Tag Archives: 1960’s

Views: ‘Richard Chopping: The Original Bond Artist’

In April 1956, at the suggestion of his friend Francis Bacon, Richard Chopping took the society hostess Ann Fleming to see some of his trompe l’oeil paintings, which were then on show at the Arthur Jeffress Gallery in Mayfair. Impressed by these pictures, Fleming invited the artist to meet her husband, Ian, who was looking for someone to provide dust-jacket illustrations for his James Bond novels.

Peter Parker
 31 AUGUST 2021

Chopping was immediately offered the job, and his striking designs remain the work for which he is best known and are, for many collectors, the reason the novels are particularly prized.

As this small but imaginatively curated exhibition demonstrates, there was a great deal more to Chopping than James Bond. Nevertheless, the highly detailed, finely executed and often macabre paintings he produced for Fleming are characteristic of his work as a whole. Born in Essex in 1917, Chopping moved to London at the age of 18 with little idea of what he wanted to do, but soon got a job on the magazine Decorations of the Modern Home.

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Tributes: Don Everly Of ‘Everly Brothers’ Dies At 84

Pioneering rock ’n’ roll musician Don Everly of The Everly Brothers has died at 84. The legendary duo is credited for influencing a spectrum of musical acts like the Beatles to Simon & Garfunkel and more recently Green Day’s Billie Joe Armstrong and Norah Jones.

Artworks: Andy Warhol’s ‘Marilyn Monroe’ Of 1962

Andy Warhol created his first painting of Marilyn Monroe in 1962, in the wake of the American movie star’s sudden death at the age of 36. Tragedy, and its portrayal in modern mass media, fascinated Warhol; at the time of Monroe’s death, the artist was enmeshed in his Death and Disaster series, an exploration of gruesome images found in newspapers and magazines. Monroe’s death pushed the narrative of tragedy and celebrity one step further, and in it Warhol found inspiration for arguably the most important suite in his oeuvre. Dating from 1967, Marilyn Monroe is a complete portfolio of ten screen prints, each produced in a different combination of intense, flat colors. This portfolio, which comes from the estate of Barbara Spiegel Linhart, who purchased the works from David Whitney in 1969, is the best possible example of this important set of screenprints, and is a highlight of Sotheby’s Contemporary Art Evening Sale this May.

Great Movie Themes: ‘How The West Was Won’ (1962)

How the West Was Won is a 1962 American  epic  Western  adventure film directed by Henry Hathaway (who directs three out of the five chapters involving the same family), John Ford, and George Marshall, produced by Bernard Smith, written by James R. Webb, and narrated by Spencer Tracy. Originally filmed in true three-lens Cinerama with the according three-panel panorama projected onto an enormous curved screen, the film stars an ensemble cast consisting of (in alphabetical order) Carroll BakerLee J. CobbHenry FondaCarolyn JonesKarl MaldenGregory PeckGeorge PeppardRobert PrestonDebbie ReynoldsJames StewartEli WallachJohn Wayne, and Richard Widmark. The supporting cast features Brigid BazlenWalter BrennanDavid BrianKen CurtisAndy DevineJack LambertRaymond Massey as Abraham LincolnAgnes MooreheadHarry Morgan as Ulysses S. GrantThelma RitterMickey ShaughnessyHarry Dean StantonRuss Tamblyn and Lee Van Cleef.

How the West Was Won is widely considered one of Hollywood‘s greatest epics.[1] The film received widespread critical acclaim and was a box office success, grossing $50 million on a budget of $15 million.[2] At the 36th Academy Awards, it earned eight nominations, including Best Picture, and won three, for Best Story and Screenplay Written Directly for the ScreenBest Sound, and Best Film Editing. In 1997, it was selected for preservation in the National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.

Classics: ‘1967 Volkswagen 21-Window MicroBus’

One of the most notable variants of the T1 Type 2 is the Samba. Samba is the name given the 21 and 23 window versions of the Type 2. The 23 window Samba was built until 1963 and the 21 window Samba was built from 1964 until 1967. These variants were considered to be the top of the line versions of the T1 Type 2 and were fitted with a cloth sunroof. It is very common to find Type 2s that have been converted to 21 or 23 window variants, yet only cars built until 1967 are considered to be original.

Nuclear Power: ‘Why Is It So Unpopular?’ (Video)

The meltdown at a nuclear power station in Fukushima, Japan, ten years ago stoked anxieties about nuclear energy. But nuclear is one of the safest, most reliable and sustainable forms of energy, and decarbonising will be much more difficult without it.

Classic Cars: Restoring The ‘Finest Jaguars’ At CKL Developments In Engand

“It’s a privilege to work with these fantastic cars,” enthuses James “and we benefit from incredible craftsmen and Chris’ vast experience. These are important cars, looked after sympathetically. When we restore cars, we’re careful and fastidious in retaining the soul, but we also understand that cars evolve”.

In keeping with the colour British Racing Green, CKL Developments prides itself on being understated, not flashy. Inside a pristine brace of high-roofed, modern industrial units near Hastings, in Britain’s East Sussex countryside, you’ll find cars that are maintained to be enjoyed, driven and raced.

CKL is not, the team is at pains to point out, a museum. It’s the absolute authority on Jaguar-engined sports cars of the ’50s and ’60s and looks after some of the most historic and important British cars of that era, sympathetically restored, preserved of soul and performing at their zenith. The team can service, restore, repair, prepare, race, build, sell, store and transport your pride and joy as required.

