The impetus for “WORLD WAY: The City of LAX” was born in 2013 as I sat on a rooftop in El Segundo, waiting for a shoot to begin and looking out over LA. The incoming planes looked like a highway, evenly spaced and spread across multiple lanes. This led my eye to the end of their path – LAX. I realized I had a fully unobstructed view of the airport, and immediately started capturing timelapses of it. I became fascinated with the many layers of movement that were visible – planes taking off and landing, planes taxiing, ground support equipment moving on the ramp and throughout the airport, passenger vehicles on World Way, passengers on foot outside and inside the airport – all moving at their own unique pace. It made me realize that LAX is a city unto itself, with so many moving pieces and individual people all doing their part to keep it moving. Despite its struggles, it is a logistical and modern marvel. I wanted to show it in a way it had never been seen.
In 2016, I was able to bring this project to life with help from the Los Angeles Tourism and Convention Board, Los Angeles World Airports, and a group of talented shooters. We set out to capture these layers of movement in a way that cannot be seen with the naked eye, and from vantage points that few get to experience. It’s been a long journey from then until now, but was very much worth it. Getting to experience every aspect of LAX as a non-traveler, and having the opportunity to work with so many people who help keep it operating has given me a new perspective on this place.
The artist incorporates an array of art historical scenes such as John Martin’s English-Romantic apocalypses and Edouard Manet’s Luncheon on the Grass with ubiquitous imagery sourced from the Internet. The highly rendered areas in her paintings resemble a cascade of Google image search results where cellphone photos of skylines and gardens slide past gestural marks.
Shulamit Nazarian is pleased to present Strange Little Beast, a solo exhibition of new works by Los Angeles-based painter Annie Lapin. This will be the artist’s first solo exhibition with the gallery.
Annie Lapin’s paintings call attention to the human desire for meaning making–our effort to create order out of chaos. In Strange Little Beast, Lapin’s paintings use her interest in art history, perception, and the materiality of painting itself to examine the role of digital technology and narrative building in our contemporary moment.
City timelapses and hyperlapses from around the world. This is a collection of my favorite cityscape timelapses from over the years. The video is a mix of static shots, motion controlled timelapses and manual hyperlapse shots. I really hope you all enjoy the video and thanks so much for watching!
Places featured in the video:
New York City, New York
Los Angeles, California
San Francisco, California
Cinque Terre, Italy
and a castle in Scotland.
The nine suites at Arts District Firehouse Hotel are intended to capture a “dreamy mix of the elegant and bizarre”. Each is individually designed in layout and colour theme and named accordingly: Red, Orange, Yellow, Green, Blue, Indigo, Violet, White and Black.
A new boutique accommodation, envisioned as a “dreamy mix of the elegant and bizarre”, has opened up inside a 1970s firehouse in Los Angeles.