The Targa Florio was an open road endurance automobile race held in the mountains of Sicily near the island’s capital of Palermo. Founded in 1906, it was the oldest sports car racing event, part of the World Sportscar Championship between 1955 and 1973. While the first races consisted of a whole tour of the island, the track length in the race’s last decades was limited to the 72 kilometres (45 mi) of the Circuito Piccolo delle Madonie, which was lapped 11 times.
After 1973, it was a national sports car event until it was discontinued in 1977 due to safety concerns. It has since been run as a rallying event, and is part of the Italian Rally Championship.
The race was created in 1906 by the wealthy pioneer race driver and automobile enthusiast, Vincenzo Florio, who had started the Coppa Florio race in Brescia, Lombardy in 1900. The Targa also claimed to be a worldly event not to be missed. Renowned artists, such as Alexandre Charpentier and Leonardo Bistolfi, were commissioned to design medals. A magazine was initiated, Rapiditas, which aimed to enhance, with graphic and photographic reproductions of the race, the myth of the car and the typical character of modern life, speed.[1]
One of the toughest competitions in Europe, the first Targa Florio covered 3 laps equalling 277 miles (446 km) through multiple hairpin curves on treacherous mountain roads, at heights where severe changes in climate frequently occurred. Alessandro Cagno won the inaugural 1906 race in nine hours, averaging 30 miles per hour (50 km/h).
By the mid-1920s, the Targa Florio had become one of Europe’s most important races, as neither the 24 Hours of Le Mans nor the Mille Miglia had been established yet. Grand Prix races were still isolated events, not a series like today’s F1.
After winning the race several times, Porsche named the hardtop convertible version of the 911 after the Targa. The name targa means plaque or plate, see targa top.
Underappreciated in her lifetime, the career of late Irish architect and designer Eileen Gray is the subject of a timely new exhibition at The Bard Graduate Center Gallery in New York. Jennifer Goff, curator of the Eileen Gray collection at the National Museum of Ireland, tells us more.
Eileen Gray (born Kathleen Eileen Moray Smith; 9 August 1878 – 31 October 1976) was an Irish architect and furniture designer and a pioneer of the Modern Movement in architecture. Over her career, she was associated with many notable European artists of her era, including Kathleen Scott, Adrienne Gorska, Le Corbusier, and Jean Badovici, with whom she was romantically involved. Her most famous work is the house known as E-1027 in Roquebrune-Cap-Martin, France.
From 1922/1923 to 1926 Gray created an informal architectural apprenticeship for herself as she never received any formal training as an architect. She studied theoretical and technical books, took drafting lessons, and arranged to have Adrienne Gorska take her along to building sites. She also traveled with Badovici to study key buildings and learned by reworking architectural designs.
In 1926, she started work on a new holiday home near Monaco to share with Badovici. Because a foreigner in France couldn’t wholly own property, Gray bought the land and put it in Badovici’s name, making him her client on paper. Construction of the house took three years and Gray remained on site while Badovici visited occasionally.
Renewed interest in Gray’s work began in 1967 when historian Joseph Rykwert published an essay about her in the Italian design magazine Domus. After the publishing of the article many “students began to ring at her door” as eager to learn from the now famous designer.
At a Paris auction of 1972, Yves Saint Laurent bought ‘Le Destin’ and revived interest in Gray’s career.
The first retrospective exhibition of her work, titled ‘Eileen Gray: Pioneer of Design’, was held in London in 1972. A Dublin exhibition followed the next year. At the Dublin exhibit, the 95 year old Gray was given an honorary fellowship by the Royal Institute of the Architects of Ireland.
In 1973 Gray signed a contract to reproduce the Bibendum chair and many of her pieces for the first time. They remain in production.
Eileen Gray died on Halloween 1976. She is buried in the Père Lachaise cemetery in Paris, but because her family omitted to pay the licence fee her grave is not identifiable.
Discover Alabama’s rich history as we reveal the vast discoveries that forged a path to equality for millions. The story of the Cotton State has as many dramatic turns as the tracks of the Talladega Superspeedway.
See the first laboratory on Earth – Blombos Cave. Here our ancestors conducted the first chemistry experiments.
Blombos Cave is an archaeological site located in Blomboschfontein Nature Reserve, about 300 km east of Cape Town on the Southern Cape coastline, South Africa. The cave contains Middle Stone Age (MSA) deposits currently dated at between c. 100,000 and 70,000 years Before Present (BP), and a Late Stone Age sequence dated at between 2000 and 300 years BP. The cave site was first excavated in 1991 and field work has been conducted there on a regular basis since 1997, and is ongoing.
The excavations at Blombos Cave have yielded important new information on the behavioural evolution of anatomically modern humans. The archaeological record from this cave site has been central in the ongoing debate on the cognitive and cultural origin of early humans and to the current understanding of when and where key behavioural innovations emerged among Homo sapiens in southern Africa during the Late Pleistocene. Archaeological material and faunal remains recovered from the Middle Stone Age phase in Blombos Cave – dated to ca. 100,000–70,000 years BP – are considered to represent greater ecological niche adaptation, a more diverse set of subsistence and procurements strategies, adoption of multi-step technology and manufacture of composite tools, stylistic elaboration, increased economic and social organisation and occurrence of symbolically mediated behaviour.
