Innovation In Aging: “Creating an Age-Friendly Public Health System”

From an Innovation In Aging online release:

Age-Friendly Social MovementBecoming an Age-Friendly Health System entails reliably acting on a set of four evidence-based elements of high-quality care and services, known as the “4Ms,” for all older adults. When implemented together, the 4Ms represent a broad shift to focus on the needs of older adults:

  • (1) What Matters: Know and align care with each older adult’s specific health outcome goals and care preferences including, but not limited to, end-of-life care and across settings of care;
  • (2) Medication: If medication is necessary, use Age-Friendly medication that does not interfere with What Matters to the older adult, Mobility, or Mentation across settings of care;
  • (3) Mentation: Prevent, identify, treat, and manage dementia, depression, and delirium across settings of care; and
  • (4) Mobility: Ensure that older adults move safely every day to maintain function and do What Matters

The Age-Friendly Health Systems movement, initiated in 2017, recognizes that an all-in, national response is needed to embrace the health and well-being of the growing older adult population. Like public health, health systems, including payers, hospitals, clinics, community-based organizations, nursing homes, and home health care, need to adopt a new way of thinking that replaces unwanted care and services with aligned interventions that respect older adults’ goals and preferences. Becoming an Age-Friendly Health System entails reliably acting on a set of four evidence-based elements of high-quality care and services, known as the “4Ms,” for all older adults.

The number of Americans Ages 65 and Older will more than Double by 2060 graphic from Census Bureau

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Interviews: 59-Year Old Artist & Writer Jessica Helfand (CalTech)

From a CalTech Matters online article:

Jessica Helfand Caltech Matters Credit - Maggie Peters
Jessica Helfand – Photo by Maggie Peters in Caltech Matters

“Observation is observation. Looking, listening, thinking, conjecturing … all original ideas begin with a kind of scrutiny that is at once framed by discipline and open to discovery. Because I have always taught students in a university, not in an art school, I think I have a baseline understanding of what it means to approach the visual world from a different place. Teaching non-artists is always a little bit like being a foreign exchange student. Therein lies the challenge—and, I suspect, the fun.”

January 7, 2020 – This month, artist, designer, and writer Jessica Helfand joins Caltech as the Winter 2020 artist-in-residence in the Division of the Humanities and Social Sciences’ Caltech-Huntington Program in Visual Culture, which is administered jointly by the division and The Huntington Library, Art Museum, and Botanical Gardens. Helfand is a former contributing editor and columnist for PrintEye and Communications Arts magazines, and founding editor of the website Design Observer. She taught at Yale for two decades and has held artist residencies at the American Academy in Rome and the Bogliasco Foundation, among others. Her most recent book, Face: A Visual Odyssey, was published by MIT Press last fall. On January 16, Helfand will take part in a noontime talk with Bren Professor of Psychology, Neuroscience, and Biology Ralph Adolphs on the theme of the “face.”

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Health Podcasts: Interview With “Seed” Microbiome Company Co-Founder Raja Dhir

Raja Dhir is the co-founder of microbiome company Seed. Based in LA, Seed is a collective of scientists and doctors, researching how bacteria can improve human health and that of our planet. Its first product, a daily synbiotic, focuses on the stomach.

Raja Dhir is a life sciences entrepreneur and Co-Founder of Seed, a venture-backed Seed Co-Founder Raja Dhir from Seed websitemicrobiome company pioneering the application of bacteria for both human and planetary health. He leads Seed’s R&D, academic collaborations, technology development, clinical trial design, supply chain, and intellectual property strategy.

Together with Dr. Jacques Ravel, he Co-Chairs Seed’s Scientific Advisory Board–an interdisciplinary group of scientists and doctors who lead research teams and teach at institutions including the teaching hospital of Harvard Medical School and the Trial Innovation Unit of Mass. General Hospital (MGH). Raja has designed clinical trials with leading academic institutions including the teaching hospital of Harvard Medical School and the Trial Innovation Unit of Mass. General Hospital (MGH).

