We’ve uploaded everything anyone has ever known onto a worldwide network of machines. What if it doesn’t have all the answers?
Many Americans who advocate it have little interest in religion and an aversion to American culture as it currently exists. What really defines the movement?
What can elephants, birds, and flamenco players teach a neuroscientist-composer about music?
A show of paintings belonging to his most important patron reflects the artist’s quietly spirited side
“A Field Guide to the Bear-Men of Leningrad” : a rare non-speculative thing from me, about boyhood & masculinity & human monstrosity in 1930s Russi… https://instagr.am/p/CqDkW1jsCI5/
Trade and financial flows have fallen well below their peaks, and poorer countries will bear the brunt.
Not planning for the possibility of disintegration betrays a dangerous lack of imagination.
Industrial policy and subsidies are nothing new and can be useful. But shutting off from the world will have consequences.
Barron’s Magazine – March 27, 2023:
While retirement planning is a decadeslong endeavor, the way you handle your final decade before leaving the workforce will have a critical impact on how ready you’ll be when that day finally arrives.
“It hits about 10 years out—this train is coming to me,” says Danielle Byrd Thompson, a financial professional at Equitable Advisors in Washington, D.C. “It’s like a time clock is starting.”
A Barron’s analysis finds that four states fined the retailer a total of more than $1 million for price inaccuracies in 2021 and 2022.
With fat yields and more safety than common stock, preferred shares can be lifeboats for investors navigating banking’s stormy seas. Why bigger is better for small investors.
The brokerage’s stock has plunged by more than a third this year as customers yank cash from low-yielding “sweep” accounts. What’s ahead.
The New York Times Book Review – March 26, 2023:
Her new story collection, “Old Babes in the Wood,” offers elegiac scenes from a marriage plus a grab bag of curious fables.
There are authors we turn to because they can uncannily predict our future; there are authors we need for their skillful diagnosis of our present; and there are authors we love because they can explain our past. And then there are the outliers: those who gift us with timelines other than the one we’re stuck in, realities far from home. If anyone has proved, over the course of a long and wildly diverse career, that she can be all four, it’s Margaret Atwood.
Michael Lesy’s book of historical photographs and found text offers a singular portrait of American life.
Michael Lesy’s 1973 book “Wisconsin Death Trip” is an American oddity, a cult classic for a reason. In a way that few documentary texts do, it makes us leave the baggage of modernity at the trailhead. It forces us back into the inconceivably long nights in rural and small-town America before the widespread use of electricity, before radio, before antibiotics for dying children and antidepressants for anxiety bordering on mania, when events could make a family feel that some nocturnal beast had chalked its door.
The first installment of an essay series on American literature and faith.
I am a child of the church. In an early memory, I am 6 years old, half-asleep in the back of my grandparents’ station wagon on the way home from a revival…
Tufts Health & Nutrition Letter (April 2023)
The exhibition at the Kunstmuseum Basel presents 113 works, from Shirley Jaffe’s early abstract expressionist works to the geometric paintings that are characteristic of her late oeuvre.
Born in New Jersey in 1923 as Shirley Sternstein, in 1949, the artist, now Mrs Jaffe, moved to Paris. Following her short-lived her marriage to the journalist Irving Jaffe, the painter decided to remain in France. Having soon established herself in the city, she held regular contact with the American “art expats” Norman Bluhm, Sam Francis, and Joan Mitchell, who had relocated to Paris somewhat later.
Her work dating from this period may be attributed to Abstract Expressionism, a form that sought to draw exclusively from its own resources and which consisted primarily of wildly applied fields of colour and gestures. Although, for the art market at the time, this amounted to a success formula Jaffe nevertheless decided to strike out in a different direction.
March 24, 2023: This week: Art Basel Hong Kong bounces back. After cancellations, delays and two years of restricted fairs, the fair has returned to something like pre-Covid normality.
So, as other Asian art centres like Seoul and Singapore become increasingly influential, what is the atmosphere like in Hong Kong? Gareth Harris, chief contributing editor at The Art Newspaper, joins us to discuss the fair, the M+ museum and more. It is becoming increasingly clear that social media corporations have become self-appointed cultural gatekeepers that decide which works of art can freely circulate, be pushed into the digital margins or even banned.
Our live editor, Aimee Dawson, talks to the artist Emma Shapiro and Elizabeth Larison, the Director of the Arts & Culture Advocacy Program at the National Coalition Against Censorship, about the issue and a project to counter this tendency, called Don’t Delete Art. And this episode’s Work of the Week is Naabami (thou shall/will see): Barangaroo (army of me), a photographic project by Brenda L. Croft, in which she depicts fellow First Nations women and girls.
The work is part of The National 4: Australian Art Now, a survey across multiple venues in Sydney. One of the show’s curators, Beatrice Gralton, tells us about Croft’s epic series.Art Basel Hong Kong, until 25 March.Visit Don’t Delete Art: dontdelete.artThe National 4: Australian Art Now continues until 23 July.
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