
Apollo Magazine (April 29, 2024): The new May 2024 issue features ‘How national is the National Gallery?’; Alvaro Barrington’s winning hand; Fossil-fuelled: art and the oil industry…



Apollo Magazine (April 29, 2024): The new May 2024 issue features ‘How national is the National Gallery?’; Alvaro Barrington’s winning hand; Fossil-fuelled: art and the oil industry…



The New Yorker (April 29, 2024): The new issue‘s cover features Faith Ringgold’s “Sonny’s Bridge, 1986” – The late artist’s work recalls her pioneering spirit through vivid, inventive designs.
Also: Kamasi Washington, “The Outsiders” reviewed, Bang on a Can’s Long Play Festival, and more.
Four Twenty Five, a luxe new dining room from the mega-restaurateur Jean-Georges Vongerichten, takes square aim at the expense-account crowd.
The most striking aspect of the former President’s hush-money trial so far has been that, for the first time in a decade, Trump is struggling to command attention.


Country Life Magazine (April 24, 2024): The latest issue features…

As the National Gallery counts down to its 200th anniversary, Carla Passino delves into the fascinating stories behind 10 paintings in the collection

The chairman of the National Gallery board of trustees picks an exquisite, skilful work that resonates with deeper meaning
In the second of two articles, John Goodall investigates the 20th-century evolution of Stansted Park in West Sussex

Hetty Lintell reveals the secret to staying fresh faced and fashion artist David Downton shares a few of his favourite things
Octavia Pollock hails the talented Stevenson clan, who saved countless lives at sea thanks to their prolific lighthouse building

Giles Kime on how decorative frames can give a room an extra edge and Arabella Youens on the creation of a family kitchen
Time has not been kind to way-side crosses, once beacons of the British landscape. Lucien de Guise follows a trail of destruction

Amelia Thorpe selects the best structures for growing climbers
Melanie Johnson gets creative with fresh, cooling spearmint
Lakeland fells form a dramatic backdrop to the captivating Arts-and-Crafts garden at High Moss in Cumbria, finds Non Morris

Crushing one is said to absolve you of all your sins, but the Devil’s coach horse beetle is also the gardener’s friend, says Ian Morton
A booming bittern and a colossal crane make it a memorable return to the Norfolk Broads for John Lewis-Stempel
It may be named after the Virgin Mary, but, warns Ian Morton, there is a hint of the profane about lady’s mantle
John Wright reveals how the pretty, but unpalatable ground ivy found its true calling as an ingredient in the brewing of ale

Times Literary Supplement (April 24, 2024): The latest issue features ‘The Mormon Conquest’ – Seth Perry on a people of the book; Is ‘green growth’ a mirage; Virginia Woolf’s rural retreat; China’s Shakespeare…

@nplusonemag (April 23, 2024): The latest issue features ‘Passage’ – Fast fashion nation. Six months of genocide in Gaza. Human_Fallback_2: 2 Human 2 Fallback. Martin Amis, re-reassessed. Border stories by Nicholas Hamburger and Paul Soto.
A genocide in images

OCTOBER 7 MARKED the beginning of a new economy of war imagery. At first there was a video of a bulldozer plowing through the border fence between Israel and Gaza—an astonishing image, captured in a familiar way. Then things turned horribly surreal. The events of that day were beamed to the world in real time via body-cam, dashcam, cell phone, drone. A Hamas fighter wearing a GoPro stalked the highway with his automatic rifle jutting up from the bottom of the frame, first-person-shooter style. A dashboard camera showed a car zooming forward as a bullet pierced its windshield and the car began to drift, veering left, until it crashed into the rear end of a parked Toyota; you knew exactly when the person behind the wheel could no longer drive, was probably dead.

THE NEW YORK TIMES BOOK REVIEW (April 20, 2024): The latest issue features….
In “The Anxious Generation,” Jonathan Haidt says we’re failing children — and takes a firm stand against tech.

By Tracy Dennis-Tiwary
THE ANXIOUS GENERATION: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness, by Jonathan Haidt
Inside the book conservation lab at the Metropolitan Museum of Art.
By Molly Young
Not every workplace features a guillotine. At a book conservation lab tucked beneath the first floor of the Metropolitan Museum of Art, the office guillotine might as well be a water cooler or a file cabinet for all that it fazes the staff. “We have a lot of violent equipment,” said Mindell Dubansky, who heads the Sherman Fairchild Center for Book Conservation.
In “Muse of Fire,” Michael Korda depicts the lives and passions of the soldier poets whose verse provided a view into the carnage of World War I.
The Week In Art Podcast (April 19, 2024): We are back in Venice for the latest edition of the biggest biennial in the world of art. The 60th Venice Biennale comprises an international exhibition featuring more than 300 artists, dozens of national pavilions in the Giardini—the gardens at the eastern end of the city—and the Arsenale—the historic shipyards of the Venetian Republic—and host of official collateral exhibitions and other shows and interventions across Venice.
The Art Newspaper’s contemporary art correspondent, Louisa Buck, editor-at-large Jane Morris and host Ben Luke review the international exhibition, Foreigners Everywhere/Stranieri Ovunque, curated by the Brazilian artistic director, Adriano Pedrosa. We talk to artists and curators behind five national pavilions—Jeffrey Gibson in the US pavilion, John Akomfrah in the British pavilion, Romuald Hazoumè in the Benin pavilion, Gustavo Caboco Wapichana, the curator of the Hãhãwpuá or Brazilian pavilion, and Valeria Montii Colque in the Chilean pavilion—about their presentations.
And we like to end our Venice specials by responding to an example of the historic work that made la Serenissima one of the world’s great centres for art. So for this episode’s Work of the Week, Ben Luke gained exclusive access to one of the most significant paintings in Venetian history: the Assunta or Assumption of the Virgin made between 1516 and 1518 by Titian. Since the last Biennale in 2022, the Assunta has been unveiled after a four-year conservation project, funded by the charity Save Venice. We spoke to the man who restored this incomparable masterpiece, Giulio Bono, right beneath Titian’s painting.
Kenyon Review – April 19, 2024: The 2024 Spring issue features Beth Bachmann’s 2023 Short Fiction Contest-winning story, chosen by judge Danielle Evans; fiction by Nick Almeida and Lauren Cassani Davis; poetry by Fatima Jafar and Marcus Wicker; and a folio of Literary Curiosities, which features work by Jennifer Chang, J. D. Debris, Summer Farah, Eliza Gilbert, Christine Imperial, Phoebe Peter Oathout, Tega Oghenechovwen, Maya C. Popa, and more. The cover art is a detail of Chitra Ganesh’s City Inside Her, from the artist’s Architects of the Future portfolio.
The New Yorker (April 17, 2024): In “The Smallest Power,” the filmmaker Andy Sarjahani captures the power of an individual act of resistance amid the chaos of nationwide disorder. The animated short is a product of his own circuitous journey to understand his dual identities. Sarjahani’s mother, Tammie, is a Baptist from the American South.
His father, Ali, was born a Shiite Muslim from Iran. They met in the library at the University of Alabama in Huntsville, married in 1978, and eventually settled in Russellville, Arkansas. “I grew up in the Ozarks, so I didn’t have a deep connection to my Iranian heritage,” Sarjahani told me. His family had Christmas trees and celebrated Easter but also marked Nowruz, the Persian New Year.
Times Literary Supplement (April 17, 2024): The latest issue features ‘A Heavy Reckoning’ – Shakespeare and War’; Judgment at Tokyo; Iranian women in revolt; Memoirs of a sociopath and A Chilean masterpiece…