Raja has unique expertise translating scientific research for product development with a track record that includes patented inventions to stabilize sensitive compounds to improve alpha-diversity of the gut microbiome (derived from micro-algae) and most recently, the co-invention of microbial technologies to protect honeybee populations (Apis mellifera) from neonicotinoid pesticides and pathogen colonization. His work also includes biofermentation and scale-up for both facultative and strict anaerobic organisms.

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The 1980’s: Science Center Construction Boomed – New Age “Museums”

From a CityLab.com online article:

The first of these urban amenities arose in the 1960s, but it was in the 1980s and ‘90s that the construction of science centers truly boomed. Inspired by historic World’s Fair exhibitions, industrial and natural history museums, and the sci-fi dreams of their early founders, science centers had a hands-on mission distinct from that of most museums—to engage rather than display. They offered levers you could pull, gyroscopes you could spin, lab experiments you could conduct. 

Citilab logoThe science center is an adolescent among museum types, one whose main growth spurt was in recent memory. Over the past 40 years, they went from a sparse to a ubiquitous presence, now found in almost every major city. Their emergence stretched the ontological essence of the museum: They present not objects, but concepts. Many science centers define themselves explicitly this way and possess slim to no permanent collections.

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Tributes: 89-Year Old Actor & Screenwriter Buck Henry Has Died

From a Hollywood Reporter online release:

Buck Henry Saturday Night Live 1970s“Turman, Nichols and I related to The Graduate in exactly the same way,” Henry told Vanity Fair. “We all thought we were [the book’s protagonist] Benjamin Braddock. Plus, it’s an absolutely first-class novel, with great characters, great dialogue, a terrific theme. Who could resist it? I read it and I said, ‘Yes, let’s go.'”

Henry landed his first Oscar nom for the screenplay (he came up with the word “plastics” and had a small role in the film) and received a second nom for co-directing (with Warren Beatty) the reincarnation comedy Heaven Can Wait, a remake of the 1941 film Here Comes Mr. Jordan.

Buck Henry, the impish screenwriter whose wry, satirical sensibility brought comic electricity to The GraduateWhat’s Up, Doc?To Die For and TV’s Get Smart, has died. He was 89.

Henry, a two-time Oscar nominee who often appeared onscreen — perhaps most memorably as a 10-time host (all in the show’s first four years) on Saturday Night Live — died of a heart attack Wednesday at a Los Angeles hospital, his wife, Irene, told The Washington Post. He had suffered a stroke in November 2014.

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Medical Technology: “Digital Health Trends” At CES 2020 Show (Podcast)

January 8, 2020 – Digital health is one of the hottest and fastest-growing tech categories, not just at CES but throughout the entire tech industry. Join us for a roundtable with media experts discussing health innovations at CES 2020, the growth potential for the health care market and more.

Guests Amy Roberts, Managing Editor, Reviewed Dana Wollman, Editor-In-Chief, Engadget Neil Batra, Principal—Life Sciences & Health Care Strategy, Deloitte

Video Interviews: 69-Year Old Photographer Steve McCurry (Bloomberg)

Jan.08 — Bloomberg’s Haslinda Amin kicks off Season 8 on board the Singapore Flyer with the man who shot the “Afghan Girl”. Steve McCurry has spent a lifetime focusing on conflict and culture creating some of the world’s most iconic photos.

Steve McCurry Master Photographer Bloomberg High Flyers Video Interview January 8 2020

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Electric Cars: “Fisker Ocean SUV 2021” Unveiled At CES 2020 (Video)

Introducing the Fisker Ocean, The World’s Most Sustainable Vehicle.

 

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Politics & Society: Panel Discuses Free Speech And First Amendment (Video)

What does our evolving view of the First Amendment mean for America, our democracy and our future generations? The New York Times’ Frank Bruni and Bret Stephens, Ruth Marcus of the Washington Post, and NPR’s Tamara Keith explored cutting-edge questions about free speech, public discourse and the role of the First Amendment in today’s society.

