Category Archives: Reviews

The 1980’s: Science Center Construction Boomed – New Age “Museums”

From a CityLab.com online article:

The first of these urban amenities arose in the 1960s, but it was in the 1980s and ‘90s that the construction of science centers truly boomed. Inspired by historic World’s Fair exhibitions, industrial and natural history museums, and the sci-fi dreams of their early founders, science centers had a hands-on mission distinct from that of most museums—to engage rather than display. They offered levers you could pull, gyroscopes you could spin, lab experiments you could conduct. 

Citilab logoThe science center is an adolescent among museum types, one whose main growth spurt was in recent memory. Over the past 40 years, they went from a sparse to a ubiquitous presence, now found in almost every major city. Their emergence stretched the ontological essence of the museum: They present not objects, but concepts. Many science centers define themselves explicitly this way and possess slim to no permanent collections.

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Medical Technology: “Digital Health Trends” At CES 2020 Show (Podcast)

January 8, 2020 – Digital health is one of the hottest and fastest-growing tech categories, not just at CES but throughout the entire tech industry. Join us for a roundtable with media experts discussing health innovations at CES 2020, the growth potential for the health care market and more.

Guests Amy Roberts, Managing Editor, Reviewed Dana Wollman, Editor-In-Chief, Engadget Neil Batra, Principal—Life Sciences & Health Care Strategy, Deloitte

Electric Cars: “Fisker Ocean SUV 2021” Unveiled At CES 2020 (Video)

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Exhibitions: 74-Year Old Artist John Alexander – “Landscape And Memory” (Berggruen Gallery)

JANUARY 9 – FEBRUARY 15, 2020

 

John Alexander The Temptation 2019 Landscape and Memory Berggruen Gallery January 2020Berggruen Gallery is proud to present John Alexander: Landscape and Memory, an exhibition of recent paintings and drawings by Texas-born, New York-based artist John Alexander. This show marks Alexander’s second solo exhibition with the gallery and will be on view January 9 through February 15, 2020. The gallery will host an opening reception for the artist on Thursday, January 16 from 5:00 to 7:00pm.

John Alexander’s most recent body of work presents a detailed collection of landscapes, botanicals, sea life, and animals – each subject an emblem of the artist’s own mind and memory. Alexander grew up between the bayous and the wooded wilderness of East Texas, enjoying camping and fishing trips within the lush, diverse landscape that would ultimately become so influential to him. Moreover, Alexander’s understanding and appreciation for the natural world was fortified by his father’s environmentalism. For Alexander, developing an environmental acuity, especially for his native Texas, was familial. Today, the artist creates work in reference to the nature-based consciousness he developed in his youth.

Berggruen Gallery San FranciscoThe introspective nature of Alexander’s work is revealed through the artist’s keen observations of his surrounding environment and the vivid way in which he paints it. Employing bold, painterly strokes, Alexander maintains an acute sensibility of his subject matter – whether it be the detailed rendering of the spiny lobster, an expressive portrayal of grackles and ibises perched in branches, or more expansive, floating florals. The artist also injects elements of whimsy; the playful monkeys he paints peer out of their canvases to almost directly engage the viewer. And thus each work is imbued with an authentic, raggedly pristine, emotional sense of the earth we all inhabit. In this way, Alexander creates scenes that are deeply personal, yet also shared…nostalgic yet ongoing…exotic yet familiar…of the world yet otherworldly. Saturating his landscapes with humor, sentimentality, and veneration, Alexander reveals as much about himself as he does about nature.

John Alexander: Landscape and Memory is comprised of nine paintings and four drawings, work that comes together in reverence for the formal tradition of landscape painting. Paying homage to an Impressionist Master, Claude Monet, Alexander paints dreamy hollyhocks. Invoking the more recent Hudson River School, Alexander carefully creates bucolic scenes of both reality and idealization. Perhaps most unexpectedly, Alexander also nods to the Abstract Expressionists, applying thick strokes of paint in a gestural, emotional meditation. In turn, Alexander’s work pays tribute to the long and varied legacy of landscape painting before him while simultaneously remaining true to his own, very personal, connection to nature. Through the amalgamation of art historical context, environmental conservation, and the integration of a more intimate narrative, Alexander produces a body of work that is raw, compelling, and perhaps above all else, natural.

