In this week’s episode of “Cocktails with a Curator,” join Xavier F. Salomon, Peter Jay Sharp Chief Curator, as he explores “Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland” by James McNeill Whistler. Delve into the tumultuous history of Whistler’s relationship with Frederick Richards Leyland, the shipping magnate who commissioned the painting, as well as the painter’s affinity for Japanese culture. This week’s complementary cocktail is a Sake Highball on the rocks.
A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with just 20 paintings and nine drawings to his name, Netherlandish visionary Hieronymus Bosch (c. 1450–1516) secured his place as a pillar of art history. To this day, the painter par excellence of hell and its demons continues to puzzle and enthrall scholars, artists, designers, and musicians alike.Based on the best-selling XXL edition, which saw TASCHEN commission new and exclusive photography of details and recently restored works, this large-scale monograph presents Bosch’s complete oeuvre. Texts from art historian and Bosch expert Stefan Fischer dissect the many compelling elements that populate each scene, from hybrid creatures of man and beast to Bosch’s pictorial use of proverbs and idioms. By tying together the elusive threads of his oeuvre into one exhaustive overview, this book reveals just what it was about Bosch and his painting that proved so immensely influential.
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In this episode of “Travels with a Curator,” Curator Aimee Ng takes viewers on a journey to Lisbon’s Calouste Gulbenkian Museum, the home of an extraordinary private collection that, like the Frick, was made available for the enjoyment of the public after the collector’s death. This is a museum about discovery and movement, a place of marvelous encounters between the Old Masters and modernist architecture. Peek inside this spectacular museum—you may recognize a certain marble sculpture whose terracotta sister resides at the Frick.
An introduction to Futurism, the dynamic movement that revolutionised Italian art at the beginning of the twentieth century. Obsessed with speed, the Futurists created art that captured the dawning of a new age. Also included is a closer look at Umberto Boccioni a founding member of the group, who died tragically young during the First World War. An extract from the Christie’s Education online course, Modern Art.
As an early patron and friend of artists including Louise Bourgoeis, Ann Hamilton and Lee Krasner, Ginny Williams was revered for her pioneering support. “Ginny saw the Art World as this wonderful and diverse ecosystem, and she loved all parts of it” Sotheby’s Chariman Amy Cappallazzo fondly recalls, “she had a tremendously rich relationship with so many artists”.
In the 1960s, while America was being wowed by Pop art, Europe had its own answer to bringing life and art closer together. In this episode of Expert Voices, learn about Nouveau Réalism – a groundbreaking movement in which artists created radical and rebellious sculptures and paintings in protest against the rise of consumerism.
Our upcoming Art Contemporain Day Sale (24 June | Paris) features an exceptional private European collection of historical New Realist art, including works by Niki de Saint Phalle, Arman, Daniel Spoerri, Mimmo Rotella and Christo and Jean-Claude.
An extract from the Christie’s Education online course, The Great Masters of European Art 1350–1850. Florence in the 1400s, a city of wealthy guilds and merchants, in particular the Medici family, who commissioned astonishing works of art to show off their success and cultivation.
Here we are introduced to one of the great artists the Medicis favoured: Sandro Botticelli, and his most famous works: ‘Primavera’ and ‘The Birth of Venus’.
Alessandro di Mariano di Vanni Filipepi (c. 1445 – May 17, 1510), known as Sandro Botticelli, was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de’ Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a “golden age”. Botticelli’s posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
A revealing look at Rembrandt’s most intimate portraits, on display in the locked-down National Gallery in London. The Guardian’s art critic Jonathan Jones reveals his favourite portraits, of vulnerable and unpretentious people the artist had known and loved. Jones asks what we can learn from these great masterpieces, especially during lockdown.
Originating during the Black Death of the Middle Ages, face coverings to protect against the transmission of disease are not just medical requirements; they’re now a fashion statement. Mark Phillips talks with medical historian Mark Honigsbaum (“The Pandemic Century”) about the purpose and style of facemasks.
In this week’s episode of “Cocktails with a Curator,” discover the fascinating history of Jean Barbet’s Angel, an incredibly rare bronze from fifteenth-century France whose origins are shrouded in mystery. Xavier F. Salomon, Peter Jay Sharp Chief Curator, discusses the royal cannon-maker who cast the sculpture and the possibility that it once resided in Paris’s Sainte-Chapelle. This week’s complementary cocktail is the Angel Face, customarily garnished with an apple slice.
To see this bronze sculpture in detail, please visit our website: https://collections.frick.org/objects/35
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