When “The Godfather” opened in March 1972, director Francis Ford Coppola’s drama about a mob family forever changed how we look at gangster films. Correspondent Tracy Smith talks with Coppola, and with stars Robert Duvall, James Caan and Talia Shire, about the making of a classic that, 50 years later, movie lovers still cannot refuse.
A new book argues the 1970’s was a moment when TV, movies, and music all shifted into a new gear, changing the cultural landscape in ways that continue to today. Jeffrey Brown has a conversation with author Ron Brownstein about his book “Rock Me on the Water: 1974-The Year Los Angeles Transformed Movies, Music, Television, and Politics.” This segment is part of our arts and culture series, CANVAS.
Every legacy has a compelling origin. The soon-to-be-launched Landsat 9 is the intellectual and technical product of eight generations of Landsat missions, spanning nearly 50 years.
Episode One answers the question “why?” Why did the specific years between 1962 and 1972 call for a such a mission? Why did leadership across agencies commit to its fruition? Why was the knowledge it could reveal important to the advancing study of earth science?
In this episode, we’re introduced to William Pecora and Stewart Udall, two men who propelled the project into reality, as well as Virginia Norwood who breathed life into new technology. Like any worthwhile endeavor, Landsat encountered its fair share of resistance. Episode one explores how those challenges were overcome with the launch of Landsat 1, signifying a bold step into a new paradigm.
Additional footage courtesy of Gordon Wilkinson/Texas Archive of the Moving Image and the US Geological Survey. The Landsat Program is a series of Earth-observing satellite missions jointly managed by NASA and the U.S. Geological Survey (USGS). Landsat satellites have been consistently gathering data about our planet since 1972. They continue to improve and expand this unparalleled record of Earth’s changing landscapes for the benefit of all.
Music: “The Missing Star,” “Brazenly Bashful,” “Light Tense Weight,” “It’s Decision Time,” “Patisserie Pressure,” from Universal Production Music Credit: NASA’s Goddard Space Flight Center Matthew R. Radcliff (USRA): Lead Producer Ryan Fitzgibbons (USRA): Lead Producer Kate Ramsayer (USRA): Lead Producer LK Ward (USRA): Lead Writer Ryan Fitzgibbons (USRA): Lead Editor Jeffrey Masek (NASA/GSFC): Lead Scientist Marc Evan Jackson: Narrator Terry Arvidson (Lockheed Martin): Interviewee Aaron E. Lepsch (ADNET): Technical Support
We see terriers, collies, beagles, bloodhounds, poodles, small dogs, big dogs, show dogs, working dogs, and many more, featuring over 60 breeds photographed in both black-and-white and glorious Kodachrome.
The world appears to be divided into cat and dog lovers, but fortunately Walter Chandoha, the 20th century’s greatest pet photographer found himself happily in the middle. He loved these intriguing creatures equally for their unique beauty and individualism, and as subjects to photograph in a career spanning over 70 years. While working on his critically acclaimed TASCHEN book Cats, Chandoha handpicked his favorite dog photos for a potential follow-up title, putting into carefully marked boxes hundreds of contact sheets, prints, and color transparencies, many unseen for at least 50 years, and some totally unseen.
Chandoha sadly passed away in 2019 at the age of 98, but his legacy lives on in this dashing sequel dedicated to man’s best friend. “Walter Chandoha’s photographs of dogs are compelling not just because dogs have an inherent charm, but because the person behind the camera was a master of his craft,” writes the photography critic Jean Dykstra in the book’s introduction.
Spanning a 50-year period, the book is divided into six sections, and each chapter reveals Chandoha’s exceptional combination of technique, versatility, and soul. The opening chapter “In the Studio” focuses on formal portraiture; next it’s “Strike a Pose” where our canine companions ham it up for the camera; in “Out and About” they get to roam and play, often photographed with Chandoha’s own children; next it’s “Best in Show” with Chandoha using his reportage skills to capture vintage dog shows from the Mad Men era; in “Tails from the City,” the dogs are hitting the streets of mid-century New York; and in the closing chapter “Country Dogs,” it’s back to nature, the fields, and the beaches. Dogs is an unleashed photographic tribute to these lovable and loyal creatures.
