The act of dive bombing during World War II was a death defying trial of skill and nerve. You aimed your plane down, four miles above the ocean, and plummeted at speeds of up to 275 miles per hour.


Moncocle.com spoke with Tom Geismar, founding partner of Chermayeff & Geismar, one of the top graphic design agencies in the world and the man responsible for the marketing of Pan Am in the 1950’s, 60’s and 70’s.
From the Chermayeff & Geismar website:
The most important aspect of the identity design for Pan Am was to suggest that the name of the airline be changed to “Pan Am” from the long and cumbersome “Pan American World Airways.” The Pan Am logotype in capitals and lower-case letters was also adopted with an accompanying world symbol.
In addition to the corporate identity, our firm designed comprehensive graphics for the airline, including a poster campaign and the menus for the inaugural flight of the Boeing 747.
Madeline Miller, author of our December pick for the NewsHour-New York Times book club, Now Read This, joins Jeffrey Brown to answer reader questions on “Circe,” and Jeff announces the January book selection.
About the book:
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child–not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power–the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.
With unforgettably vivid characters, mesmerizing language and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man’s world.
From a The Economist magazine article and podcast:
The real California, though, the California of immigrant dreams that break and get reborn, of lives as they turn out not as they are planned, is the California of the eucalyptus.
Like his friend John Muir, Lukens believed that California desperately needed more forests. Since the mid-19th century forests, and their loss, had been the principal focus of conservationist thought in America. According to Jared Farmer, who traces the history of the eucalyptus in California in “Trees in Paradise” (2013), Lukens and Muir were particularly keen on growing forests as a way to provide water—always a key to power in the state. Trees brought rain and captured fog and moisture; without forests, the men feared the state’s great cities would dry up.
“EUCALYPTUS PROMISES TO BE GREAT INDUSTRY”, announced the front page of the San Luis Obispo Daily Telegram, later claiming that what the speculators following where Lukens had led were planting “will be the largest artificial forest in the world when completed”.
90 years ago today, Maie Bartlett Heard, curator Allie Walling BraMé along with a small group of friends and volunteers spent Christmas Day making final preparations for the opening of the Heard Museum. The next day, December 26, 1929, the Heard Museum began our now nine decade long and ongoing legacy of advancing American Indian Art.
This short video poem written, recorded and edited by longtime artist and friend of the Heard Museum, Steven J. Yazzie (Diné) is our very sincere thank you to you.
Heard Museum 90th Celebration Poem, December 2019

“Home” By Steven J. Yazzie (Diné)
Voiced by: Jenn Henry
Music: Better Now, Phillip Daniel Zach
Why do we come here to these walls painted shades of off white
In search of beauty
or memory
or place
Where the sounds of children can be heard echoing in these vast
and intimate spaces
And where everyone has just arrived here from a journey
What brings us to the feet of stone
or textile
or dried paint
In the galleries of our hearts and truths
Our histories are revealed
and our humanity ensured
This place of my youth and older age
This place of beauty
stewardship
and celebration
Is home
From a Smithsonian Magazine online article:
When the special finally aired in 1964, it became such a hit that it has been rebroadcast every year since, making it the longest-running Christmas special in history. Even today, the special still punches above its weight; when Rudolph the Red-Nosed Reindeer aired on CBS in 2016, it beat every show except This Is Us. In 2017, more viewers tuned in to watch Rudolph than A Charlie Brown Christmas, which ran on ABC in the same time slot.
https://www.dailymotion.com/video/x19l9n1
Reindeer and dentists, puppets and LED light bulbs, Gene Autry and General Electric—these odd pairings might not seem to have much in common. But each played an important role in the making of Rudolph the Red-Nosed Reindeer, a classic Christmas special currently celebrating its 55th straight year of annual reruns. Before Rudolph lit up the small screen, a series of tragedies, twists of fortune and lucky coincidences allowed his tale to endure through decades—eventually ensuring a place in holiday tradition.
Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones.
Known, unknown, rare and unseen images from former Rolling Stones bassist Bill Wyman, capturing life on-stage, backstage and on the road
In addition to this trade edition, there will also be a limited edition of 300 copies, which comes in a slipcase, with an open-edition A4 print

As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world’s greatest rock ‘n’ roll band, Wyman continued his hobby. When he didn’t have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From travelling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way.
“Invention and Design in Laurentian Florence”
Patricia Lee Rubin Institute of Fine Arts, New York University
The promotion of Florentine excellence in all of the arts was a mainstay of Lorenzo de’ Medici’s cultural politics. Bertoldo di Giovanni’s sculptural production took place in a context of intense creative competition, resulting in works that are innovative, inventive, and beautiful, qualities explored in this lecture. This lecture is funded by Dino and Raffaello Tomasso.
Aztec art drew on the Mesoamerican past, citing works from the ancient cities of Teotihuacan and Tula to lend authority and legitimacy to the new empire. But this engagement with the past also provoked reflection on the inevitable end of empire and the cyclicality of time, themes that resonate as the five hundredth anniversary of the Spanish invasion of Mexico unfolds this year. In this illustrated lecture, Claudia Brittenham, University of Chicago, discusses how Aztec art reflects this engagement with this historical past. This lecture delivered on October 31, 2019, was generously sponsored by the Boshell Foundation Lecture Fund.
From a TheConversation.com online article:
…(Television executive Frank) Stanton got both Vice President Richard Nixon – who had been a champion debater at Whittier College – and Senator John F. Kennedy to accept invitations to debate live on television. That’s when the really difficult negotiations began.

…Every detail took a long time to agree on, as the election drew ever closer in the late summer of 1960.
…Sure enough, the time pressures pushed everyone to agree on an established TV format Americans were familiar with: the quiz show. The required studios were easily available, the production staff already knew what to do, and journalists could easily moderate discussions in which candidates agreed not to directly question or answer each other.