The greatest roles of her life were behind the scenes. Natalie Wood: What Remains Behind is an intimate portrait of actor Natalie Wood’s life and career, told through the eyes of her daughter Natasha Gregson Wagner and others who knew her best. The film celebrates the woman behind the iconic imagery and explores the compelling details of Wood’s personal life and illustrious career that are often overshadowed by her tragic death.
The documentary premieres May 5th at 9pm on HBO.
The documentary “Once Were Brothers” chronicles the highs and lows of a famous rock group. Lead guitarist and songwriter Robbie Robertson began touring as a teenager and played for Bob Dylan before joining forces with four other musicians to become The Band. Jeffrey Brown reports.
From a Cereal Magazine online article (March 2, 2020):
Of all Gio Ponti’s 100-odd buildings, Sorrento is the only hotel where you can still stay, fully immersed in his art — for as well as the building itself he designed every last detail. He was not just an architect, but a designer — of interiors, furniture, industry, cars — an artist and a ceramicist, a writer and a teacher; and at Parco dei Principi his passion for so many disciplines converged in one triumphant paean to modernity.
The concept of infinite blue was architect Gio Ponti’s driving inspiration when he built Parco dei Principi, his slice of 1960s modernism on a coast of faded antiquity. When it opened in 1962, the hotel was something new for ancient Sorrento: a clean-lined, contemporary edifice on the tufa-stone cliff. Inside, the bright, wide-open spaces were pared down and decorated entirely in white and blue.
Recorded February 14, 2020 at the Columbia Museum of Art.
Daniel Finamore, curator of It’s Alive! Classic Horror and Sci-Fi Art from the Kirk Hammett Collection talks about the exhibition and where these posters fit into the canon 
of art history. Finamore is the curator of Maritime Art and History at the Peabody Essex Museum. Best known as lead guitarist of the famed rock band Metallica, Kirk Hammett is also an obsessive collector of visually arresting horror and sci-fi film art and has dedicated the last three decades to creating one of the world’s most important collections.
It’s Alive! features more than 100 pieces of graphic art, many hailing back to the days of Boris Karloff and Bela Lugosi, that have seeped into the public imagination and reflected society’s deepest fears and anxieties for nearly a century. Not only do these objects explore the power of graphic art in its own right, they have inspired Hammett’s work throughout his own artistic career.
Organized by the Peabody Essex Museum, Salem, Massachusetts.
The Bizzarrini Strada (also 5300 GT Strada and 5300 GT), was a gran turismo automobile produced by Bizzarrini from 1964 to 1968. Sold as an exceptionally low slung 2-seat coupe, roadster, and track-tuned “Corsa” racer, it proved their most successful model.
Designed by ex-Ferrari chief engineer Giotto Bizzarrini in 1963, the Strada was launched by his company in 1964. It was similar in concept to the Iso Grifo, also designed by Bizzarrini, and even used the Grifo name while in the planning stage, as well as the welded unibody platform of the Iso Rivolta 300.
The Strada – which adopted an FMR layout – was powered by a Chevrolet sall-block 327 Corvette engine displacing 5358 cc and producing 365 hp (272 kW) to 385 hp (287 kW) in street form and 400 hp (298 kW) in the Corsa. The car could accelerate 0–100 km/h in less than 7 seconds, and attained a top speed of 280 km/h. In later models, the 5358 cc engine was replaced by a larger 7000 cc one, fitted with a Holley carburetor.
From Wikipedia
Beginning in the early 1960s, Peter Saul began to incorporate imagery borrowed from a range of pop-cultural sources into his exuberant, brightly colored paintings, adopting a style that has proven to be far ahead of its time. His work developed independently from concurrent art historical movements like Pop art, with which it shares some superficially similar concerns. Instead of the cool detachment of Andy Warhol and Roy Lichtenstein, however, Saul crafted his own unique blend of Surrealism, history painting, vernacular illustration, and the real-life shock and horror of current events.
Marking the artist’s first New York museum survey, this exhibition will bring together approximately sixty paintings from across his long career.
Saul’s earliest paintings, which he created in Paris, demonstrate a loose, gestural style of abstraction, yet he began to incorporate text, recognizable characters, and consumer products into his works as early as 1960. Around this time, he plucked figures like Donald Duck and Superman from the pages of comic books and deposited them into chaotic scenes representative of the avarice and violence of America. In the late 1960s and early 1970s, Saul created some of his most shocking and indelible works in response to the Vietnam War, with a series that captured the conflict’s grotesque brutality, racism, and destruction. A later group of paintings, which examines the chaotic sociopolitical fabric of urban life in California, reflects the dissolution of 1960s counterculture and the corruption, racism, and greed of US politics.
Saul extended his interrogation of American history in his portraits of infamous criminals like John Wayne Gacy, archetypes like cowboys and businessmen, and US presidents such as Ronald Reagan, George W. Bush, and Donald Trump, whom Saul depicts with disdain and condemnation. He has also looked further back to reimagine supposedly triumphant scenes from America’s past—including Columbus’s arrival in America, Washington crossing the Delaware, and Custer’s Last Stand—as moments of comical failure or disgrace. With a caustic sense of humor, Saul has continuously skewered America’s leaders, rendering their stretched, distorted bodies in Day-Glo colors. His disparate influences range from MAD magazine comics to Surrealist fantasies and American social realist painting from the 1930s.
Peter Saul is an American painter. His work has connections with Pop Art, Surrealism, and Expressionism. His early use of pop culture cartoon references in the late 1950s and very early 1960s situates him as one of the fathers of the Pop Art movement. He realised about 800 paintings during his career.
With imagery from the likes of David Bailey, Duffy and Terence Donovan, designs from Peter Blake, David Hockney, Gerald Scarfe and fledgling artist Ian Dury plus words and opinions from those riding high on the city`s cutting-edge, London Life remains the coolest document from the capital’s most exciting period.
While many books, films and documentaries claim to have captured the phenomenon that was Swinging London, just one magazine was present in the capital during the 1960s to illustrate this extraordinary moment as it unravelled. London Life emerged in October 1965 and, over the next fifteen months, would document the capital s action at its absolute zenith.
Collected for the first time, including forewords from Peter Blake and David Puttnam and a scene-setting introduction from Simon Wells, London Life offers a remarkable and candid view on a period when London was the creative hub of the world.
Robert Conrad, the actor best known for his role in the television show The Wild Wild West, died today in Malibu, Calif. of heart failure. He was 84 and his death was announced by a family spokesman. Born in Chicago, Illinois, Conrad moved to Los Angeles in 1958 and found almost instant success, booking a recurring role on the TV show Hawaiian Eye in 1959.
Robert Conrad (born Conrad Robert Falk; March 1, 1935 – died February 8, 2020) was an American film and television actor, singer, and stuntman. He is best known for his role in the 1965–69 television series The Wild Wild West, playing the sophisticated Secret Service agent James T. West. He portrayed World War II ace Pappy Boyington in the television series Baa Baa Black Sheep (later syndicated as Black Sheep Squadron). In addition to acting, he was a singer, and recorded several pop/rock songs in the late 1950s and early 1960s as Bob Conrad. He hosted a weekly two-hour national radio show (The PM Show with Robert Conrad) on CRN Digital Talk Radio since 2008.
From Wikipedia
For the 1961 model year, the Dart continued as the smallest full-size Dodge. It retained the 118 in (2,997 mm) wheelbase, and was restyled to emulate the larger Polara. The same three trim levels were available: the premium Phoenix, mid-range Pioneer, and base Seneca. Once again, wagons shared the Polara’s 122 in/310 cm wheelbase; they also shared the Polara’s unique side-mounted taillights.
The Dodge Dart is a line of automobiles marketed by Dodge from the 1959 to 1976 model years in North America, with production extended to later years in various other markets.
The Dart name originally appeared on a 1956 Chrysler show car featuring a streamlined body designed by the Italian coachbuilder Carrozzeria Ghia that was later modified and renamed the Dart Diablo. The production Dart was introduced as a lower-priced, full-size Dodge in 1960 and 1961, became a mid-size car for 1962, and then was a compact from 1963 to 1976.
From Wikipedia
The Sunbeam Tiger is a high-performance V8 version of the British Rootes Group’s Sunbeam Alpine roadster, designed in part by American car designer and racing driver Carroll Shelby and produced from 1964 until 1967. Shelby had carried out a similar V8 conversion on the AC Cobra, and hoped to be offered the contract to produce the Tiger at his facility in the United States. Rootes decided instead to contract the assembly work to Jensen at West Bromwich in England, and pay Shelby a royalty on every car produced.
Two major versions of the Tiger were built: the Mark I (1964–1967) was fitted with the 260 cu in (4.3 L) Ford V8; the Mark II, of which only 633 were built in the final year of Tiger production, was fitted with the larger Ford 289 cu in (4.7 L) engine. Two prototype and extensively modified versions of the Mark I competed in the 1964 24 Hours of Le Mans, but neither completed the race. Rootes also entered the Tiger in European rallies with some success, and for two years it was the American Hot Rod Association’s national record holder over a quarter-mile drag strip.
From Wikipedia
Boomers Daily 