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History Of Satellites: NASA’s ‘Landsat’ Program – “Getting Off The Ground”

Every legacy has a compelling origin. The soon-to-be-launched Landsat 9 is the intellectual and technical product of eight generations of Landsat missions, spanning nearly 50 years.

Episode One answers the question “why?” Why did the specific years between 1962 and 1972 call for a such a mission? Why did leadership across agencies commit to its fruition? Why was the knowledge it could reveal important to the advancing study of earth science?

In this episode, we’re introduced to William Pecora and Stewart Udall, two men who propelled the project into reality, as well as Virginia Norwood who breathed life into new technology. Like any worthwhile endeavor, Landsat encountered its fair share of resistance. Episode one explores how those challenges were overcome with the launch of Landsat 1, signifying a bold step into a new paradigm.

Additional footage courtesy of Gordon Wilkinson/Texas Archive of the Moving Image and the US Geological Survey. The Landsat Program is a series of Earth-observing satellite missions jointly managed by NASA and the U.S. Geological Survey (USGS). Landsat satellites have been consistently gathering data about our planet since 1972. They continue to improve and expand this unparalleled record of Earth’s changing landscapes for the benefit of all.

Music: “The Missing Star,” “Brazenly Bashful,” “Light Tense Weight,” “It’s Decision Time,” “Patisserie Pressure,” from Universal Production Music Credit: NASA’s Goddard Space Flight Center Matthew R. Radcliff (USRA): Lead Producer Ryan Fitzgibbons (USRA): Lead Producer Kate Ramsayer (USRA): Lead Producer LK Ward (USRA): Lead Writer Ryan Fitzgibbons (USRA): Lead Editor Jeffrey Masek (NASA/GSFC): Lead Scientist Marc Evan Jackson: Narrator Terry Arvidson (Lockheed Martin): Interviewee Aaron E. Lepsch (ADNET): Technical Support

Video Profiles: American Conceptual Painter Lee Lozano (1930-1999)

Jo Applin gives an insight into both Lee Lozano’s life and her work, contextualizing her practice and highlighting her response to the constraints of constitutional systems, gender dynamics, power, money, and politics.

Created in 1962–1963, the early paintings and drawings on view at Hauser & Wirth Somerset use airplanes as a central image and can be considered as examples of the artist’s passionate exploration of creative energy in its purist form. This focused body of early work exposes a complex and deeply intimate inner life grappling with one-sided gender and societal dichotomies, while other works display a form of ferocious humour and playfulness, exploiting the rhetoric of exaggeration to its most cogent effect.

Her raw expressionist brush strokes create powerful works imbued with a very personal iconography, including genitals, religious symbols, tools and body parts. Lozano’s short lived but influential career remains a source of fascination, lauded by Lucy Lippard as the foremost female conceptual artist of her era in New York. Jo Applin is author of ‘Lee Lozano: Not Working’ and ‘Eccentric Objects: Rethinking Sculpture.’ She teaches modern and contemporary art at The Courtauld Institute of Art in London.

New Photography Books: ‘Dogs – Walter Chandoha’, 1941-1991 (Taschen 2020)

We see terriers, collies, beagles, bloodhounds, poodles, small dogs, big dogs, show dogs, working dogs, and many more, featuring over 60 breeds photographed in both black-and-white and glorious Kodachrome.

TASCHEN

The world appears to be divided into cat and dog lovers, but fortunately Walter Chandoha, the 20th century’s greatest pet photographer found himself happily in the middle. He loved these intriguing creatures equally for their unique beauty and individualism, and as subjects to photograph in a career spanning over 70 years. While working on his critically acclaimed TASCHEN book CatsChandoha handpicked his favorite dog photos for a potential follow-up title, putting into carefully marked boxes hundreds of contact sheets, prints, and color transparencies, many unseen for at least 50 years, and some totally unseen.

Chandoha sadly passed away in 2019 at the age of 98, but his legacy lives on in this dashing sequel dedicated to man’s best friend. “Walter Chandoha’s photographs of dogs are compelling not just because dogs have an inherent charm, but because the person behind the camera was a master of his craft,” writes the photography critic Jean Dykstra in the book’s introduction.

Spanning a 50-year period, the book is divided into six sections, and each chapter reveals Chandoha’s exceptional combination of technique, versatility, and soul. The opening chapter “In the Studio” focuses on formal portraiture; next it’s “Strike a Pose” where our canine companions ham it up for the camera; in “Out and About” they get to roam and play, often photographed with Chandoha’s own children; next it’s “Best in Show” with Chandoha using his reportage skills to capture vintage dog shows from the Mad Men era; in “Tails from the City, the dogs are hitting the streets of mid-century New York; and in the closing chapter “Country Dogs, it’s back to nature, the fields, and the beaches. Dogs is an unleashed photographic tribute to these lovable and loyal creatures.

The photographer

Walter Chandoha (1920–2019) was a combat photographer in the Second World War, before a chance encounter with a cat led him on a path that would shape his professional career. He is regarded as the world’s greatest domestic animal photographer with a career spanning over seven decades and an archive of more than 200,000 photographs. His photographs have appeared on over 300 magazine covers, thousands of advertisements, and were regularly featured in magazines such as LifeLook, and their equivalents around the world.

The editor

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. PolaroidsThe Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.

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