John Alexander was born in Beaumont, Texas, in 1945. He received his B.F.A. from Lamar University in Beaumont in 1968 and his M.F.A. from the Southern Methodist University in Dallas in 1970. Following graduate school, Alexander taught at the University of Houston. Though the artist’s Texas roots influence much of his work, to solely categorize Alexander as a “Texas” artist would be inaccurate. In 1979, having established himself in Houston as a prominent local artist, Alexander moved to New York City. Today the artist divides his time between his SoHo studio loft and home in Amagansett, East Hampton. Alexander’s work has been widely exhibited at such prestigious institutions as the Corcoran Gallery of Art and the Smithsonian American Art Museum, both in Washington, D.C., and the Museum of Fine Arts, Houston. His work is featured in the permanent collections of several leading institutions, including The Metropolitan Museum of Art, New York; the Dallas Museum of Art; and the Museum of Contemporary Art, Los Angeles; as well as many other public and private collections worldwide.

Website

Technology Review: AI Camera & Sensor Systems At CES 2020 (WSJ Video)

Two new smart systems use cameras, artificial intelligence and an assortment of sensors to keep watch over you—Patscan looks for threats in public spaces, while Eyeris monitors the driver and passengers in a car. WSJ’s Katherine Bindley visits CES to explores their advantages, as well as their privacy costs.

Essays: 61-Year Old Canadian Writer Don Gillmor Reflects On Baby Boomers (Maclean’s)

From a Maclean’s Magazine online essay (01/08/20):

Don Gillmor in his home office Photograph by May Truong Maclean's Magazine January 8 2020
Don Gillmor in his home office (Photograph by May Truong)

Boomers tore down institutions—divorce rates went up, churchgoing went down. We demonized the corporations that previous generations had venerated, though we bought their products in record numbers, our idealism blurring with the search for the perfect pair of jeans. We wanted it all. In place of institutions, we created the cult of the individual, our own particular Frankenstein.

So much of our music comes back to us in unfortunate ways, Dylan’s anthems barely recognizable in sappy orchestral arrangements that fill the hours we spend on hold. And we seem to be permanently on hold these days. We are between 55 and 73 years old now, still defining this as middle age, still a potent economic force because of our numbers, controlling 70 per cent of disposable income, though it feels to many of us that we have already disposed of it. Still, we bought houses when they were vaguely affordable. And politicians still cater to us because we vote en masse. However, we are largely left out of the cultural conversation, as music and social media continues to evolve, always leaving us one app behind the curve.

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Vintage: “1955 Cadillac Eldorado Convertible” (Classic Driver)

From Wikipedia:

1955 Cadillac Eldorado Interior Classic DriverThe Cadillac Eldorado is a premium luxury car that was manufactured and marketed by Cadillac from 1952 to 2002 over twelve generations. Competitors and similar vehicles included the Continental Mark series, Buick Riviera, Oldsmobile Toronado and Chrysler’s Imperial Coupe.

The Eldorado was at or near the top of the Cadillac line. The original 1953 Eldorado convertible and the Eldorado Brougham models of 1957–1960 had distinct bodyshells and were the most expensive models that Cadillac offered those years. The Eldorado was never less than second in price after the Cadillac Series 75 limousine until 1966. From 1967 on, the Eldorado was built in high volumes on a unique two door personal luxury car platform.

Classic Driver logoFor 1955, the Eldorado’s body gained its own rear end styling with high, slender, pointed tailfins. These contrasted with the rather thick, bulbous fins which were common at the time and were an example of the Eldorado once again pointing the way forward. The Eldorado sport convertible featured extras such as wide chrome body belt moldings and twin round taillights halfway up the fenders. Sales nearly doubled to 3,950.

Website

 

1950’s English Sports Cars: “1956 Austin-Healey BN2”

From Wikipedia:

1956 Austin-Healey BN 2 100 BN2 Le Mans ‘ M’ Interior Classic DriverThe Austin-Healey 100 is a sports car that was built by Austin-Healey from 1953 until 1956.

Based on Austin A90 Atlantic mechanicals, it was developed by Donald Healey to be produced in-house by his small Healey car company in Warwick. 

