Tag Archives: 20th Century

Exhibits: ‘Extraordinary Ordinary Things’ (CMOA)

Extraordinary Ordinary Things, Carnegie Museum of Art’s latest decorative arts and design exhibition, features more than 300 objects from our expansive collection, which dates back to the founding of the museum in 1895.

In this video, the museum team takes you behind the scenes for a look at how this exhibition came to be, while sharing stories about a few of the remarkable objects in the show! Spanning some of the most significant design developments of the past three centuries, the works on view in Extraordinary Ordinary Things offer boundless inspiration and present the endless possibilities for functional design for visitors to learn about, consider, and enjoy.

Want to learn more about decorative arts and design at Carnegie Museum of Art? Visit us online: https://cmoa.org/exhibition/extra-ord…

Profiles: British Sculptor Henry Moore (1898-1986)

Henry Moore achieved international fame as a sculptor, despite once being denounced for promoting ‘the cult of ugliness’. And he also remained a most unassuming man, finds Laura Gascoigne, as two new exhibitions of his work prepare to welcome visitors.

Sculptors are very rarely household names, but no one who lived through the 1960s could be unfamiliar with the name of Henry Moore. At the height of his international success, Moore’s monumental public sculptures in prominent locations — from the 12ft-high Knife Edge Two Piece (1962–65) outside London’s Houses of Parliament to the 26ft-long Reclining Figure (1963–64) outside the Lincoln Centre in New York, US — became such a feature of the urban landscape that they appeared in cartoons in the popular press. For a Modernist abstract sculptor, that was fame.

In the 1950s, Moore added a new subject to his signature themes of the mother and child and the reclining figure. As a young man, his first sight of Stonehenge by moonlight, in 1921, had left an indelible impression; 30 years later, he began a series of large bronze totemic forms recalling prehistoric monoliths.

Henry Moore with three of his Upright Motives c.1955.Photo: Barry Warner

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Exhibits: ‘Woody Guthrie – People Are The Song’ At The Morgan Library, NYC

The author of more than three thousand folk songs, Woody Guthrie (1912–1967) is one of the most influential songwriters and recording artists in American history. He is an icon of the Depression era and wrote the world’s most famous protest song, “This Land Is Your Land.”

But he was not only a songwriter, and his subject matter extended well beyond labor politics. The full corpus of his creativity—including lyrics, poetry, artwork, and largely unpublished prose writings—encompassed topics such as the environment, love, sex, spirituality, family, and racial justice. Guthrie created a personal philosophy that has impacted generations of Americans and inspired musician-activists from Pete Seeger and Bruce Springsteen to Ani DiFranco and Chuck D. As Bob Dylan noted of Guthrie, “You could listen to his songs and actually learn how to live.”

20th Century: Was Francis Bacon The Best Painter?

Is Francis Bacon really the greatest painter of the 20th century?

Triptych 1986-7 (detail)

It was not an enormous surprise that an exhibition of works by Francis Bacon at the Royal Academy that is supported by Christie’s should swiftly be followed by an announcement of the auction house offering a large work for sale. Triptych 1986-7, whose central panel depicts the artist’s partner John Edwards, with Woodrow Wilson on one side and the assassinated Trotsky’s study on the other, is being offered in the sale that takes place on 1 March with an estimate of £35m–£55m. Nor is it a surprise that an auction house should drum up interest in one of their lots using superlatives. But Rakewell was a little taken aback by the claim on Instagram from a Christie’s specialist that ‘Francis Bacon is unmistakably on of the greatest painters of the 20th century.’

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Christmas Tours: The Elms In Newport, Rhode Island

The Elms was the summer residence of Mr. and Mrs. Edward Julius Berwind of Philadelphia and New York. Mr. Berwind made his fortune in the coal industry. In 1898, the Berwinds engaged Philadelphia architect Horace Trumbauer to design a house modeled after the mid-18th century French chateau d’Asnieres (c.1750) outside Paris.

Construction of The Elms was completed in 1901 at a cost reported at approximately $1.4 million. The interiors and furnishings were designed by Allard and Sons of Paris and were the setting for the Berwinds’ collection of Renaissance ceramics, 18th century French and Venetian paintings, and Oriental jades.

The elaborate Classical Revival gardens on the grounds were developed between 1907 and 1914. They include terraces displaying marble and bronze sculpture, a park of fine specimen trees and a lavish lower garden featuring marble pavilions, fountains, a sunken garden and carriage house and garage. These gardens were recently restored.

Mrs. Berwind died in 1922, and Mr. Berwind invited his sister, Julia, to become his hostess at his New York and Newport houses. Mr. Berwind died in 1936 and Miss Julia continued to summer at The Elms until her death in 1961, at which time the house and most of its contents were sold at public auction. The Preservation Society of Newport County purchased The Elms in 1962 and opened the house to the public. In 1996, The Elms was designated a National Historic Landmark.

Mid Century Modern: 1956 Desert Sun House, Rancho Mirage, California (Video)

Architect Richard Leitch from the USC School of Architecture isn’t spoken about too often however his work speaks volume. From The Hillsides of Altadena to the dry landscapes of the desert you can find some of Richard’s work throughout Southern California. Avid Car lover Joe Tseng found himself entrenched in a year-long restoration/Remodel of his current home ‘ The Desert Sun House’, a project which he wanted to share with his son Tyler. They’ve saved and transformed the home into what you see today, A classic home filled with rich History and thoroughly enjoyed by its new owners.

Books: “The Grand Tour – The Golden Age Of Travel”

This richly illustrated volume charts the travel heyday of 1869 to 1939. Bedecked with ephemera and precious turn-of-the-century photochroms, it follows six classic tours favored by Western adventurers in the prewar era, including such famous traveler-writers as Charles Dickens, Jules Verne, F. Scott Fitzgerald, Mark Twain, and Goethe. 

The Grand Tour

Rediscover the golden age of adventure

Global travel can be a wearying business: mass tourism, overcrowded planes, chaotic airports, heightened security, cookie-cutter hotel chains, well-worn tourist trails. Finding even a sliver of adventure can sometimes feel impossible. But take heart: for all of us with an unfulfilled spirit of wanderlust, The Golden Age of Travel evokes an era when traveling the world was a thrilling new possibility for those with the resources, time, imagination, and daring.

 From the Grand Tour of Europe, a traditional rite of passage for young English aristocrats, to the Far East, barely touched by Western influence, to the famous Trans-Siberian Railway, we follow each journey through its itinerant stops and various modes of transport: trains, boats, cars, planes, horses, donkeys, and camels.

With pages brimming with archival travel posters, guides, tickets, leaflets, brochures, menus, and luggage stickers, the book evokes all the romance, elegance, not to mention the sheer sense of novelty, that enthralled these golden-age passengers. Through decadent new cities, or wild, rugged terrains, this is your passport to a long-lost epoch of adventure and wide-eyed wonder at the world.

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Profiles: British Painter William Lee-Hankey – ’19th Century Rural France’

William Lee Hankey RWS, RI, ROI, RE, NS was a British painter and book illustrator. He specialised in landscapes, character studies and portraits of pastoral life, particularly in studies of mothers with young children such as “We’ve Been in the Meadows All Day”. 

Architectural Views: ‘The Seagram Building’ By Mies Van Der Rohe (NYC, 1956)

The Seagram Building is a skyscraper at 375 Park Avenue, between 52nd and 53rd Streets, in Midtown Manhattan, New York City. The building, completed in 1958, stands 515 feet tall with 38 stories and a large plaza. 

Ludwig Mies van der Rohe was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture.