From Atlantis in The Spy Who Loved Me to Nathan Bateman’s ultra-modern abode in Ex Machina, big-screen villains tend to live in architectural splendor. The villain’s lair, as popularized in many of our favorite movies, is much more than where the megalomaniac goes to get some rest.
Instead, the homes of the villains are places where evil is plotted and where, often, the hero is tested and must prove him/herself. Like evil itself, the abodes of movie villains are frequently compelling and seductive. From a design standpoint, they tend to be stunning, sophisticated, envy-inducing expressions of the warped drives and desires of their occupants.
Lair, the first title in Tra Publishing’s Design + Film series, celebrates and considers several iconic villain’s lairs from recent film history. The book, strikingly designed in silver ink on black paper, explores the architectural design of these structures through architectural illustrations and renderings, photographs, essays, film analyses, interviews, and more.
To read more and purchase: https://trapublishing.com/products/lair
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