



This week, a new way to study elusive subatomic particles – pions, and the story of Galileo remains relevant in a time of modern science denialism.In this episode:
00:46 Probing pions
Pions are incredibly unstable and difficult-to-study subatomic particles. Now researchers have come up with a clever way to examine them – by sticking them into helium atoms. Research Article: Hori et al.
08:28 Research Highlights
A colourful way to cool buildings, and the rapid expansion of cities. Research Highlight: A rainbow of layered paints could help buildings to keep their cool; Research Highlight: Urban sprawl overspreads Earth at an unprecedented speed
10:46 The life of Galileo
A new biography of Galileo Galilei examines some of the myths about his life and draws parallels with problems facing scientists today. Books and Arts: Galileo’s story is always relevant
16:42 Pick of the Briefing
We pick our highlights from the Nature Briefing, including botanical graffiti, and rock-eating bacteria. The Guardian: ‘Not just weeds’: how rebel botanists are using graffiti to name forgotten flora; Scientific American: Scientists Waited Two and a Half Years to See whether Bacteria Can Eat Rock
The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world’s greatest art museum.
Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of that place and of the buildings themselves―a fascinating story that historian James Gardner elegantly chronicles in the first full-length history of the Louvre in English.
More than 7,000 years ago, men and women camped on a spot called le Louvre for reasons unknown; a clay quarry and a vineyard supported a society there in the first centuries AD. A thousand years later, King Philippe Auguste of France constructed a fortress there in 1191, just outside the walls of a city far smaller than the Paris we know today. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I in 1546.
It remained so until 1682, when Louis XIV moved his entire court to Versailles. Thereafter the fortunes of the Louvre languished until the tumultuous days of the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since―through the Napoleonic era, the Commune, two World Wars, to the present―the Louvre has been a witness to French history, and expanded to become home to a legendary collection, including such masterpieces as the Mona Lisa and Venus de Milo, whose often-complicated and mysterious origins form a spectacular narrative that rivals the building’s grand stature.
James Gardner is an American art critic and literary critic based in New York and Buenos Aires. He is the author of six books, including Buenos Aires: The Biography of a City. His writings have appeared in the New York Times, the Wall Street Journal, the New Republic, and the British Spectator. He was the art critic at the New York Post and wrote architecture criticism for the New York Observer, before serving as the architecture critic at the New York Sun. He is now a contributing editor at The Magazine Antiques.
Humphrey Hawksley is an author, commentator and broadcasters. His work as a BBC foreign correspondent took him all over the world, giving him a global perspective that informs his writing. His new book, ‘Man on Edge’, puts the reader at the centre of a geopolitical crisis in Moscow.
Humphrey Hawksley is an English journalist and author who has been a foreign correspondent for the BBC since the early 1980s.
In a year of plagues, power struggles and star-crossed lovers divided by lockdown, Anne McElvoy asks James Shapiro, author of “Shakespeare in a Divided America”, what the bard would make of it all. Shakespeare is claimed by Americans of all political stripes.
But how can a lad from 16th-century Stratford-upon-Avon illuminate the past and future of the republic now? Plus, what the president might teach the professor about Shakespeare’s work. And, Shapiro prescribes a verse for the trials and tribulations of 2020.
In Ciao, Testino handpicks his favorite images of Italy, a country that has featured heavily in his life, from his friendships and breathtaking vistas to quintessentially Italian iconic fashion shoots and Italians’ ever-evolving allure to their effervescent lifestyle. Featuring three sections, IN GIRO (out and about), ALLA MODA (in fashion), and AL MARE (at sea), the result is a highly personal journey across the country through Testino’s lens paying homage to Italy, and it’s culture as well as a chronicle of 40 years of genre-defining photography.
Widely regarded as one of the most influential fashion and portrait photographers, Mario Testino is responsible for the creation of emblematic images, transmitting emotion and energy in an open and intimate way. Throughout his four-decade career, Testino has been on a journey beyond the world of fashion capturing Earth’s traditions and cultures with unparalleled access and an extraordinarily unique point of view.

Peruvian by birth, Testino’s intimate connection to Italy found its roots in his Italian heritage, but blossomed when he experienced the country for himself. Discovering Italy was, for Testino, synonymous with discovering his passion for fashion. “Rome was all about the hottest, latest trends and fresh new styling, and I loved the way Italians could shed the latest look for an even newer thing without ever losing their own identity.”
Manet called him “the greatest painter of all.” Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it. Francis Bacon painted a study of his portrait of Pope Innocent X. Monet and Renoir, Corot and Courbet, Degas and Dalí…for so many champions of art history, the ultimate soundboard was—and remains—Diego Rodríguez de Silva y Velázquez (1599-1660).

