Born in the U.S.A, this 1960s VW Beetle Wizard gained its popularity in the midst of a custom car phenomenon with looks overriding performance, though it didn’t kick off in the UK until the 80s. Eye-catching, noisy and cool was the goal. About Car S.O.S Series 9: The best car restoration series with a big heart is back to bring a warm smile to all!
Master mechanic Fuzz Townshend and parts-blagging petrol head Tim Shaw set off on a mission to save decaying classic cars from their unsuspecting but very much deserving owners. The cars are taken to the Car S.O.S. garage with Tim & Fuzz racing against the clock to carefully restore it to its former glory, leading to the big, surprise reveal.
We see terriers, collies, beagles, bloodhounds, poodles, small dogs, big dogs, show dogs, working dogs, and many more, featuring over 60 breeds photographed in both black-and-white and glorious Kodachrome.
The world appears to be divided into cat and dog lovers, but fortunately Walter Chandoha, the 20th century’s greatest pet photographer found himself happily in the middle. He loved these intriguing creatures equally for their unique beauty and individualism, and as subjects to photograph in a career spanning over 70 years. While working on his critically acclaimed TASCHEN book Cats, Chandoha handpicked his favorite dog photos for a potential follow-up title, putting into carefully marked boxes hundreds of contact sheets, prints, and color transparencies, many unseen for at least 50 years, and some totally unseen.
Chandoha sadly passed away in 2019 at the age of 98, but his legacy lives on in this dashing sequel dedicated to man’s best friend. “Walter Chandoha’s photographs of dogs are compelling not just because dogs have an inherent charm, but because the person behind the camera was a master of his craft,” writes the photography critic Jean Dykstra in the book’s introduction.
Spanning a 50-year period, the book is divided into six sections, and each chapter reveals Chandoha’s exceptional combination of technique, versatility, and soul. The opening chapter “In the Studio” focuses on formal portraiture; next it’s “Strike a Pose” where our canine companions ham it up for the camera; in “Out and About” they get to roam and play, often photographed with Chandoha’s own children; next it’s “Best in Show” with Chandoha using his reportage skills to capture vintage dog shows from the Mad Men era; in “Tails from the City,” the dogs are hitting the streets of mid-century New York; and in the closing chapter “Country Dogs,” it’s back to nature, the fields, and the beaches. Dogs is an unleashed photographic tribute to these lovable and loyal creatures.
Walter Chandoha(1920–2019) was a combat photographer in the Second World War, before a chance encounter with a cat led him on a path that would shape his professional career. He is regarded as the world’s greatest domestic animal photographer with a career spanning over seven decades and an archive of more than 200,000 photographs. His photographs have appeared on over 300 magazine covers, thousands of advertisements, and were regularly featured in magazines such as Life, Look, and their equivalents around the world.
Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. Polaroids, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.
Denys Finch (Robert Redford) takes Karen Blixen (Meryl Streep) flying over Kenya’s Great Rift Valley in his Gipsy Moth biplane in this breathtaking sequence from Out of Africa, winner of seven Academy Awards including Best Picture.
The most acclaimed motion picture of 1985 stars Robert Redford and Meryl Streep in one of the screen’s great epic romances. Directed by Oscar® winner Sydney Pollack, Out of Africa is the fascinating true story of Karen Blixen, a strong-willed woman who, with her philandering husband (Klaus Maria Brandauer), runs a coffee plantation in Kenya, circa 1914. To her astonishment, she soon discovers herself falling in love with the land, its people and a mysterious white hunter (Redford). The masterfully crafted, breathtakingly produced story of love and loss earned Oscars® for Best Picture, Director, Screenplay (based on material from another medium), Cinematography, Original Score, Art Direction (Set Decoration) and Sound.
Cast: Meryl Streep, Robert Redford, Klaus Maria Brandauer, Michael Kitchen, Malick Bowens, Michael Gough, Suzanna Hamilton, Rachel Kempson, Graham Crowden, Leslie Phillips, Shane Rimmer
Terry Jones, Monty Python founder and Life of Brian director, dies aged 77. Jones, who was diagnosed with dementia in 2015, was the main directing force in Python’s films, as well a prolific creator of TV documentaries and children’s books.
In 1969, Palin and Jones joined Cambridge graduates Cleese and Graham Chapman – along with Idle and animator Terry Gilliam – on a BBC comedy sketch show. Eventually broadcast under the title Monty Python’s Flying Circus, it ran until 1974, with Jones largely writing with Palin (complementing Cleese’s partnership with Chapman). Seemingly chaotic, frequently surreal and formally daring, Monty Python’s Flying Circus would became one of the most influential shows in BBC history, revolutionising comedy formats, spawning scores of catchphrases, and inspiring an entire generation of comedians. Jones’s fondness for female impersonation was a key feature of the show, as was his erudite writing.
