Even before coronavirus, soaring fish prices and competition from big chains had wiped out more than half of Japan’s traditional sushi restaurants. With most owners at or near retirement, the pandemic is accelerating the demise of neighborhood sushi. Correspondent Lucy Craft looks at how fast-food sushi is remaking a dining tradition.
Underwater cameraman and seal researcher Dr Ben Burville, explains how seals’ whiskers help them hunt underwater even in poor visual conditions.
Air, Water, Fire, and Earth were formally believed to compose the physical universe. These elements are now the paintbrushes for adventure athletes whose canvas encompasses the great outdoors. These are the Elements Oliver White.
SIMPLY PUT, I’M A FISHERMAN.
It’s the most natural outcome for someone who fell in love with fishing early. And by love, I mean: willing to follow wherever fishing wanted to take me.
Travel to a new country to investigate a fishery? I’ll be packed in an hour. Explore an uncharted river? I’m in. Stalk a fish that’s never seen a fisherman? I want to solve the puzzle, crack into that animal’s head and figure out how to catch it. After years of living in fishing’s gravity, I’ve witnessed how it can alter orbits beyond my own.
But was this new ruler of a Maya city really from a separate culture? New techniques being used at the Tikal and Teotihuacan sites have revealed conflicting evidence as to whether Teotihuacan really held sway over a much larger region than previously estimated.
Sarah also talks with Rashid Sumaila, professor and Canada research chair in interdisciplinary ocean and fisheries economics at the University of British Columbia, Vancouver’s Institute for the Oceans and Fisheries. You may have heard of illegal fishing being bad for the environment or bad for maintaining fisheries—but as Sumaila and colleagues report this week in Science Advances, the illegal fishing trade is also incredibly costly—with gross revenues of between $8.9 billion and $17.2 billion each year.
Directed by Maceo Frost
Director of Photography – Christophe Collette
Underwater DoP – Vincent Kardasik
Executive producer – Blaise Izard
Line Producer – Manu Henoque
Editor Andreas – Arvidsson
Composer – Gustav Karlström
Sound design – Anton Ahlberg
Colorist – Nicke Jacobsson
Production co – badassfilms.tv
“Daughter of the Sea” is a short film exploring a fishermans relationship with his daughter and the sea. Shot in the French town St Jean de Luz.
From a Wall Street Journal online review:
We headed west and hugged the shallow shoreline, casting at shadows of fish as the sun mixed with clouds making it more difficult to sight fish. We curled around a point of land I instantly recognized as Cambridge Beaches, where I stayed with my parents on my first visit to the island and where my sister celebrated her honeymoon.
Mr. Linnell used a push pole to move the skiff quietly along shore as he chatted up guests snorkeling nearby, expertly keeping them away from our bonefish spots by urging the snorkelers to take in sights a safe distance away.
I HAD NEVER considered fly fishing for bonefish in Bermuda. Chasing the elusive, silver-green creatures, prized for their fight, was something you did at remote outposts and rustic camps, where showering was optional and accommodations primitive. Such a trip could be fun for a few days, but you’d never dare drag your wife or kids along.
“The most primitive of Yellowstone’s campgrounds and sites, the accommodations are distributed among the banks of the stream, meadow land, and forest.” (Fodor’s Travel)
Slough Creek Campground—elevation 6,250 feet (1905 m)—is located in Lamar Valley near some of the best wildlife watching opportunities in the park. Located at the end of a two mile graded dirt road, this campground is best suited for tents and small RVs. There are plenty of hiking opportunities in the area, including the Slough Creek Trail which begins nearby. Nighttime offers a quiet, unimpeded view of the stars and the possibility of hearing wolves howl.
(As rated by Fodor’s Travel)