
LONDON REVIEW OF BOOKS – SEPTEMBER 24, 2026 PREVIEW



LONDON REVIEW OF BOOKS: The latest issue features…
By Colin Burrow
What’s the point of literary criticism? In June the University of Exeter announced plans that might make roughly a third of its English department – one of the best in the country – redundant. Other institutions, including Canterbury Christ Church University, have stopped offering English degrees altogether. Most mainstream publishers now wouldn’t dream of publishing a work of literary criticism, as they happily did in the 1970s and 1980s. Even literary biography, literary criticism’s previously marketable stepsister, no longer brings a gleam to a publisher’s eye. The grassroots of the subject are also suffering badly. Since 2000 the number of people taking A-level English literature in England has dropped by around a third, to around 36,000, with an even higher drop among male students.

LONDON REVIEW OF BOOKS: The latest issue features…
Christopher Nolan’s $250 million action movie version of Homer’s ancient Greek poem is an entertaining way to hide from the high temperatures for a few hours. Nolan’s trademark jumps and twists in the narrative structure are relatively easy to follow, and appropriate for The Odyssey, a narrative of tales nested in tales. My teenagers had a good time. Unlike some of Nolan’s other films, The Odyssey is not boring, thanks to the source material, which is impossible to mess up entirely. It’s a family-friendly audiovisual spectacle, like an elaborate Fourth of July fireworks display – and with about the same level of narrative and emotional depth.

LONDON REVIEW OF BOOKS: The latest issue features…

“The Clearance of Aoineadh Mòr, 1824” by Tarn MacArthur: A historical account of the Highland Clearances, specifically focusing on the displacement of communities in Scotland.
At the Movies: Michael Wood provides his regular column of film criticism, likely focusing on current European or art-house releases.
Poetry & Correspondence: The issue also contains poems and a robust letters section, which in this period has been heavily occupied by debates over the Arctic (following Laleh Khalili’s piece in the previous issue) and the fallout of the UK local elections.

From the 16th century onwards, as European powers feverishly colonised the world, the possibility of a Northern Sea Route connecting the Atlantic to the Pacific, from Scandinavia to the Bering Strait, tantalised the Dutch and the British as an alternative to the southern routes to Asia and the Americas, which were dominated by Portugal and Spain. But the route only became a reality in the Soviet era, after investments in scientific, economic, industrial and military infrastructure in Siberia.
This is what distinguishes hyperpolitics from the mass democracy of the mid-20th century. Symbolic political gestures are now commonplace, but paid membership of organisations and parties has plummeted. The left has failed to find a replacement for trade unions as a basis for collective action in civil society. Political movements are easy to join, and just as easy to leave.
De Kooning’s Suburb in Havana is a counter-revolutionary painting. Well, of course. It is counter-revolutionary because it is counter everything, versus everything, lost in suburbia. It wants to show us how hard it had to work to get precisely nowhere. Why nowhere was where it wished to get to is a question it leaves to the viewer.
Can there be poetic justice in politics? Perhaps once in a lifetime. In 1989, a young Viktor Orbán bravely told the crowds in Budapest’s Heroes’ Square that it was time for the Russians to go home, just as protesters had demanded in 1956; almost four decades later, he was heckled on the campaign trail with the same words.



The attack launched on Iran by the US and Israel on 28 February was a textbook case of international aggression, justified in only the most cursory fashion by fictional Iranian threats and undertaken with no clear aims and no clear demands or terms. In announcing the war Donald Trump described it as a wholesale attack on both government and state. The US and Israel would ‘raze their missile industry to the ground’ and ‘annihilate their navy’. Benjamin Netanyahu called on Iranians to ‘come out to the streets and finish the job’. By Tom Stevenson
The late queen can be held responsible for much, but nobody could accuse her of seeming to enjoy her role. For the Yorks, however, enjoyment was everything, and the notion of royal sacrifice, arguably a red herring in the House of Saxe-Coburg and Gotha, was finally obliterated by their actions. By Andrew O’Hagan
As Stephen Greenblatt’s Dark Renaissance shows despite itself, it is not Marlowe’s life story that we still need, but his plays and poems: we might well want to avert our eyes from the bathetically dismal life of the man who wrote them. By Michael Dobson
Entitled: The Rise and Fall of the House of York by Andrew Lownie
Nobody’s Girl: A Memoir of Surviving Abuse and Fighting for Justice by Virginia Roberts Giuffre
Andrew O’Hagan