The volume will be released to coincide with the centenary of Federico Fellini’s birth (January 2020), which will be celebrated in Italy with a traveling exhibition on the director that will start its journey from Milan in December 2019.
Filmed, Edited and Directed by: Stéphane Ridard
Camera: Rémy Solomon
Music: Florian Fourlin and Mickael Joseph
Spanning 5,200 acres in the Great Smoky Mountains, Blackberry Mountain continues a legacy of world-renowned hospitality and unwavering dedication and appreciation for the land. Rising above Miller’s Cove in Walland, TN, Blackberry Mountain has dedicated 2,800 acres of land to conservation.
Every adventure needs a home base, and the luxury accommodations on the Mountain offer equal parts modern design, natural charm and refined comfort. Choose from a ridgetop cabin, a stone cottage nestled into the hillside near The Lodge, or a multi-bedroom home. You’ll find each to be well-appointed, thoughtfully furnished and, of course, tastefully stocked.
This effort to preserve the natural wonder of the mountains offers breathtaking views and a serene escape from the stresses of modern life in a private national park setting. A commitment to land conservation and a passion for sharing the wonders of life in the Smokies shapes the unprecedented experience that awaits on Blackberry Mountain. Outfitted for adventure and designed for comfort, this estate takes the Blackberry State of Mind to new heights.
From a NeuroscienceNews.com online release article (01/02/20):
During the years 1976 through 1980, 15% of U.S. adults were obese. Today, about 40%of adults are obese. Another 33% are overweight.
“But, of course, food is now abundant, and our next meal is as close as the kitchen, or the nearest fast-food drive-through, or right here on our desk. Often, these foods are high in fats, sugars, and therefore calories, and that’s why they taste good. It’s easy to overconsume, and, over time, this takes a toll on our health.”
In a study published Thursday in the journal Current Biology, Güler and his colleagues demonstrate that the pleasure center of the brain that produces the chemical dopamine, and the brain’s separate biological clock that regulates daily physiological rhythms, are linked, and that high-calorie foods – which bring pleasure – disrupt normal feeding schedules, resulting in overconsumption. Using mice as study models, the researchers mimicked the 24/7 availability of a high-fat diet, and showed that anytime snacking eventually results in obesity and related health problems.
From Duke Law “Center For The Study of the Public Domain”:
On January 1, 2020, works from 1924 will enter the US public domain, where they will be free for all to use and build upon, without permission or fee. These works include George Gershwin’s Rhapsody in Blue, silent films by Buster Keaton and Harold Lloyd, and books such as Thomas Mann’s The Magic Mountain, E. M. Forster’s A Passage to India, and A. A. Milne’s When We Were Very Young. These works were supposed to go into the public domain in 2000, after being copyrighted for 75 years. But before this could happen, Congress hit a 20-year pause button and extended their copyright term to 95 years.
- Buster Keaton’s Sherlock, Jr. and The Navigator
- Harold Lloyd’s Girl Shy and Hot Water
- The first film adaptation of Peter Pan
- The Sea Hawk
- He Who Gets Slapped
- Dante’s Inferno
- Thomas Mann, The Magic Mountain
- E.M. Forster, A Passage to India
- Ford Madox Ford, Some Do Not… (the first volume of his “Parade’s End” tetralogy)
- Eugene O’Neill, Desire Under the Elms
- Edith Wharton, Old New York (four novellas)
- Yevgeny Zamyatin, We (the English translation by Gregory Zilboorg)
- A.A. Milne, When We Were Very Young
- Hugh Lofting, Doctor Dolittle’s Circus
- Edgar Rice Burroughs, Tarzan and the Ant Men
- Agatha Christie, The Man in the Brown Suit
- Lord Dunsany (Edward Plunkett), The King of Elfland’s Daughter
- Rhapsody in Blue, George Gershwin
- Fascinating Rhythm and Oh, Lady Be Good, music George Gershwin, lyrics Ira Gershwin
- Lazy, Irving Berlin
- Jealous Hearted Blues, Cora “Lovie” Austin (composer, pianist, bandleader) (recorded by Ma Rainey)
- Santa Claus Blues, Charley Straight and Gus Kahn (recorded by Louis Armstrong)
- Nobody’s Sweetheart, music Billy Meyers and Elmer Schoebel, lyrics Gus Kahn and Ernie Erdman
(Only the musical compositions referred to above are entering the public domain. Subsequent arrangements, orchestrations, or recordings of those compositions, such as Yuja Wang’s performance of Rhapsody in Blue, might still be copyrighted. You are free to copy, perform, record, or adapt Gershwin’s composition, but may need permission to use a specific recording of it.)
On May 22nd (1930), Battista “Pinin” Farina founded Carrozzeria Pinin Farina in Turin. The company was designed to build special car bodies for individual customers or in small production runs. The Corso Trapani plant had 150 employees on a covered area of 9250 square meters. In June, the following news appeared on an automobile periodical: “And now the popular nickname “Pinin” used by the whole of the Turin motoring world when talking about Battista Farina, was officially about to become used throughout the country, as a result of the recent Company changes which led to the founding of S.A. Carrozzeria Pinin Farina“. At the Paris Motor Show Pinin Farina exhibited Lancia, Alfa Romeo, Isotta-Fraschini and Fiat cars. The Lancia Dilambda, the first official Pinin Farina special, appeared at the 1931 Concours d’Elegance at Villa d’Este. His first accomplishments in the 1930’s included the Hispano Suiza Coupé and the Fiat 518 Ardita.
In the Thirties the car was a good that was reserved for a minor élite, almost a plaything for a narrow circle of bold, blasé youngsters. Yet Pinin felt sure that these unlikely, noisy jalopies, which also happened to be expensive, would change quickly to become outstanding and entirely respectable tools of individual mobility. One of the early ads says: “Luxury and grand luxury cars”. Cars were destined to ruling houses, diplomats, maharajahs and even some Middle East sheiks who were beginning to collect some of the first oil royalties, for actors and actresses, more foreigners than Italians. Pinin wrote: “In September I sold a Dilambda spider cabriolet to the Queen of Romania, I began to have some of the nobility amongst my customers”.
Pinin immediately embraced the cause of modernity and aerodynamics. In his view, it was the most natural way (in so far as it was the most respondent to the “nature” of the object) of solving the problem of the autonomous and original formal identity of cars. Aerodynamics, he was to write in his memoirs, was the “form of speed”. At the 1935 Milan Motor Show Pinin exhibited the Alfa Romeo 6C Pescara Coupé aerodinamico. One year later, the Lancia Astura Cabriolet tipo Bocca: elegance and craftsmanship for a small series of streamlined, richly finished cabriolets which introduced the unprecedented notion of the legitimacy of making a certain number of replicas of a custom-built model. Then the Lancia Aprilia Aerodinamica was built, a revolutionary berlinetta where an astonishing Cx of 0.40 was intuitively and empirically achieved. Aerodynamics was no longer a symbolic element, a metaphor of speed; it had now become a real standard of efficiency.