From a New York Times online article:
A more recent addition to San Francisco’s rooftop bar scene is Everdene, a standout which opened this April atop the new Virgin Hotels San Francisco. Besides taking its name from the heroine of Thomas Hardy’s “Far from the Madding Crowd,” Everdene has a lush, garden party vibe that feels far removed from the crowds below in SoMa. The drinks program consists of brightly colored, flora-heavy sippers (tequila-based “Her Majesty’s Pleasure,” with cucumbers and sugar snap peas, is an early favorite), courtesy of the lead bartender Tommy Quimby, another Trick Dog alum.
To read more: https://www.nytimes.com/2019/06/14/travel/san-francisco-hotel-bar-cocktails.html
Filmed, Edited and Directed by: Michael Shainblum
City timelapses and hyperlapses from around the world. This is a collection of my favorite cityscape timelapses from over the years. The video is a mix of static shots, motion controlled timelapses and manual hyperlapse shots. I really hope you all enjoy the video and thanks so much for watching!
Places featured in the video:
New York City, New York
Los Angeles, California
San Francisco, California
Cinque Terre, Italy
and a castle in Scotland.
From an SFBayTimes.com online article:
What makes this brasserie so popular? “A culture of hospitality comes from the top down,” explains Absinthe General Manager Brian Gavin. “Bill (our owner) is very gracious and the tone he sets makes everyone feel welcome.”
An homage to all things French, Absinthe is still one of my favorite places to eat in the city. Why? It’s a buzzy destination that feels glamorous and special, evoking a one-of-a-kind feeling of Belle Epoque-era Paris. It’s not just where I dine before the opera, symphony, ballet or SFJAZZ, but it is also where I always take out-of-towners, business associates, clients and staffers.
To read more: http://sfbaytimes.com/little-slice-paris-hayes-valley-absinthe-brasserie-bar/
Tissot consistently defied convention in both his professional and personal life. His contributions to the academy and the avant-garde are documented by participation at diverse venues such as the Paris Salon as well as London’s Royal Academy and the Grosvenor and Dudley Galleries. This exhibition explores his multifaceted career with a fresh perspective and original scholarship and will also question where and how Tissot should be situated in narratives of the nineteenth-century canon.
Tissot was arguably a painter of modern life although he did not formally belong to the Impressionist circle and never exhibited in their group shows, despite an invitation from Edgar Degas.
The Fine Arts Museums of San Francisco and the Musée d’Orsay, Paris are co-organizing James Tissot: Fashion & Faith, the first major reassessment of the artist’s career in over 20 years. In San Francisco, this international retrospective will examine approximately 60 paintings, additional works on paper, and cloisonné enamels by Tissot. Exhibition highlights are drawn from the permanent collections of the Fine Arts Museums of San Francisco, including Tissot’s Self Portrait (ca. 1865) as well as prints and photographs from the Achenbach Foundation for Graphic Arts. New scholarship on the artist presented in this collaboration demonstrates that even Tissot’s most ebullient society paintings reveal rich and complex commentary on topics such as nineteenth-century society, religion, fashion, and politics, rendering him an artist worthy of reexamination in the twenty-first century.