The New Yorker (April 29, 2024): The new issue‘s cover features Faith Ringgold’s “Sonny’s Bridge, 1986” – The late artist’s work recalls her pioneering spirit through vivid, inventive designs.

Teresita Fernández’s Shifting Sculptural Landscapes

Also: Kamasi Washington, “The Outsiders” reviewed, Bang on a Can’s Long Play Festival, and more.

The Return, Again, of the Power Lunch

Four Twenty Five, a luxe new dining room from the mega-restaurateur Jean-Georges Vongerichten, takes square aim at the expense-account crowd.

Donald Trump’s Sleepy, Sleazy Criminal Trial

The most striking aspect of the former President’s hush-money trial so far has been that, for the first time in a decade, Trump is struggling to command attention.