During the 1960s, Christchurch, New Zealand exploded with a creative force which developed into a distinct style of architecture that was widely admired and imitated and remains influential today.
This is a book about a modern architectural movement that bubbled up in a small, conservative city at the bottom of the world.
For a decade Christchurch architects worked with a potent energy and urgency, creating hundreds of homes (and many of New Zealand’s best public and commercial buildings) in a regional style that is arguably the closest thing the country has to a modern indigenous style of architecture.
The 12 homes illustrated in the book are just a small representation of the style and architects of the period. They remain as intact examples of the ideas, materials and optimism of the time.
Article reviewing book
Read more or purchase book
Through evocative archival and contemporary photographs, drawings of landmark structures, and graceful, accessible text, The Conservatory celebrates the patrons and designers who advanced the technology and architectural majesty of these light-filled structures. The importance of conservatories continues to grow with efforts to conserve phenomenal plants and their environments.
Elegant and magnificent, conservatories reveal fascinating social, cultural, botanical, and engineering advances as they have evolved across history. First appearing in the eighteenth century as simple structures designed to protect fruit trees and other delicate plants from harsh European winters, conservatories became grand glass houses that spread across the European continent, to the Americas, and ultimately around the world.
Striking, innovative, and dramatically sited, the twenty-nine projects in Tom Kundig: Working Title reveal the hand of a master of contextually astute, richly detailed architecture. As Kundig’s work has increased in scale and variety, in diverse locations from his native Seattle to Hawaii and Rio de Janeiro, it continues to exhibit his signature sensitivity to material and locale and to feature his fascinating kinetic “gizmos.”
Projects range from inviting homes that integrate nature to large-scale commercial and public buildings: wineries, high-performance mixed-use skyscrapers, a Visitor Center for Tillamook Creamery, the Burke Museum of Natural History and Culture, and the Wagner Education Center of the Center for Wooden Boats, among others. Tom Kundig: Working Title includes lush photography, sketches, and a dialogue between Tom Kundig and Michael Chaiken, curator of the Kundig-designed Bob Dylan Archive at the Helmerich Center for American Research.
Read more or purchase
From Atlantis in The Spy Who Loved Me to Nathan Bateman’s ultra-modern abode in Ex Machina, big-screen villains tend to live in architectural splendor. The villain’s lair, as popularized in many of our favorite movies, is much more than where the megalomaniac goes to get some rest.
Instead, the homes of the villains are places where evil is plotted and where, often, the hero is tested and must prove him/herself. Like evil itself, the abodes of movie villains are frequently compelling and seductive. From a design standpoint, they tend to be stunning, sophisticated, envy-inducing expressions of the warped drives and desires of their occupants.
Lair, the first title in Tra Publishing’s Design + Film series, celebrates and considers several iconic villain’s lairs from recent film history. The book, strikingly designed in silver ink on black paper, explores the architectural design of these structures through architectural illustrations and renderings, photographs, essays, film analyses, interviews, and more.
To read more and purchase: https://trapublishing.com/products/lair