Healey built a single Healey Hundred for the 1952 London Motor Show, and the design impressed Leonard Lord, managing director of Austin, who was looking for a replacement for the unsuccessful A90. Body styling was by Gerry Coker, the chassis was designed by Barry Bilbie with longitudinal members and cross bracing producing a comparatively stiff structure upon which to mount the body, innovatively welding the front bulkhead to the frame for additional strength. In order to keep the overall vehicle height low the rear axle was underslung, the chassis frame passing under the rear axle assembly.

Classic Driver logoLord struck a deal with Healey to build it in quantity; bodies made by Jensen Motors were given Austin mechanical components at Austin’s Longbridge factory. The car was renamed the Austin-Healey 100.

The “100” was named by Healey for the car’s ability to reach 100 mph (160 km/h); its successor, the better known Austin-Healey 3000, was named for the 3000 cc displacement of its engine.

Apart from the first twenty cars, production Austin-Healey 100s were finished at Austin’s Longbridge plant alongside the A90 and based on fully trimmed and painted body/chassis units produced by Jensen in West Bromwich—in an arrangement the two companies previously had explored with the Austin A40 Sports. 14,634 Austin-Healey 100s were produced.

The 100 was the first of three models later called the Big Healeys to distinguish them from the much smaller Austin-Healey Sprite. The Big Healeys are often referred to by their three-character model designators rather than by their models, as the model names do not reflect the mechanical differences and similarities well.

View more photos at Classic Driver

New Books: “A Journey Through Wine And Food”

A Journey Through Wine and Food - A Collection of Wine and Food Pairings Jerilyn Zaveral and Carla Anderson January 2020A Journey Through Wine and Food is a total sensory experience with its lifelike photography, stunning presentation of each dish, glimpses into the wineries and their winemakers, histories of the Central Valley wine region, and most of all amazing recipes that will transform everyday meals into priceless celebrations for any occasion! Inspirational quotes can also be found throughout as a reminder that not only do we need food to nourish our bodies, but we need the company of those on our journey to nourish out souls.

From Shrimp Tacos and Rose, to Beef Bourguignon with Burgundy, to Chocolate Cake paired with Port, A Journey Through Wine and Food gives everyone an opportunity to enhance their experience in the kitchen, regardless of skill level, and takes the guess work out of which wines to pair with dinner. It will also take you on a journey through The Central Valley wine regions of California giving you a sneak peek at some of the best wineries in the world, which until now could be considered “hidden gems.”

Jerilyn Zaveral was born and raised in Central California where she continues to live with her husband Joe and their dog, Hogan. Other than a short stay in New York when she wrote her first cookbook and opened her first cafe, her heart and home have always been in the San Joaquin Valley where she enjoys cooking for family and friends and tasting fine wines. She has won several awards in cooking competitions and cook-offs. Most notably her cafe “Z Spice of Life” was recognized as a destination spot in the Hudson Valley Explorer’s Guide. Jerilyn’s love of creating recipes and meals began when she was a very young child in her grandmother’s kitchen. More specifically, it was one afternoon while baking a chocolate cake when her grandmother asked her to get out the mayonnaise…the realization instantly took hold that cooking isn’t always about the end product, but about the journey of discovering unique tastes, textures and combinations of flavors that others might not expect.

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Books On Aging: “Old Man Country” – Thomas R. Cole

Old Man Country My Search for Meaning Among The Elders Thomas R. Cole December 2019The book follows the journey of a writer in search of wisdom, as he encounters twelve distinguished American men over 80 — including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon. In these and other intimate conversations, the book explores and honors the particular way that each man faces four challenges of living a good old age: Am I still a man? Do I still matter? What is the meaning of my life? Am I loved? 

We aspire to live in a country where old men are celebrated as vital elders but not demeaned if they become ill and dependent. We aspire to maintain health as well as maintain dignity and fulfillment in frailty. Old Man Country helps readers see and imagine these possibilities for themselves.

Review of book in Houston Chronicle

Readers will come to see how each man — even the most famous — faces universal challenges. Personal stories about work, love, sexuality, and hope mingle with stories about illness, loss and death. This book will strengthen each of us as we and our loved ones anticipate and navigate our way through the passages of old age.

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