Rosa Park is founding editor of Cereal, which is dedicated to thoughtful travel and lifestyle stories and known for its pared-back aesthetic. Here she reveals her love of Bath’s sandstone buildings, the unique style of her family home – and why you’d better not call her a minimalist.
Our guest for the first episode is Rosa Park, founding editor of Cereal magazine, a biannual publication dedicated to thoughtful travel and lifestyle stories and known for its pared-back aesthetic. Rosa was born in Seoul, grew up between Korea and Canada, studied in Boston and worked in New York before settling in Bath, Somerset, where she now presides over the magazine, a series of travel guides and her latest venture, art gallery Francis.

Tune in to hear Rosa talk about how she got Cereal off the ground, why beige is her favourite colour and why she doesn’t define home as being about a place. Plus, hear why Rosa’s picked Kettle’s Yard in Cambridge, Vincent Van Duysen’s home in Antwerp and her parents’ home in Seoul as her top three picks.
Monocle 24 “The Stack” speaks to Julian Victoria and Emily Rogers, the duo behind ‘Dog’ magazine.






For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In Mag Men, Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine.
Contrary to popular opinion, when it comes to well-being, our lives do not represent an inevitable decline from the sunny uplands of youth to the valley of death. Instead, the opposite is true — we can confidently look forward to old age as the happiest time of our lives.
So why do people grow happier as they age? Is it an absence of stress, or are they able to focus more on what brings them joy?
Since all of my paintings—almost every single one except for the figure paintings—are done from memory, I rely specifically on the memory of working in restaurants, or of visiting farms on which I worked as a young person. I try to recall the look and feel and love of what I have experienced.
First published in 1897, Country Life is itself a late-Victorian institution. What could be more appropriate, therefore, than to celebrate this anniversary with a collector’s issue of articles and photographs from the magazine’s archives?
The first book on magazine sensation Holiday, which between 1946 and 1977 was one of the most exciting publications in the world. Renowned for its bold layouts, literary credibility, and ambitious choice of photographers and artists, Holiday portrayed the romance of travel like no other periodical.