Tag Archives: National Gallery

ARTS & LITERATURE: “APOLLO MAGAZINE November 2020”

INSIDE THE ISSUE
 
FEATURES | Denzil Forrester interviewed by Gabriel CoxheadKristen Treen on Augustus Saint-Gaudens’ monuments to the American Civil War; Emilie Bickerton visits the Musée Cernuschi in Paris; Glenn Adamson defends progressive deaccessioningThomas Marks visits the Box in Plymouth; mathematician John Coates shows Susan Moore his collection of early Japanese ceramics
 
REVIEWS | Sheila McTighe on Artemisia Gentileschi at the National GallerySamuel Reilly on Michael Armitage at the Haus der Kunst; Mark Polizzotti on Matisse’s artists’ books; Emily Knight on Joseph Wright of Derby; Sameer Rahim on Islamic influences in European architecture; Anthony Cutler on the Turin Shroud
 
MARKET | A preview of the second part of Asian Art in London; and the latest art market columns from Emma Crichton-MillerSusan Moore and Samuel Reilly
 
PLUS | Timon Screech visits the shrines of the shoguns; Gillian Darley on the enduring appeal of crescents in architecture; Damian Thompson watches Yotam Ottolenghi make a feast inspired by the court of Versailles; Thomas Marks on the vital role of education in museumsRobert O’Byrne revisits the advertisements in Apollo 40 years ago
 

Arts & Literature: “Apollo Magazine – July 2020”

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INSIDE THE ISSUE
FEATURES | Eric Fischl interviewed by Thomas MarksLinda Wolk-Simon on the life and legacy of Raphael; Joanne Pillsbury on the art of the Olmecs; Samuel Reilly on private restitution of colonial-era artefacts; Christopher Turner on shopfronts and gallery facadesJosie Thaddeus-Johns on John Cage’s mushrooms
REVIEWS | Isabelle Kent on Murillo at the National Gallery of Ireland; Tom Stammers on the British fashion for French interiors; James Lingwood on Stephen Shore’s photographs; Robert O’Byrne on The Buildings of Ireland
MARKET | Melanie Gerlis on art businesses after lockdown; a preview of Parcours des Mondes; and the latest art market columns from Susan Moore and Emma Crichton-Miller
PLUS | Rowan Moore and Tamsin Dillon on the future of public spacesSusan Moore on the mysterious ‘Barbus Müller’ sculptures; William Aslet on Palladio’s monument to the plague in Venice; Robert O’Byrne on Apollo and the Second World War

Art History: Rembrandt’s Portraits – “Love And Loss” At The National Gallery

A revealing look at Rembrandt’s most intimate portraits, on display in the locked-down National Gallery in London. The Guardian’s art critic Jonathan Jones reveals his favourite portraits, of vulnerable and unpretentious people the artist had known and loved. Jones asks what we can learn from these great masterpieces, especially during lockdown.

Art Podcasts: Six Top U.S. Museum Directors Discuss Closures, Reopening & Role In Society (The Getty)

Art + Ideas - Getty PodcastsIn this two-part series, six US museum directors discuss the pandemic and its repercussions for their institutions. These candid, insightful conversations address wide-ranging topics, from the logistical challenges of when to close and how to reopen to philosophical exchanges about the role of museums in society.

This first episode features Max Hollein of The Metropolitan Museum of Art in New York, Kaywin Feldman of the National Gallery of Art in Washington, DC, and James Rondeau of the Art Institute of Chicago.

This second episode features Matthew Teitelbaum of the Museum of Fine Arts, Boston, Ann Philbin of the Hammer Museum in Los Angeles, and Timothy Potts of the J. Paul Getty Museum.

Website

Art: Modern Discoveries About Titian’s ‘Poesie’ (National Gallery Video)

A look ‘beneath’ Titian’s canvases reveals the tweaks and changes he made as he worked over four hundred years ago. Find out more with Restorer Jill Dunkerton.

Website

The Art Of The Curator : “A Day In The Countryside” (National Gallery Video)

Lucy Chiswell, the Curatorial Fellow for Paintings 1600-1800, explores a day in the countryside through paintings by Rubens, Constable and Corot.

Paintings mentioned

0:50 Peter Paul Rubens ‘An Autumn Landscape with a View of Het Steen in the Early Morning’ 🎨 https://www.nationalgallery.org.uk/pa…

Find out more about Rubens the artist 🖌️ https://www.nationalgallery.org.uk/ar…

 

4:19 John Constable, ‘The Hay Wain’ 🎨 https://www.nationalgallery.org.uk/pa…

Find out more about Constable the artist 🖌️ https://www.nationalgallery.org.uk/ar…

 

8:03 Jean-Baptiste-Camille Corot ‘The Four Times of Day: Night’ 🎨 https://www.nationalgallery.org.uk/pa…

See more: the four times of day (Morning, Noon, Evening, and Night) 🎨 https://www.nationalgallery.org.uk/pa…

 

Art History: “Emotional Expression” In Artwork Of Venetian Painter “Titian” (National Gallery Video)

The way Titian painted was unlike other artists of his day. With little in the way of preliminary drawings, Titian worked very freely straight onto the canvas. Watch artist Andy Pankhurst show us how Titian would have worked.

Website

Tiziano Vecelli or Vecellio, known in English as Titian, was an Italian painter during the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, ‘from Cadore’, taken from his native region.

Exhibitions: “Leonardo – Experience A Masterpiece” At The National Gallery, London (Nov 9 – Jan 12)

The secrets of Leonardo’s masterpiece are revealed in four distinct spaces. Each space invites you to look at ‘The Virgin of the Rocks’ in a new way.

Leonardo Experience a Masterpiece National GalleryThe mind of Leonardo

Start your journey in a landscape populated by the thoughts and ideas of Leonardo as he sets about painting ‘The Virgin of the Rocks’.

The studio

Discover the secrets only science and conservation can reveal in this projection-filled space which unlocks the mysteries of how ‘The Virgin of the Rocks’ was painted and reveals the lost composition hidden beneath the painted surface.

The light and shadow experiment

Take part in the room-sized experiment to discover the dramatic effects of light and shadow on Leonardo’s composition for ‘The Virgin of the Rocks’.

The imagined chapel

At the end of your journey, you will come face to face with the original masterpiece where it hangs on the walls of an imagined chapel for you to contemplate how ‘The Virgin of the Rocks’ might have appeared in its original setting as part of an elaborate altarpiece.

To read and view more: https://www.nationalgallery.org.uk/exhibitions/leonardo-experience-a-masterpiece#HighlightPaintings93395