Walter Chandoha (1920–2019) was a combat photographer in the Second World War, before a chance encounter with a cat led him on a path that would shape his professional career. He is regarded as the world’s greatest domestic animal photographer with a career spanning over seven decades and an archive of more than 200,000 photographs. His photographs have appeared on over 300 magazine covers, thousands of advertisements, and were regularly featured in magazines such as Life, Look, and their equivalents around the world.
Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. Polaroids, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.
GM employee, Adrienne Peters’ custom-built 1970 Chevy Monte Carlo is the definition of minimalist muscle car. Take a walk around her performance powerhouse.
Built as a more powerful variant of the 914, only 10 of these pre-production 916s were built. Each of the prototypes wore a fixed steel roof, a double grilled engine lid, seven-inch Fuchs wheels, and flared fenders from the 914-6 GT cars.
Fitted with a 2.4-liter flat-six engine from the 911 S model, the example on offer was originally owned by Louise Piëch, Ferdinand Piëch’s sister. It later went on to be the centerpiece in several prominent collections and is offered today from single ownership since 2008 in concours condition following a comprehensive two-year, bare-metal restoration.
Singer-songwriter Graham Nash had recently embarked on a sold-out tour, until it was cancelled due to coronavirus. Anthony Mason sits down with Nash in New York City to talk with the former member of The Hollies and Crosby, Stills & Nash about how he has maintained his productivity while remaining under lockdown.
From a Rolling Stone Magazine Interview (April 22, 2020):
Well, in 1970, things were vastly more limited. We had three dominant television networks, and also public broadcasting. We had a handful of national newspapers and the wire services. News magazines were much more important than now. That was pretty much it.
Denis Hayes is the Mark Zuckerberg of the environmental movement, if you can imagine Mark Zuckerberg with a conscience and a lot less cash. Like Zuckerberg, Hayes dropped out of Harvard to start an eccentric and unpromising venture. Zuckerberg’s was called Facebook, which he launched in 2004; Hayes’ was called Earth Day, which he founded in 1970.
Hayes is a child of the Sixties. He grew up in a small town on the Columbia River in Washington state, where his father worked in a paper mill and Hayes saw firsthand the toxic consequences of the collision between industry and nature: dirty air, spoiled streams, dead fish. He drifted through college, bummed around in Asia and Africa, and thought deeply about the role of humans in the natural world.
The greatest roles of her life were behind the scenes. Natalie Wood: What Remains Behind is an intimate portrait of actor Natalie Wood’s life and career, told through the eyes of her daughter Natasha Gregson Wagner and others who knew her best. The film celebrates the woman behind the iconic imagery and explores the compelling details of Wood’s personal life and illustrious career that are often overshadowed by her tragic death.
The documentary premieres May 5th at 9pm on HBO.
From a Gentleman’s Journal article (March 26, 2020):
Studio 54. You had to be there. And even if you were, you’d scarcely believe it. Studio 54! The club that changed nightlife forever, where the crowds were so big they had to call in the fire brigade, where the brightest stars of the 1970s — Michael Jackson, Mick Jagger, Debbie Harry, Grace Jones and Andy Warhol, to name a handful …
Schrager and Rubell achieved an all-American comeback. The duo stormed back into Nightworld with Palladium, another runaway hit of a club, and Morgans, their first hotel. “It took off like a bat out of hell,” Schrager says. (One of his favorite memories of opening day is Andy Warhol with his nose pushed up against the window, waiting anxiously for the door to open.)
Morgans, and then the Royalton, followed by the Paramount, were the boutique hotels that invented the boutique hotel — a design and business paradigm that has thousands of imitators today.
Ian Schrager (born July 19, 1946) is an American entrepreneur, hotelier and real estate developer, often associated with co-creating the “boutique hotel” category of accommodation. Originally, he gained fame as co-owner and co-founder of Studio 54.