Science Magazine – May 12, 2023 issue: Scalloped hammerhead sharks (Sphyrna lewini) form daytime schools near the ocean’s surface and, at night, dive into cold, deep waters to hunt deep-sea prey. They keep warm while deep diving by closing their gills—effectively holding their breath.
nature Magazine – May 11, 2023 issue:The human reference genome has been the backbone of human genomics since the release of the draft sequence in 2001. But it has its limitations: one genome cannot hope to capture the diversity of the human species. In this week’s issue, the Human Pangenome Reference Consortium presents the first draft human pangenome, which combines genetic material from 47 genetically diverse individuals to provide a more complete picture of the human genome.
The Guardian Weekly (May 12, 2023) – The name Geof frey Hinton was little known outside the tech industry until last week, when the so-called “godfather of AI” gave an interview after leaving Google in which he warned that machine learning is leading us into uncharted territory.
So is now the time to get properly frightened about the capabilities unleashed by machine learning? Technology writer John Naughton in this week’s big story says an unequivocal yes as he explores a worrying near future, and what prompted Hinton to speak out.
Britain spent last weekend watching avidly or determinedly avoiding the exuberant display of ancient ceremony around the coronation of King Charles III. Our coverage takes a fondly amused look at all the pageantry, personalities and gold braid with Rachel Cooke, while columnist Nesrine Malik unpicks the game of divide and rule, display and disguise through which the institution hangs on to popular support. We also visit Belize to find out how arguments about reparations for slavery are linked to its relationship to the British crown.
Buildings account for approximately two-thirds of greenhouse gas emissions in New York City and Mayor de Blasio has pledged to address these emissions as part of his plan to make the city carbon neutral by 2050.
Local Law 97 is one of the most ambitious plans for reducing emissions in the nation. Local Law 97 was included in the Climate Mobilization Act, passed by the City Council in April 2019 as part of the Mayor’s New York City Green New Deal.
Under this groundbreaking law, most buildings over 25,000 square feet will be required to meet new energy efficiency and greenhouse gas emissions limits by 2024, with stricter limits coming into effect in 2030. The goal is to reduce the emissions produced by the city’s largest buildings 40 percent by 2030 and 80 percent by 2050. The law also established the Local Law 97 Advisory Board and Climate Working Groups to advise the city on how best to meet these aggressive sustainability goals.
Local Law 97 generally covers, with some exceptions:
Buildings that exceed 25,000 gross square feet;
Two or more buildings on the same tax lot that together exceed 50,000 square feet;
London Review of Books (LRB) – May 18, 2023 issue: The War in Khartoum, Vermeer’s Waywardness, Palestinians in Paraguay and Claire Hall on Anaximander.
In London, I had taken A Young Woman Standing at a Virginal for a dependable rest point on strolls around the National Gallery. In Amsterdam, relocated to join 27 other Vermeers in the Rijksmuseum exhibition, its strangeness re-emerged. This canvas, executed towards the end of Vermeer’s relatively brief career (some four years, perhaps, before he died aged 43 in 1675), commits to a tactic he had earlier only toyed with: to set an internal picture as a wholly self-contained block within his own composition, uninterrupted by foreground forms.
For more than a decade, two “recovering” anthropologists have brought documentary closer to the human experience. Now they’ve made the camera part of our flesh and blood.
ArtReview (May 2023 Issue) – Featuring Frida Orupabo, Isaac Julien, Sarah Pierce, Kahlil Robert Irving and Christina Quarles; columns on faltering art markets and questions of what art should do for a society; and much more
Art has long looked to the recent past for inspiration, but might the return of post-Internet art just be too much, too soon?
Frida Orupabo, on the cover of ArtReview May 2023, mines images sourced from colonial archives, film, fashion and family albums to create collages that carve representation and empowerment from stereotype. Her visual references, ranging from clips of singers like Nina Simone and Billie Holiday, to the art of Carrie Mae Weems and Kara Walker, are incorporated into multilayered works, some pinned with metal tacks to look like the kind of vintage paper doll whose appendages are manipulable. The sense of ‘reclaiming the power to choose how a woman’s body, and more specifically Black female sexuality, is presented and received’, writes Fi Churchman, ‘is a central theme of Orupabo’s work’.
VernissageTV (May 8, 2023) – The opening reception of the Swiss artist Stephan Hostettler. Stephan Hostettler was born in 1988 in Unterseen, Switzerland.
After training as a metalworker, he attended the preliminary design course in Bern and graduated from the specialist class for graphics in Biel. He presented his works for the first time in 2019 at the Jungkunst exhibition in Winterthur. Hostettler lives and works in Bern.
“At its core, my work is about how we humans live or could live in this world. It offers a humorous but critical perspective on our actions as a society and aims to trigger discussions that contribute to a positive development. I wish for a world in which we treat each other with respect, we live with nature, take care of it and in which no one has to live in fear.”
Stephan Hostettler Solo Exhibition in Bern (Switzerland). Vernissage, May 6, 2023.
CBS Sunday Morning (May 7, 2023) – First published in France in 1900, The Michelin Guide has been awarding stars to restaurants for about 100 years. Today, it rates the work of chefs around the world, including in the United States.
Correspondent Kelefa Sanneh talks with an anonymous Michelin restaurant inspector, and with chefs at a restaurant with a coveted Michelin star.
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