Cruise, the self-driving subsidiary of General Motors, revealed its first vehicle to operate without a human driver, the Cruise Origin. The vehicle, which lacks a steering wheel and pedals, is designed to be more spacious and passenger-friendly than typical self-driving cars. Cruise says the electric vehicle will be deployed as part of a ride-hailing service, but declined to say when that might be.
The Triumph TR3 is a British sports car produced between 1955 and 1962 by the Standard-Triumph Motor Company of Coventry, England. A traditional roadster, the TR3 is an evolution of the company’s earlier TR2 model, with greater power and improved braking. Updated variants, popularly but unofficially known as the “TR3A” and “TR3B”, entered production in 1957 and 1962 respectively. The TR3 was succeeded by the Michelotti-styled, mechanically similar Triumph TR4.
The rugged ‘sidescreen’ TR, so named for its employment of removable plexiglass side curtains, was a sales and motorsport success. With approximately 74,800 TR3s sold across all variants, the model was the company’s third best seller in the TR range, behind the TR7 (111,500 units) and TR6 (94,500 units) models.[7] The Triumph was campaigned in races, hill climbs, and rallies across Europe and North America, with several outright, team, and class victories to its credit.
From Wikipedia
As one of the leading figures in the field of international relations, Joseph S. Nye, Jr., Harvard University Distinguished Service Professor Emeritus, has had a major influence on the way that policymakers think American foreign policy.
In his new book, “Do Morals Matter: Presidents and Foreign Policy from FDR to Trump,” Professor Nye explores the question of how heavily moral questions weigh on the decisions of U.S. presidents since the end of World War II. On this episode of Behind The Book, produced by Library and Knowledge Services at Harvard Kennedy School, we take a look at Professor Nye’s new book and how he assesses the legacy of past presidents based on the morality of their foreign policy.
“Do Morals Matter: Presidents and Foreign Policy from FDR to Trump” is published by Oxford University Press.
Joseph S. Nye Jr., is the University Distinguished Service Professor, Emeritus and former Dean of the Harvard’s Kennedy School of Government. He has served as Assistant Secretary of Defense for International Security Affairs, Chair of the National Intelligence Council, and Deputy Under Secretary of State for Security Assistance, Science and Technology.
His most recent books include The Power to Lead; The Future of Power; Presidential Leadership and the Creation of the American Era; and Is the American Century Over. He is a fellow of the American Academy of Arts and Sciences, the British Academy, and the American Academy of Diplomacy.
In a recent survey of international relations scholars, he was ranked as the most influential scholar on American foreign policy, and in 2011, Foreign Policy named him one of the top 100 Global Thinkers.
For our debut, we wanted to do something that would appeal to anyone and everyone who has the slightest interest in watches. Whether you are new to the game or have been scouring flea markets since you could walk, we want you to be able to pick up this book and gain a greater understanding of watches and all they have to offer.
So we broke it down into nine chapters: “A Brief History of Time,” “Chronographs,” “The Dive Watch,” “Travel Time,” “Military Watches,” “High Complications,” “Women and Watches,” “Dress Watches,” and “Icons.” Each chapter was written by one of our editors: Benjamin Clymer, Cara Barrett, Cole Pennington, Jack Forster, James Stacey, Jason Heaton, Jonathan Bues, and Stephen Pulvirent, with a foreword by Mr. Joe Thompson.
MASH (stylized on-screen as M*A*S*H) is a 1970 American black comedy war film directed by Robert Altman and written by Ring Lardner Jr., based on Richard 
Hooker’s novel MASH: A Novel About Three Army Doctors. The picture is the only theatrically released feature film in the M*A*S*H franchise, and it became one of the biggest films of the early 1970s for 20th Century Fox.
The film depicts a unit of medical personnel stationed at a Mobile Army Surgical Hospital (MASH) during the Korean War. It stars Donald Sutherland, Tom Skerritt, and Elliott Gould, with Sally Kellerman, Robert Duvall, René Auberjonois, Gary Burghoff, Roger Bowen, Michael Murphy, and in his film debut, professional football player Fred Williamson. Although the Korean War is the film’s storyline setting, the subtext is the Vietnam War — a current event at the time the film was made.[1]
The film won Grand Prix du Festival International du Film, later named Palme d’Or, at 1970 Cannes Film Festival. The film went on to receive five Academy Award nominations, including Best Picture, and won for Best Adapted Screenplay. MASH was deemed “culturally significant” by the Library of Congress and was selected for preservation in the United States National Film Registry. The Academy Film Archive preserved MASH in 2000.[2] The film inspired the television series M*A*S*H, which ran from 1972 to 1983.
From Wikipedia
In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood.
June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge’s The Rime of the Ancient Mariner and “Kubla Khan,” as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with “Tintern Abbey,” Wordsworth’s paean to the unity of soul and cosmos, love and understanding.
The poetry Wordsworth and Coleridge made was not from settled conclusions but from the adventure on which they embarked, thinking of poetry as a challenge to all received ideas, stripping away the dead matter, looking to shed consciousness and so change the world. What emerges is a portrait of these great figures seen not as literary monuments but as young men, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths toward it.
The artist Tom Hammick accompanied Nicolson for much of the year, making woodcuts from the fallen timber in the park at Alfoxden where the Wordsworths lived. Interspersed throughout the book, his images bridge the centuries, depicting lives at the source of our modern sensibility: a psychic landscape of doubt and possibility, full of beauty and thick with desire for a kind of connectedness that seems permanently at hand and yet always out of reach.
From a The Modern House online article:
British architectural designer John Pawson has, in a career spanning over three decades, created an inimitable body of work characterized by its distillment of the fundamental ingredients of architecture into their most elemental, elegant expressions.
His design practice, which began primarily with residential commissions, now extends to churches, museums, ballet sets, textiles, kitchenware and furniture. Despite his minimalist
approach, Pawson is sensitive to the intimate rituals of daily life and his buildings are far from austere: instead, they elegantly make the case for the clarity and freedom to be found in the act of reduction.
In a new book published by Phaidon, writer Alison Morris explores Pawson’s most recent projects, shedding light on his working process and influences accompanied by stunning photographs, drawings and imagery from his personal journal.
Carel Willink was a pioneer of Magic Realism, an avant-garde movement of Dutch modernism closely associated with Surrealism. In this episode of Anatomy of an Artwork, discover how a visit to Italy’s Bomarzo Gardens following the death of his wife inspired a series of paintings featuring monsters, see how Willink drew further inspiration from dream-like images and illusions, and learn how his near-photographic style exudes a sense of mystery and enchantment.
From a New Atlas online article:
French company Beauer has earned a lot of attention over the years for telescoping teardrop caravans that grow double or triple their size at the push of a button. Now the company’s bringing its tech to van life, launching a plug-and-play module that grows to create a large camper at camp and a smaller, nimbler van on the road. The X-Van installs in 10 minutes and extends the length of the van to add comfy sleeping quarters for two, giving a mid-size van the length of a full-size model.
After popping the tailgate, the owner merely hits a button on the pillar next to the driver seat and watches as the electrically actuated module sets up within a minute’s time. The only thing left to do is pop the expansion panels on the module’s sides to increase elbow room inside. The 25-mm sandwich construction keeps the temperature comfy inside.
Boomers Daily 