To read more: https://www.artic.edu/events/4684/conversation-bullets-and-steelthe-making-of-elizabethan-armor-2
From a Harvard News online article:
Rock ’n’ roll, or even popular music, [was] often highly gendered and sexist. It certainly was paternalistic in the ’60s and prior, in terms of songs being directed at women as objects, women as needing to be “counseled” about love, [or] it was about coming on to them, even if it was just something innocent and romantic, “I Want to Hold Your Hand.” And the Beatles very consciously in 1965 began to change their tone. They created a very specific type of female character who would think for herself and did not need a man.
Looking back at your favorite classic rock songs through the lens of today’s attitudes about women’s empowerment, male privilege, and even sexual violence can be cringeworthy at best. But just as they were trailblazers in music, film, fashion, and popular culture, the Beatles were ahead of their time in embracing feminism, argues Kenneth Womack, a well-known authority on the band and dean at Monmouth University, evolving from early patronizing “hey, girl” entreaties to songs filled with independent women who don’t need a man, not even a Beatle. Ideological Diversity, a Harvard Kennedy School student organization, hosts a free talk with Womack on Thursday about how the group explored issues of feminism, gender, and inclusion in ways few rock bands dared in the 1960s.
An exhibit at South Carolina’s Columbia Museum of Art shows Vincent van Gogh in a new light. “Van Gogh and His Inspirations” presents the younger, wayward artist who learned from looking hard at the world — and the work of artists around him. A private collection of his inspirations is made public for the first time and presented alongside a dozen original van Gogh works. Jeffrey Brown reports.
Food defines us as individuals, communities, and nations – we are what we eat and, equally, what we don’t eat. When, where, why, how and with whom we eat are crucial to our identity. Feast and Fast presents novel approaches to understanding the history and culture of food and eating in early modern Europe.
This richly illustrated book will showcase hidden and newly-conserved treasures from the Fitzwilliam Museum and other collections in and around Cambridge. It will tease out many contemporary and controversial issues – such as the origins of food and food security, overconsumption in times of austerity, and our relationship with animals and nature – through short research-led entries by some of the world’s leading cultural and food historians.
Feast and Fast explores food-related objects, images, and texts from the past in innovative ways and encourages us to rethink our evolving relationship with food.
To read more and purchase:
From the University of Chicago:
It’s a simple question to ask, but seems impossible to answer: What causes one nation to succeed and another to fail? What exactly are the origins of global inequality?
There are few people who have spent more time trying to answer this question than Prof. James Robinson. Robinson’ first book, Why Nations Fail, was an international best-seller. It laid out in clear and stark terms what the origins of prosperity and poverty really are. Now, he’s written a sequel, The Narrow Corridor, which further explains what ingredients you need to create a prosperous nation.
An infinite number of things happen; we bring structure and meaning to the world by making art and telling stories about it. Every work of literature created by human beings comes out of an historical and cultural context, and drawing connections between art and its context can be illuminating for both. Today’s guest, Stephen Greenblatt, is one of the world’s most celebrated literary scholars, famous for helping to establish the New
Historicism school of criticism, which he also refers to as “cultural poetics.” We talk about how art becomes entangled with the politics of its day, and how we can learn about ourselves and other cultures by engaging with stories and their milieu.
From The British Museum website:
From Helen of Troy’s abduction to the deception of the Trojan Horse and the fall of the city, tread the line between myth and reality in this phenomenal new exhibition.
The story of the ancient city of Troy, and of the great war that was fought over it, has been told for some 3,000 years. Spread by travelling storytellers, it was cast into powerful words by the Greek poet Homer as early as the eighth to seventh century BC – and into powerful images by ancient Greek and Roman artists. Just as it enraptured audiences in the past, it still speaks to us today and it’s easy to see why. It’s a story that has it all – love and loss, courage and passion, violence and vengeance, triumph and tragedy – on a truly epic scale.
Spanning several decades, the tale is set in Greece’s mythical past. At its heart is the powerful city of Troy on the western coast of Anatolia (modern-day Turkey), besieged for 10 years by the Greeks, who sailed across the Aegean Sea to take revenge for a grave insult – the abduction of a woman. This ancient world war features a stellar cast of characters. Even the gods are involved.
To read more: https://blog.britishmuseum.org/the-myth-of-the-trojan-war/
In its heyday, dynamite was a transformative tool; it could blast rock quarries, excavate tunnels, and demolish buildings with power and reliability never before seen. But it also proved to be useful in some surprising ways. In this special episode of Sidedoor, we team up with the history podcast Backstory to explore two less-typical applications of the explosive: the artistic blasting at Mount Rushmore, and how anarchists used dynamite to advance their political agenda in 1886.
Boomers Daily 