This week the whole show focuses on keeping cool in a warming world. First up, host Sarah Crespi talks with Senior News Correspondent Elizabeth Pennisi about the latest research into how to stay safe when things heat up—whether you’re running marathons or fighting fires.
Sarah also talks with Po-Chun Hsu, assistant professor of mechanical engineering and materials science at Duke University, about the future of cooling fabrics for everyday use. It turns out we can save a lot of energy and avoid carbon dioxide emissions by wearing clothing designed to keep us cool in slightly warmer buildings than we’re used to now. But the question is, will cooling clothes ever be “cool”? Visit the whole special issue on cooling.
Through evocative archival and contemporary photographs, drawings of landmark structures, and graceful, accessible text, The Conservatory celebrates the patrons and designers who advanced the technology and architectural majesty of these light-filled structures. The importance of conservatories continues to grow with efforts to conserve phenomenal plants and their environments.
Elegant and magnificent, conservatories reveal fascinating social, cultural, botanical, and engineering advances as they have evolved across history. First appearing in the eighteenth century as simple structures designed to protect fruit trees and other delicate plants from harsh European winters, conservatories became grand glass houses that spread across the European continent, to the Americas, and ultimately around the world.
Alan Stein is President and Director of Architecture at Tanglewood Conservatories, Ltd., founded in 1993 with his wife and business partner, Nancy Virts. The company’s mission is to conceive and build the finest classical and modern glass conservatories. Tanglewood’s work has been published in Architectural Digest, Garden Design Magazine, The New York Times, Town & County and other periodicals around the world. Alan studied design at the California College of Art and graduated from the University of Maryland with a professional degree in architecture. He lives in Maryland.
Nancy Virts is cofounder of Tanglewood Conservatories, Ltd., with her husband and business partner, Alan Stein. The company conceives and builds the finest classical and modern glass conservatories. Tanglewood’s work has been published in Architectural Digest, Garden Design magazine, the New York Times, Town & Country, and other periodicals around the world.
Scientists this week announced hopeful results in two of the big COVID-19 vaccination trials. Trudie Lang, Professor of Global Health at the Nuffield Department of Medicine, Oxford, describes some of the methodology used, what the efficacy statistic means, and how the novel approach of inserting mRNA rather than deactivated virus parts, is so exciting.
Prof Charles Cockell has been investigating how bacteria might be grown in space on lumps of asteroid to extract precious minerals, and as Kim McAllister reports, his lab is itself in orbit. And it is just a few weeks since the UK, and several other countries, signed up to a set of bilateral agreements with the US called the Artemis Accords. These are an attempt to update previous outer space treaties on how countries – and indeed companies – might mine and use resources in space, given that no-one can currently legally claim sovereignty. As Dr Thomas Cheney of the Open University and Prof Jill Stuart of the LSE describe, the Accords have been greeted in certain quarters with some discord.
In the 18th century, Joseph Vernet was uncontestably the greatest landscape painter of his generation. In this episode of Anatomy of an Artwork, discover how the ambitious and poetic landscape of ‘View of Tivoli’ pays tribute to the Italy Vernet loved so dearly.
Claude-Joseph Vernet was the leading French landscape painter (with Hubert Robert) of the later 18th century. He achieved great celebrity with his topographical paintings and serene landscapes. He was also one of the century’s most accomplished painters of tempests and moonlight scenes.
Vernet was born at Avignon and trained there with his father, Antoine, and with the history painter Philippe Sauvan. He spent the years 1734 to 1752 in Rome, where he studied classical landscapes in the tradition of Claude and Gaspard Dughet, as well as the dramatic paintings of Salvator Rosa. In Rome he was influenced by the contemporary Roman topographical painter Giovanni Paolo Panini. He had many English clients and admirers in Rome, including Richard Wilson, whom Vernet is thought to have encouraged as a landscape painter.
Professional deep-sea diver Adrian Corrigall and his wife Megan plan to build their new family home in rural East Sussex almost entirely out of concrete, with construction involving cutting-edge technologies conceived in Switzerland and never used to build a house before. However, the perils of being a pioneer soon become evident, and with both schedule and budget under strain, Adrian is forced to resume work as a diver, taking him away from the project for a month at a time.
It has taken time — some say far too long — but medicine stands on the brink of an AI revolution. In a recent article in the New England Journal of Medicine, Isaac Kohane, head of Harvard Medical School’s Department of Biomedical Informatics, and his co-authors say that AI will indeed make it possible to bring all medical knowledge to bear in service of any case.
Properly designed AI also has the potential to make our health care system more efficient and less expensive, ease the paperwork burden that has more and more doctors considering new careers, fill the gaping holes in access to quality care in the world’s poorest places, and, among many other things, serve as an unblinking watchdog on the lookout for the medical errors that kill an estimated 200,000 people and cost $1.9 billion annually.
“I’m convinced that the implementation of AI in medicine will be one of the things that change the way care is delivered going forward,” said David Bates, chief of internal medicine at Harvard-affiliated Brigham and Women’s Hospital, professor of medicine at Harvard Medical School and of health policy and management at the Harvard T.H. Chan School of Public Health. “It’s clear that clinicians don’t make as good decisions as they could. If they had support to make better decisions, they could do a better job.”
We see terriers, collies, beagles, bloodhounds, poodles, small dogs, big dogs, show dogs, working dogs, and many more, featuring over 60 breeds photographed in both black-and-white and glorious Kodachrome.
The world appears to be divided into cat and dog lovers, but fortunately Walter Chandoha, the 20th century’s greatest pet photographer found himself happily in the middle. He loved these intriguing creatures equally for their unique beauty and individualism, and as subjects to photograph in a career spanning over 70 years. While working on his critically acclaimed TASCHEN book Cats, Chandoha handpicked his favorite dog photos for a potential follow-up title, putting into carefully marked boxes hundreds of contact sheets, prints, and color transparencies, many unseen for at least 50 years, and some totally unseen.
Chandoha sadly passed away in 2019 at the age of 98, but his legacy lives on in this dashing sequel dedicated to man’s best friend. “Walter Chandoha’s photographs of dogs are compelling not just because dogs have an inherent charm, but because the person behind the camera was a master of his craft,” writes the photography critic Jean Dykstra in the book’s introduction.
Spanning a 50-year period, the book is divided into six sections, and each chapter reveals Chandoha’s exceptional combination of technique, versatility, and soul. The opening chapter “In the Studio” focuses on formal portraiture; next it’s “Strike a Pose” where our canine companions ham it up for the camera; in “Out and About” they get to roam and play, often photographed with Chandoha’s own children; next it’s “Best in Show” with Chandoha using his reportage skills to capture vintage dog shows from the Mad Men era; in “Tails from the City,” the dogs are hitting the streets of mid-century New York; and in the closing chapter “Country Dogs,” it’s back to nature, the fields, and the beaches. Dogs is an unleashed photographic tribute to these lovable and loyal creatures.
Walter Chandoha(1920–2019) was a combat photographer in the Second World War, before a chance encounter with a cat led him on a path that would shape his professional career. He is regarded as the world’s greatest domestic animal photographer with a career spanning over seven decades and an archive of more than 200,000 photographs. His photographs have appeared on over 300 magazine covers, thousands of advertisements, and were regularly featured in magazines such as Life, Look, and their equivalents around the world.
Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. Polaroids, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.
Bremen is a city in northwest Germany located at the Weser River. The city is known for Hanseatic buildings around the Market Square. In Germany Bremen is also famous by the fairy tale “Bremer Stadtmusikanten” (Town Musicians of Bremen).