Tag Archives: Cocktails With A Curator

Cocktails with a Curator: “Bertoldo’s Shieldbearer”

In this week’s episode of “Cocktails with a Curator,” join Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon in sipping on a refreshing Daiquiri as he unravels the mystery behind one of the Frick’s exquisite bronze sculptures, “Shield Bearer” by Bertoldo di Giovanni. Together with Xavier, decode details of the work that may point to the identity of the figure portrayed.
To view this object in detail, please visit our website: https://collections.frick.org/objects/41

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Cocktails With A Curator: “Veronese’s ‘Choice Between Virtue And Vice'”

In this week’s episode of “Cocktails with a Curator,” decipher the significance of the many fascinating elements that compose the other large allegorical painting by Paolo Veronese at the Frick, “Choice Between Virtue and Vice,” with Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon. The program is paired with a Negroni Sbagliato, a twist on the cocktail from last week’s episode. Leave a comment below with your favorite detail!

Cocktails With A Curator: “Veronese’s ‘Wisdom And Strength'” (Frick Video)

In this week’s episode of “Cocktails with a Curator,” enjoy a traditional Negroni with Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he discusses “Wisdom and Strength,” one of two large allegorical paintings by Paolo Veronese that hang in the West Gallery at the Frick. Discover the hidden message behind the two principal figures in this picture: a bearded brute clad in a lion skin and a woman of noble bearing with a miniature sun above her forehead. Tune in next week for a discussion of the painting’s companion work, “Choice Between Virtue and Vice.”

Cocktails With A Curator: “Vermeer’s ‘Officer And Laughing Girl'” (Video)

In this week’s episode of “Cocktails with a Curator,” get up close to one of the Frick’s three beloved Vermeer paintings, “Officer and Laughing Girl,” with Curator Aimee Ng. While enjoying your Kopstootje—a shot of jenever (a traditional Dutch liquor) paired with a pint of beer—join Aimee in examining the artist’s masterful skill at portraying light and exploring the complex histories behind a seemingly simple hat.

Johannes Vermeer, in original Dutch Jan Vermeer van Delft, was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague.

Cocktails With A Curator: “Riesener, Commode and Secrétaire” (The Frick)

In this week’s episode of “Cocktails with a Curator,” join Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he explores the royal provenance of two pieces of furniture at the Frick made by Jean-Henri Riesener. Sometimes overlooked by visitors, Xavier encourages us to take a closer look at this exquisite commode and secrétaire set. In celebration of these works of art and the upcoming Bastille Day, this week’s complementary cocktail is the Kir Royale.

Cocktails With A Curator: “Stubb’s ‘Portrait Of Warren Hastings’ (Frick)

In this week’s episode of “Cocktails with a Curator,” join Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he considers the life of statesman Warren Hastings, who is depicted in a small watercolor from about 1791 by the prominent British artist George Stubbs. Explore the tumultuous career of Hastings, from his tenure as governor-general of India to a decade-long trial in Westminster Hall upon his return to England. This week’s complementary cocktail is a gin and tonic garnished with a slice of lime.

Cocktails With A Curator: “Gainsborough’s ‘Grace Dalrymple Elliott'” (Video)

The Frick Collection logoIn this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng studies Thomas Gainsborough’s scandalous portrait of Grace Dalrymple Elliott. Discover why this painting met with a negative reception when it was shown at the Royal Academy in 1782. Mrs. Elliott later moved to France, where she lived through the Reign of Terror and died in 1823 in the outskirts of Paris. This week’s complementary cocktail is the Pimm’s Cup, a traditional summer drink in Britain.

Thomas Gainsborough RA FRSA was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century.

Cocktails With A Curator: Whistler’s ‘Mrs. Frances Leyland'” (The Frick Video)

 

In this week’s episode of “Cocktails with a Curator,” join Xavier F. Salomon, Peter Jay Sharp Chief Curator, as he explores “Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland” by James McNeill Whistler. Delve into the tumultuous history of Whistler’s relationship with Frederick Richards Leyland, the shipping magnate who commissioned the painting, as well as the painter’s affinity for Japanese culture. This week’s complementary cocktail is a Sake Highball on the rocks.

Cocktails With A Curator: Barbet’s ‘Angel’ (The Frick)

In this week’s episode of “Cocktails with a Curator,” discover the fascinating history of Jean Barbet’s Angel, an incredibly rare bronze from fifteenth-century France whose origins are shrouded in mystery. Xavier F. Salomon, Peter Jay Sharp Chief Curator, discusses the royal cannon-maker who cast the sculpture and the possibility that it once resided in Paris’s Sainte-Chapelle. This week’s complementary cocktail is the Angel Face, customarily garnished with an apple slice.

To see this bronze sculpture in detail, please visit our website: https://collections.frick.org/objects/35

 

Art: “Cocktails With A Curator – Velázquez’s ‘King Philip'” (The Frick)

In this week’s episode of “Cocktails with a Curator,” join Xavier F. Salomon, Peter Jay Sharp Chief Curator, as he discusses the sole Velázquez painting at the Frick, “King Philip IV of Spain,” while enjoying a Fitifiti, the popular Spanish cocktail. Examine the extraordinary details and painterly skills that illustrate why the artist is regarded by many (including Xavier) as the greatest European painter who ever lived, and why this work was Henry Clay Frick’s favorite

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