The UC National Center for Free Speech and Civic Engagement’s inaugural #SpeechMatters conference brought together leading national experts to engage on today’s most pressing issues related to free speech on campus, the internet and beyond.

Learn more about the event at: freespeechcenter.universityofcalifornia.edu/speech-matters

Exhibitions: 74-Year Old Artist John Alexander – “Landscape And Memory” (Berggruen Gallery)

JANUARY 9 – FEBRUARY 15, 2020

 

John Alexander The Temptation 2019 Landscape and Memory Berggruen Gallery January 2020Berggruen Gallery is proud to present John Alexander: Landscape and Memory, an exhibition of recent paintings and drawings by Texas-born, New York-based artist John Alexander. This show marks Alexander’s second solo exhibition with the gallery and will be on view January 9 through February 15, 2020. The gallery will host an opening reception for the artist on Thursday, January 16 from 5:00 to 7:00pm.

John Alexander’s most recent body of work presents a detailed collection of landscapes, botanicals, sea life, and animals – each subject an emblem of the artist’s own mind and memory. Alexander grew up between the bayous and the wooded wilderness of East Texas, enjoying camping and fishing trips within the lush, diverse landscape that would ultimately become so influential to him. Moreover, Alexander’s understanding and appreciation for the natural world was fortified by his father’s environmentalism. For Alexander, developing an environmental acuity, especially for his native Texas, was familial. Today, the artist creates work in reference to the nature-based consciousness he developed in his youth.

Berggruen Gallery San FranciscoThe introspective nature of Alexander’s work is revealed through the artist’s keen observations of his surrounding environment and the vivid way in which he paints it. Employing bold, painterly strokes, Alexander maintains an acute sensibility of his subject matter – whether it be the detailed rendering of the spiny lobster, an expressive portrayal of grackles and ibises perched in branches, or more expansive, floating florals. The artist also injects elements of whimsy; the playful monkeys he paints peer out of their canvases to almost directly engage the viewer. And thus each work is imbued with an authentic, raggedly pristine, emotional sense of the earth we all inhabit. In this way, Alexander creates scenes that are deeply personal, yet also shared…nostalgic yet ongoing…exotic yet familiar…of the world yet otherworldly. Saturating his landscapes with humor, sentimentality, and veneration, Alexander reveals as much about himself as he does about nature.

John Alexander: Landscape and Memory is comprised of nine paintings and four drawings, work that comes together in reverence for the formal tradition of landscape painting. Paying homage to an Impressionist Master, Claude Monet, Alexander paints dreamy hollyhocks. Invoking the more recent Hudson River School, Alexander carefully creates bucolic scenes of both reality and idealization. Perhaps most unexpectedly, Alexander also nods to the Abstract Expressionists, applying thick strokes of paint in a gestural, emotional meditation. In turn, Alexander’s work pays tribute to the long and varied legacy of landscape painting before him while simultaneously remaining true to his own, very personal, connection to nature. Through the amalgamation of art historical context, environmental conservation, and the integration of a more intimate narrative, Alexander produces a body of work that is raw, compelling, and perhaps above all else, natural.

John Alexander was born in Beaumont, Texas, in 1945. He received his B.F.A. from Lamar University in Beaumont in 1968 and his M.F.A. from the Southern Methodist University in Dallas in 1970. Following graduate school, Alexander taught at the University of Houston. Though the artist’s Texas roots influence much of his work, to solely categorize Alexander as a “Texas” artist would be inaccurate. In 1979, having established himself in Houston as a prominent local artist, Alexander moved to New York City. Today the artist divides his time between his SoHo studio loft and home in Amagansett, East Hampton. Alexander’s work has been widely exhibited at such prestigious institutions as the Corcoran Gallery of Art and the Smithsonian American Art Museum, both in Washington, D.C., and the Museum of Fine Arts, Houston. His work is featured in the permanent collections of several leading institutions, including The Metropolitan Museum of Art, New York; the Dallas Museum of Art; and the Museum of Contemporary Art, Los Angeles; as well as many other public and private collections worldwide.

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