Washington is home to some of America’s wildest spaces and also its most modern cities. The Evergreen State is a story of mirror opposites: a wet, mountainous, tree-covered west and a dry, flat, open east. It is home to high-tech industries and America’s oldest Native American tribes. Experience all sides of Washington State, from thousands of feet in the air, and witness its conflicting worlds merging to form a land of remarkable beauty.
Monocle’s editor in chief, Tyler Brûlé, is joined by John Goodwin, the CEO of the Lego Foundation, from its home city of Billund in Denmark. We learn why the global crisis in education might be an opportunity to reimagine learning and to rediscover the value of play.
The coronavirus has pushed nearly half of U.S. colleges and universities into some degree of remote learning, a change that’s sending shock waves through small college town economies. WSJ’s Carlos Waters explains.
Gooding & Company proudly presents this beautiful 1955 Aston Martin DB3S. This car, chassis 102, is one of three Almond Green customer cars ordered for the the Australian racing team, the Kangaroo Stable.
As their lead car, 102 was campaigned throughout Europe, England, and New Zealand during 1955 and 1956, with the most notable result being a 2nd Overall finish at the 12 Hours of Hyères.
Today, this DB3S stands as a wonderful reminder of the glory days of international sports car racing – a halcyon period when eager amateurs could find themselves locked in battle with the works racing teams on the world’s great circuits.
THE GUARDIAN (David Gange, Aug 23, 2020): The journey can be done by several means, in trips of 10 days, two weeks or more. Experienced sea kayakers can tackle the whole route by water and sleep each night beside their boat, embracing in full Adam and Dunnett’s desire “to test the zest of physical living that town life denies us”. Non-kayakers can cycle between notable sites and stay in holiday accommodation along the route.
A first day’s journey moves from the mouth of the Clyde to the Isle of Bute. I’d plan to buy provisions at Helmi’s in the village of Rothesay: a glorious bakery founded by the island’s community of Syrian refugees. The next day doesn’t take the obvious route south round Arran, but turns north to “Britain’s most beautiful shortcut”.
The Crinan Canal bisects the Kintyre peninsula and ends among beautiful, wildlife-rich woodland at the picturesque village of Crinan. (If you’re travelling by road but would like to experience a little boating, this is the place to cover the gentlest nine miles of Adam and Dunnett’s journey.) From Crinan, a third day moves through the atmospheric Slate Islands. Timing tides well should mean there’s little need to paddle, as great salt rivers flush a kayak through remains of important industries that blend perfectly into dramatic seascapes.
Brooklyn Bridge Forest reimagines the bridge as an icon of climate action and social equity, improving mobility while respecting the landmark structure. The historic wooden walkway is expanded using planks sustainably sourced from a “partner forest” community in Guatemala that protects a 200,000-acre rainforest.
A dedicated bike path and reclaimed traffic lane create new space for cyclists and low-carbon transit, while biodiverse “microforests” at either end of the bridge bring nature to New York City and serve as green spaces for underserved communities.
Join us – if you dare – as we follow the acclaimed Argentinian artist Tomás Saraceno into his installations of intricate spider webs inhabited by solitary, social and semi-social spiders, bridging the architectures of each other’s webs.
In the video, Saraceno talks about how spiders mirror human beings and help us understand ourselves and the way we live. “Every day, I try to enter territories, or thoughts, or ways of working, which might challenge ourselves and might challenge how we see the world.”
Observing a spider in its web for more than twenty minutes, Saraceno argues, can completely change your life and way of noticing things, revealing an unseen world. In connection to this, he feels that art and science – as well as other forms of knowledge – combined, can help us “form new alliances between disciplines and lose our comfort zone of operating and seeing and perceiving and being in the world. To try to find new ways to work and to be.”
Tomás Saraceno (b. 1973) is an Argentinian artist. Saraceno is particularly known for his large-scale, interactive installations and floating sculptures, as well as his interdisciplinary approach to art. With his practice, he explores new sustainable ways of inhabiting the environment.
His work has been exhibited at prominent venues all over the world, including the 58th La Biennale di Venezia in Venice, Palais de Tokyo in Paris, and Museo de Arte Moderno in Buenos Aires. Saraceno’s work is also part of international collection such as Bauhaus Museum in Weimar, Walker Art Center in Minneapolis, and SFMoMA in San Francisco.
In 2015, he launched the Aerocene Foundation – an open-source community project for artistic and scientific exploration of environmental issues. Relating to arachnology research, Saraceno is the first person to have scanned, reconstructed and re-imagined spiders’ woven spatial habitats.
For more see: https://studiotomassaraceno.org/about/ Tomás Saraceno was interviewed by Helle Fagralid at his studio in Berlin in November 2019. Camera: Rasmus Quistgaard Edited by Klaus Elmer Produced by Helle Fagralid Cover photo: Tomás Saraceno. ‘Social… Quasi Social… Solitary… Spiders… On Hybrid Cosmic Webs’, 2013. Installation view. Detail. Courtesy of the artist and Esther Schipper Gallery, Berlin Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2020