in the Tate Gallery and other public collections. The Ashmolean Museum, Oxford, held a memorial exhibition in 1975. Exhibitions were held in 2000 at the Harris Museum and Art Gallery, Preston, Royal Museum and Art Gallery, Canterbury, and the Fine Art Society plc in association with Liss Fine Art.
From reception pavilion to proper house, 2m26’s houses are unique pieces. They are produced made to measure, on demand. They absolutely fit to the landscape. The houses are made of pine planks, rough cuted. The structure is protected with linseed oil to resist to weather conditions and walnut stain can be added to obtain a dark color.
The building process / prefab gives the opportunity to prepare all the pieces at the Atelier. Moreover, it reduces on site time of construction, damages on plants and minimizes noise pollution. On site construction can be scheduled from a week to a month.
Techniques used are mostly cutting, drilling, screwing, so that the assembly work can be done together with the customer, reducing costs for him.
About 2m26: Born in 2015, 2m26 summarizes ten years of researches and experiments about inhabiting.
Proceeding between design and architecture, 2m26 offers tools for living / handmade, thrifty and luxury / unique pieces designed and produced on demand / raw materials, natural processings and mastered development / simple, handsome and functional.
The crew :
mélanie heresbach / artist / architect.
sébastien renauld / artist / architect.