Wassily Kandinsky is widely considered one of the key artists in the development of 20th century abstraction. In this video, discover how an ability to see colours as sounds, and a fascination with spirituality in art, led Kandinsky to his breakthrough. Our upcoming cross-category ‘Rembrandt to Richter’ Evening Sale (28 July | London) features two jewel-like works by Kandinsky. ‘Murnau – Schloss Und Kirche II’ is an oil from Kandinsky’s sought-after 1908-1911 period. ‘Ohne Titel (Komposition)’ from 1914-15, is an exquisite watercolour in which Kandinsky finds harmony in colours that represent spirituality and intense passion. Both works come from an outstanding family collection of works from the European avant-garde.
Wassily Wassilyevich Kandinsky (1866 – 1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.
We tested the hypothesis that apathy, but not depression, is associated with dementia in patients with SVD. We found that higher baseline apathy, as well as increasing apathy over time, were associated with an increased dementia risk. In contrast, neither baseline depression or change in depression was associated with dementia. The relationship between apathy and dementia remained after controlling for other well-established risk factors including age, education and cognition. Finally, adding apathy to models predicting dementia improved model fit. These results suggest that apathy may be a prodromal symptom of dementia in patients with SVD.
“Provence has a treasure; it’s a Colombe d’Or. It has the precious scent of thyme and nostalgia and the golden colour of olive oil and happy days. The Colombe is a part of my life. For me, it’s a place that’s as full of promise as of magnificent memories. The Colombe is indefinable, inimitable. I’m happy that today a book brings back the atmosphere of this place which is like no other in the world.”
The first lemur I ever met was a female, and she tried to bite me, which was fair, because I was trying to touch her, and humans have done nothing to recommend themselves to lemurs. She was an indri lemur, living in a wildlife sanctuary outside Antananarivo; she had an infant, which was riding not on her front, like a baby monkey, but on her back, like a miniature Lester Piggott. She had wide yellow eyes. William Burroughs, in his lemur-centric eco-surrealist novella Ghost of Chance, described the eyes of a lemur as ‘changing colour with shifts of the light: obsidian, emerald, ruby, opal, amethyst, diamond’. The stare of this indri resembled that of a young man at a nightclub who urgently wishes to tell you about his belief system, but her fur was the softest thing I have ever touched. I was a child, and the indri, which is the largest extant species of lemur, came up to my ribs when standing on her hind legs. She looked, as lemurs do, like a cross between a monkey, a cat, a rat and a human.
The Economist Morning Briefing, July 14th, 2020: Coronavirus cases surpass 13m and China and America trade insults.
Boomers Daily 