Bill Ray, primarily known for his work for Life magazine, has died aged 84. Born in Nebraska in 1936, he graduated from local newspapers to a staff job on Life, and photographed 46 covers for Newsweek. He was famed for his images of celebrities, and also covered the Hells Angels motorcycle club and the aftermath of the Watts riots.
The first of these urban amenities arose in the 1960s, but it was in the 1980s and ‘90s that the construction of science centers truly boomed. Inspired by historic World’s Fair exhibitions, industrial and natural history museums, and the sci-fi dreams of their early founders, science centers had a hands-on mission distinct from that of most museums—to engage rather than display. They offered levers you could pull, gyroscopes you could spin, lab experiments you could conduct.
The science center is an adolescent among museum types, one whose main growth spurt was in recent memory. Over the past 40 years, they went from a sparse to a ubiquitous presence, now found in almost every major city. Their emergence stretched the ontological essence of the museum: They present not objects, but concepts. Many science centers define themselves explicitly this way and possess slim to no permanent collections.
The volume will be released to coincide with the centenary of Federico Fellini’s birth (January 2020), which will be celebrated in Italy with a traveling exhibition on the director that will start its journey from Milan in December 2019.
This is a new edition of the diary kept by Federico Fellini, in which the great director faithfully recorded his dreams and nightmares.
A highly colorful journey into the boundless territory of a genius’s imagination, this is a work that added a fundamental element to the study of Federico Fellini and his creative experience. From the late 1960s until 1990, the great director used this diary to represent his nocturnal visions in the form of drawings or, as he himself described them, “scribbles, rushed and ungrammatical notes.”
About The Author
Sergio Toffetti, born in Turin in 1951, is president of the Museo Nazionale del Cinema and has published essays on Italian and international cinema, and on the conservation and restoration of film. Felice Laudadio is president of the Fondazione Centro Sperimentale di Cinematografia in Rome. He has overseen numerous cinema events, such as MystFest, EuropaCinema, and RomaFictionFest. Gian Luca Farinelli has been director of the Cineteca of Bologna since 2000. In 1986 he created, together with Nicola Mazzanti, Il Cinema Ritrovato an event dedicated to the history of cinema and the activity of film libraries. Together with Martin Scorsese, Raffaele Donato, Thierry Frémaux, and Alberto Luna he founded the World Cinema Foundation, which brings together about twenty great international directors for the restoration of third-world films.
Has comedy evolved since you started? I think a lot more is allowed. When I was first starting out and was on “Laugh-In,” around ’71, I was trying to keep a low profile when I’d be working on something new.
Did you have that sense early in your career that your approach to comedy was different from most comedians? No. I just wanted to do the person, and more than likely the character would be self-confident and secure in her world. for instance. She mostly was looking out for herself and skewering pomposity, if I was going to be true to a child, the humor would take on a different quality.
Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones.
Known, unknown, rare and unseen images from former Rolling Stones bassist Bill Wyman, capturing life on-stage, backstage and on the road
In addition to this trade edition, there will also be a limited edition of 300 copies, which comes in a slipcase, with an open-edition A4 print
As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world’s greatest rock ‘n’ roll band, Wyman continued his hobby. When he didn’t have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From travelling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way.
Shatner takes a comprehensive look at this singular performer, using archival sources and information culled from interviews with friends and colleagues to transport readers through William Shatner’s remarkably bumpy career: his spectacular failures and triumphs; tragedies, including the shocking death of his third wife, Nerine; and, ultimately, the resilience Shatner has shown, time and again, in the face of overwhelming odds. Author Michael Seth Starr unravels the mystery of William Shatner, stripping away the many myths associated with his personal life and his relationships with fellow actors, presenting a no-holds-barred, unvarnished look at the unique career of an inimitable performer.
In the early months of 1966, a handsome, hardworking thirty-five-year-old Canadian-born actor named William Shatner was cast as Captain Kirk in Star Trek, a troubled, low-budget science-fiction television series set to premiere that fall on NBC. Star Trek struggled for viewers and lasted only three seasons, but it found a huge, rabidly dedicated audience when it premiered in syndication following its cancellation—turning Shatner into a pop-culture icon and launching him on a career path he never could have imagined after graduating from McGill University with an economics degree twenty years earlier. As he approaches his ninetieth year, he’s still working at a furious pace as a man of boundless contradictions: by turns one of the most dissected, disliked, revered, respected, mocked, imitated, and beloved stars in the show business firmament.