In the inaugural episode of “Where in the World?,” Curator Aimee Ng explores the history of mahogany, a material hidden beneath the surface of a Rembrandt portrait and sourced oceans away from the famed artist’s homeland.
The Frick’s temporary move to Frick Madison has prompted new ways of looking at our works of art. The reframing of the collection sheds light on the fact that the Frick’s art, although predominantly European, is undeniably linked to the world beyond Europe. In this series, we’re exploring some of these stories, asking “where in the world” we can find new connections to familiar objects.
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon discusses the life of the celebrated Dutch painter Rembrandt Harmensz. van Rijn by examining his largest self-portrait, the centerpiece of a room devoted to Rembrandt on the second floor of Frick Madison. Painted when he was deep in debt and facing financial ruin, the artist nonetheless presents a grand vision of himself. This week’s complementary cocktail is a whiskey sour.
Arguably the greatest master of the Dutch Golden Age, Rembrandt is famed for several types of works: his monumental history paintings, his self-portraits and, as beautifully exemplified by the transcendent Abraham and the Angels, his intimate biblical scenes.
Rembrandt Harmenszoon van Rijn was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.
The Dutch Golden Age was a period in the history of the Netherlands, roughly spanning the era from 1581 to 1672, in which Dutch trade, science, and art and the Dutch military were among the most acclaimed in the world. The first section is characterized by the Eighty Years’ War, which ended in 1648.
Join exhibition curators Desmond Shawe-Taylor and Isabella Manning as they tour the highlights of the exhibition ‘Masterpieces from Buckingham Palace’. With an introduction from Director of the Royal Collection Tim Knox.
The exhibition brings together some of the most important paintings in the Royal Collection from the Picture Gallery at Buckingham Palace. Usually on public view during the annual Summer Opening of the Palace, the paintings will be shown in The Queen’s Gallery while Reservicing works are carried out to protect the historic building for future generations. The Picture Gallery was originally designed by the architect John Nash for George IV to display his collection of Dutch, Flemish and Italian Old Master paintings. Artists represented in the exhibition include Titian, Guercino, Guido Reni, Vermeer, Rembrandt, van Dyck, Rubens, Jan Steen, Claude and Canaletto.
Eric Johnson is a Boston based Painter and instructor at The Academy of Realist Art Boston who is devoted to the preservation and growth of traditional painting. He aspires towards adding his own link into the chain of tradition by mastering the working methods of the old masters who he admires and employing those methods into his own working process.
As a complete painter he aspires to reach a high level of verisimilitude and truth in his works on a variety of subject matters from portrait, still life and landscape. Eric primarily makes all of the pigments and paints to create each prepossessing painting. Eric yearns that every new presentation to beauty and truth can show us the old beauty and the old truth only seen from a different angle and colored by a different medium.
A revealing look at Rembrandt’s most intimate portraits, on display in the locked-down National Gallery in London. The Guardian’s art critic Jonathan Jones reveals his favourite portraits, of vulnerable and unpretentious people the artist had known and loved. Jones asks what we can learn from these great masterpieces, especially during lockdown.
The Ashmolean’s 2020 Young Rembrandt exhibition is currently closed, but you can still visit virtually. Watch this introduction from exhibition curator An Van Camp, and explore the exhibition section by section at ashmolean.org
The Young Rembrandt exhibition charts the astonishing transformation of the Dutch master Rembrandt. Spanning the years 1624 to 1634, it traces how a young and unremarkable artist from Leiden became the superstar of 17th-century Amsterdam and one of the greatest artists of all time.
In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, hosts us again for happy hour at his apartment. The subject of tonight’s presentation is the mysterious “Polish Rider ” by Rembrandt, and the complementary cocktail is the Szarlotka, a Polish drink made with Żubrówka (vodka infused with bison grass).
Rembrandt Harmenszoon van Rijn; 15 July 1606 – 4 October 1669) was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt’s works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer.