The connections to Melville’s masterpiece are metaphorical and allusive, as elusive as the White Whale. The masterly spiritual successor to Lubbock (on everything), Just Like Moby Dick casts its net wide for wild stories, depicting, among other monstrous things, Houdini in existential crisis, the death of the last stripper in town, bloodthirsty pirates (in a pseudo-sequel to Brecht and Weill’s “Pirate Jenny”), the wars in Iraq and Afghanistan (in the “American Childhood” suite), a vampire-infested circus, mudslides and burning mobile homes, and all manner of tragicomic disasters, abandonments, betrayals, bad memories, failures, and fare-thee-wells.
Iconic and iconoclastic Texan songwriter and visual artist Terry Allen’s heartbreaking, hilarious new album, his first set of new songs since 2013’s Bottom of the World, features the full Panhandle Mystery Band, including co-producer Charlie Sexton (Dylan, Bowie, Blaze), Shannon McNally, and Jo Harvey Allen; mainstays Bukka Allen, Richard Bowden, and Lloyd Maines; and co-writes with Joe Ely and Dave Alvin.
Terry Allen (born May 7, 1943 in Wichita, Kansas) is an American Texas country and outlaw country singer-songwriter, painter and conceptual artist from Lubbock, Texas. He currently lives in Santa Fe, New Mexico. He has recorded twelve albums of original songs, including the landmark releases Juarez (1975) and Lubbock (on everything) (1979). His song “Amarillo Highway” has been covered by Bobby Bare, Sturgill Simpson and Robert Earl Keen. Other artists who have recorded Allen’s songs include Guy Clark, Little Feat, David Byrne, Doug Sahm, Ricky Nelson, and Lucinda Williams. Rolling Stone magazine describes his catalog, reaching back to Juarez as “..uniformly eccentric and uncompromising, savage and beautiful, literate and guttural.”