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Step into innovative little gardens of Eden created on small terraces and city rooftops, as well as out in the suburbs and countryside.
As our lifestyles become more sustainable, so does the way we interact with the outdoors. Today’s gardeners aim not only to create decorative outside spaces but also to give something back. No matter what size your patch is, it’s easy to create diverse and rich environments for plants and insects, or grow your own vegetables or fruits. This book presents spaces that are more imaginative, diverse, and sustainable. Learn how to grow food in the city, get creative with native plants, and design
greener corners within urban areas. The Gardens of Eden looks at fascinating examples around the world, teaching what you can do for nature while revealing what a garden can do for you.
Abbye Churchill was the editorial director of Wilder Quarterly, and her first book, A Wilder Life, was featured in The New York Times Book Review. Her writing has also appeared in The New York Times, Vogue, Food & Wine, and W. She lives in Brooklyn, New York City.
SNL musical guest David Byrne reflects on returning to the show 40 years after his first appearance with Talking Heads.
On the Mayo Clinic Radio podcast, Dr. Sophie Bakri, a Mayo Clinic ophthalmologist and retina specialist, discusses macular degeneration, a common eye disorder with age. This interview originally aired Feb. 29, 2020.
Dry macular degeneration is a common eye disorder among people over 50. It causes blurred or reduced central vision, due to thinning of the macula (MAK-u-luh). The macula is the part of the retina responsible for clear vision in your direct line of sight.
Dry macular degeneration may first develop in one eye and then affect both. Over time your vision may worsen and affect your ability to do things such as read, drive and recognize faces. But this doesn’t mean you’ll lose all of your sight.
Early detection and self-care measures may delay vision loss due to dry macular degeneration.
Joe Biden wins his first primary of the 2020 campaign, securing victory in South Carolina. The former vice-president achieved a much needed primary win and told supporters: ‘We just won and we won big’.
The plan was simple: he would embark on a journey through his life in food in pursuit of the meal to end all meals. It’s a quest that takes him from necking oysters on the Louisiana shoreline to forking away the finest French pastries in Tokyo, and from his earliest memories of snails in garlic butter, through multiple pig-based banquets, to the unforgettable final meal itself.
This question has long troubled Jay Rayner. As a man more obsessed with his lunch than is strictly necessary, the idea of a showpiece last supper is a tantalizing prospect. But wouldn’t knowledge of your imminent demise ruin your appetite? So, Jay decided to cheat death.
Jay Rayner’s Last Supper is both a hugely entertaining account of a life built around mealtimes and a fascinating global exploration of our relationship with what we eat. It is the story of one hungry man, in eight courses.
It’s a leap year which means there’s an extra day in the calendar – 29 February 2020. But why do we need it? The answer is a little more complicated than you may think.
Excerpts from a Christie’s online article (Feb 28, 2020):

Like Pablo Picasso, his compatriot and peer, Miró had an unwavering commitment to printmaking. Also like Picasso, he created more than 2,000 works in the medium. It’s often said that Miró’s fondness for calligraphic lines — such a distinctive feature of his paintings — lent itself naturally to graphic work.
‘In terms of both the quality and quantity of his output, Joan Miró was one of the most important printmakers of the 20th century,’ says Murray Macaulay, Head of Prints at Christie’s in London.
The son of a watchmaker, Joan Miró was born in Barcelona in 1893. He moved to Paris in the early 1920s and soon joined the Surrealist movement. He also befriended a host of avant-garde writers, such as Max Jacob, Tristan Tzara, Antonin Artaud, André Breton and Paul Eluard.
The first prints Miró ever made were illustrations for Tzara’s 1930 book of poems, L’arbre des Voyageurs. Literary sources would prove to be a constant inspiration for him, with notable examples including Alfred Jarry’s play, Ubu Roi; Stephen Spender’s poem, Fraternity; and the mystic, medieval text, Canticle of the Sun, by St Francis of Assisi.
The Oldsmobile 88 (marketed from 1989 on as the Eighty Eight) is a full-size car that was sold and produced by Oldsmobile from 1949 until 1999. From 1950 to 1974 the 88 was the division’s top-selling line, particularly the entry-level models such as the 88 and Dynamic 88. The 88 series was also an image leader for Oldsmobile, particularly in the early years (1949–51) when it was one of the best performing automobiles thanks to its relatively small size, light weight and advanced overhead-valve high-compression V8 engine. This engine, originally designed for the larger C-bodied and more luxurious 98 series, also replaced the straight-8 on the smaller B-bodied 78. With the large, high performance V8, the Oldsmobile 88 is widely considered to be the first muscle car, although this title is disputed.
In 1950, Oldsmobile offered a modified Cadillac manual gearbox for V8 models. The 88 now outsold the six-cylinder 76 lineup, which was dropped entirely after the 1950 model year. It had a 40 ft. turning circle. The 1950 model won the 1950 Carrera
A large number of variations in nomenclature were seen over this long model run — Futuramic, Super, Golden Rocket, Dynamic, Jetstar, Delta, Delmont, Starfire, Holiday, L/S, LSS, Celebrity, and Royale were used at various times with the 88 badge, and Fiesta appeared on some station wagons in the 1950s and 1960s. The name was more commonly shown as numbers in the earlier years (“Delta 88”, for example) and was changed to spell out “Eighty Eight” starting in 1989.
From Wikipedia