From The Guardian (April 16, 2020):
“As this epidemic makes clear, at any moment, any of us could become sick, could become hospitalized, could be on a mechanical ventilator,” said Adam Gaffney, an ICU doctor in Boston. “And that, in the United States, could mean potentially ruinous healthcare costs.”
With over 21,000 people dead and more than a 547,000 infected with the coronavirus in the US the last question on a person’s mind should be how they will pay for life-saving treatment.
There were 27.9 million people without health insurance in 2018, and record-high unemployment will increase that figure by millions
But as the death toll mounted, a patient who was about to be put on a ventilator in one of New York City’s stretched to capacity intensive care units had a final question for his nurse: “Who’s going to pay for it?”
SWEETS hotel is an initiative and co-creation of the Amsterdam based architecture office 
What might that mean for the bathrooms of the post-coronavirus world? Americans have already demonstrated a keen fixation with this household feature: In the last 50 years, the number of home bathrooms per person has doubled. One could easily see the lavatory-building boom accelerate further as future homeowners keep the needs of the self-quarantined in mind. And many have speculated that sales of bidet attachments will surge as toilet-paper shortages encourage Americans to embrace this more sustainable alternative.
From reception pavilion to proper house, 2m26’s houses are unique pieces. They are produced made to measure, on demand. They absolutely fit to the landscape. The houses are made of pine planks, rough cuted. The structure is protected with linseed oil to resist to weather conditions and walnut stain can be added to obtain a dark color.
The building process / prefab gives the opportunity to prepare all the pieces at the Atelier. Moreover, it reduces on site time of construction, damages on plants and minimizes noise pollution. On site construction can be scheduled from a week to a month.
beautifully handcrafted backgammon sets, luxury games and bespoke furniture. Her designs are both games and objets d’art.
Companies that structure themselves as location-independent have developed norms and practices that bridge the emotional and logistical distances. The same is true for their workers. For such companies, remote-only work can reduce costs, expand the talent pool and boost productivity. By contrast, being forced by a crisis to work remotely is likely to be disruptive and frustrating. It may be better than shutting down, but it will likely lead to a big drop in productivity.
“The art world is the same as the rest of the world,” says British artist, writer, and punk-rocker Billy Childish. “What it requires is new, more, and now.” Childish has worked defiantly and prolifically outside of the mainstream since his expulsion from art school in the early 1980s. To the polymath—whose paintings, poems, novels, and music draw heavily from his autobiography—art is a deeply personal experience that should not rely on external validation, whether from critics or audiences. From his painting studio located on a historic dockyard in Kent, United Kingdom, Childish speaks passionately about the freedom that comes with self-validation. When asked about his perspective on the future of art, he demurs. “People think we’re continually ascending a mountain to success or to enlightenment,” he says. “It’s here and now and this is it.”
Its optimal weight, around 450kg depending on the options, allows it to be towed by most cars with just its B license in its pocket. 
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