This updated catalog raisonné brings together Velázquez’s complete works, jaw-droppingly reproduced in extra-large format, with a selection of enlarged details and brand new photography of recently restored paintings, achieved through the joint initiative of TASCHEN and Wildenstein. The book’s dazzling images are accompanied by insightful commentary from José López-Rey on Velázquez’s interest in human life and his equal attention to all subjects, from an old woman frying eggs to a pope or king, as well as his commitment to color and light, which would influence the Impressionists over two centuries later.


Health journalist Judy Foreman talks about her new book Exercise Is Medicine: How Physical Activity Boosts Health and Slows Aging
This is Scientific American’s Science Talk, posted on April 24th, 2020. I’m Steve Mirsky. And under our current, often locked-down situation, it’s still really important to try to get some exercise. Judy Foreman is the author of the new book Exercise is Medicine: How Physical Activity Boosts Health and Slows Aging. She’s a former nationally syndicated health columnist for the Boston Globe, LA times, Baltimore Sun and other places, and an author for the Oxford University Press.
She graduated Phi Beta Kappa from Wellesley College and has a Master’s from the Harvard Graduate School of Education. She was a Lecturer on Medicine at Harvard Medical School, a Fellow in Medical Ethics at Harvard Medical School and a Knight Science Journalism Fellow at the Massachusetts Institute of Technology. She spent six months as a guest reporter for The Times of London. She was also a Senior Fellow at the Schuster Institute for Investigative Journalism at Brandeis University. She was also host of a live, weekly call-in radio show on Healthtalk.com.
Judy has won more than 50 journalism awards, including a 1998 George Foster Peabody award for co-writing a video documentary about a young woman dying of breast cancer and the 2015 Science in Society award from the National Association of Science Writers.
Container Atlas seeks out luxurious remote hideaways, urban dwellings, community centers, and more, all showing how the humble container can put the fab into pre-fab.

Container architecture has become an essential part of our twenty-first century surroundings, with it being used to create modular structures for pavilions, brand showrooms, retail premises, and even residential homes. Ten years after the first publication of Container Atlas, this eagerly anticipated follow-up charts how this movement has evolved into an essential part of today’s architectural vocabulary. Container Atlas serves as a practical and inspirational reference not only for architects and engineers, but also for all creatives eager to learn about the rich and diverse language of container architecture and modular building.
Architect and Professor Han Slawik and his team have established themselves as international experts in the field of container architecture. He is the author of the first edition of Container Atlas and has returned to the subject with refreshed insights into this burgeoning movement.
Before she published “Silent Spring,” one of the most influential books of the last century, Rachel Carson was a young aspiring poet and then a graduate student in marine biology. Although she couldn’t swim and disliked boats, Carson fell in love with the ocean. Her early books—including “The Sea Around Us,” “The Edge of the Sea” and “Under the Sea Wind”—were like no other nature writing of their time,
Jill Lepore says: Carson made you feel you were right there with her, gazing into the depths of a tide pool or lying in a cave lined with sea sponges. Lepore notes that Carson was wondering about a warming trend in the ocean as early as the 1940s, and was planning to explore it after the publication of “Silent Spring.” If she had not died early, of cancer, could Carson have brought climate change to national attention well before it was too late?
Excerpts from Carson’s work were read by Charlayne Woodard, and used with permission of Carson’s estate.
Rachel Louise Carson (May 27, 1907 – April 14, 1964) was an American marine biologist, author, and conservationist whose book Silent Spring and other writings are credited with advancing the global environmental movement.
Carson began her career as an aquatic biologist in the U.S. Bureau of Fisheries, and became a full-time nature writer in the 1950s. Her widely praised 1951 bestseller The Sea Around Us won her a U.S. National Book Award, recognition as a gifted writer, and financial security. Her next book, The Edge of the Sea, and the reissued version of her first book, Under the Sea Wind, were also bestsellers. This sea trilogy explores the whole of ocean life from the shores to the depths.
Late in the 1950s, Carson turned her attention to conservation, especially some problems that she believed were caused by synthetic pesticides. The result was the book Silent Spring (1962), which brought environmental concerns to an unprecedented share of the American people. Although Silent Spring was met with fierce opposition by chemical companies, it spurred a reversal in national pesticide policy, which led to a nationwide ban on DDT and other pesticides. It also inspired a grassroots environmental movement that led to the creation of the U.S. Environmental Protection Agency. Carson was posthumously awarded the Presidential Medal of Freedom by President Jimmy Carter.