The most informative archaeological material from Blombos Cave includes engraved ochre, engraved bone ochre processing kits, marine shell beads, refined bone and stone tools and a broad range of terrestrial and marine faunal remains, including shellfish, birds, tortoise and ostrich egg shell and mammals of various sizes.[20][21][22] These findings, together with subsequent re-analysis and excavation of other Middle Stone Age sites in southern Africa, have resulted in a paradigm shift with regard to the understanding of the timing and location of the development of modern human behaviour.
When Mount Vesuvius erupted in 79 CE, it buried Pompeii, Herculaneum, and the surrounding settlements under nearly 20 feet of volcanic ash and pumice. Pliny the Elder, a Roman writer, documented his eyewitness account of the disaster, supporting the archaeological evidence uncovered there in the last two centuries.
This Great Lecture reviews how these buried cities and their exploration have had a lasting impact on European and American culture. C. Brian Rose, Ph.D., Curator-in-Charge, Mediterranean Section, Penn Museum; Immediate Past President, Archaeological Institute of America; Trustee, American Academy in Rome
The pandemic of H1N1 virus in 1918 infected about one-third of the world’s population, causing at least 50 million deaths, including more than a half-million in the United States. Martha Teichner reports.
George Wesley Bellows (August 12 or August 19, 1882 – January 8, 1925) was an American realist painter, known for his bold depictions of urban life in New York City. He became, according to the Columbus Museum of Art, “the most acclaimed American artist of his generation”.
Bellows first achieved widespread notice in 1908, when he and other pupils of Henri organized an exhibition of mostly urban studies. While many critics considered these to be crudely painted, others found them welcomely audacious, a step beyond the work of his teacher. Bellows taught at the Art Students League of New York in 1909, although he was more interested in pursuing a career as a painter. His fame grew as he contributed to other nationally recognized juried shows.
Bellows’ urban New York scenes depicted the crudity and chaos of working-class people and neighborhoods, and satirized the upper classes. From 1907 through 1915, he executed a series of paintings depicting New York City under snowfall. In these paintings Bellows developed his strong sense of light and visual texture,[14] exhibiting a stark contrast between the blue and white expanses of snow and the rough and grimy surfaces of city structures, and creating an aesthetically ironic image of the equally rough and grimy men struggling to clear away the nuisance of the pure snow. However, Bellows’ series of paintings portraying amateur boxing matches were arguably his signature contribution to art history.[11] They are characterized by dark atmospheres, through which the bright, roughly lain brushstrokes of the human figures vividly strike with a strong sense of motion and direction.
Pennsylvania Station New York City
Pennsylvania Station, also known as New York Penn Station or Penn Station, is the main intercity railroad station in New York City and the busiest in the Western Hemisphere, serving more than 600,000 passengers per weekday as of 2019.mPenn Station is in Midtown Manhattan, close to Herald Square, the Empire State Building, Koreatown, and Macy’s Herald Square. Entirely underground, the station is located in Midtown South beneath Madison Square Garden, between Seventh and Eighth Avenues, and between 31st and 33rd Streets, with additional exits to nearby streets.
Penn Station has 21 tracks fed by seven tunnels (the two North River Tunnels, the four East River Tunnels, and the single Empire Connection tunnel). It is at the center of the Northeast Corridor, a passenger rail line that connects New York City with Boston, Philadelphia, Washington, D.C., and intermediate points. Intercity trains are operated by Amtrak, which owns the station, while commuter rail services are operated by the Long Island Rail Road (LIRR) and NJ Transit (NJT). Connections are available within the complex to the New York City Subway, and buses. An underground passageway formerly provided an indoor connection with the 34th Street–Herald Square subway station and 33rd Street PATH station.[7]
Penn Station is named for the Pennsylvania Railroad (PRR), its builder and original tenant, and shares its name with several stations in other cities. The current facility is the remodeled underground remnant of the original Pennsylvania Station, a more ornate station building designed by McKim, Mead, and White and considered a masterpiece of the Beaux-Arts style. Completed in 1910, it enabled direct rail access to New York City from the south for the first time. Its head house was torn down in 1963, galvanizing the modern historic preservation movement.[8] The rest of the station was rebuilt in the following six years, while retaining most of the rail infrastructure from the original station.
What was the world like from 500 to 1500 CE? This period, often called medieval or the Middle Ages in European history, saw the rise and fall of empires and the expansion of cross-cultural exchange.
Getty curator Bryan C. Keene argues that illuminated manuscripts and decorated texts from Africa, Asia, Australasia, the Americas, and Europe are windows through which we can view the interconnected history of humanity. In this episode, he discusses his recent book Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts, highlighting the challenges and opportunities of the emerging discipline known as the Global Middle Ages.
This week on the podcast, Contributing Correspondent Lizzie Wade joins host Sarah Crespi to discuss a turning point for one ancient Mesoamerican city: Tikal. On 16 January 378 C.E., the Maya city lost its leader and the replacement may have been a stranger. We know from writings that the new leader wore the garb of another culture—the Teotihuacan—who lived in a giant city 1000 kilometers away.
But was this new ruler of a Maya city really from a separate culture? New techniques being used at the Tikal and Teotihuacan sites have revealed conflicting evidence as to whether Teotihuacan really held sway over a much larger region than previously estimated.
Sarah also talks with Rashid Sumaila, professor and Canada research chair in interdisciplinary ocean and fisheries economics at the University of British Columbia, Vancouver’s Institute for the Oceans and Fisheries. You may have heard of illegal fishing being bad for the environment or bad for maintaining fisheries—but as Sumaila and colleagues report this week in Science Advances, the illegal fishing trade is also incredibly costly—with gross revenues of between $8.9 billion and $17.2 billion each year.