Literary Review of Canada – May 2023: Andrew F. Sullivan’s The Marigold features a brief epigraph attributed to Rob Ford: “Everything is fine.” Those three words would be a lot more convincing coming from Jane Jacobs or perhaps even Drake, but coming from the late Toronto mayor, they smack of comedy, irony, and foreboding.
On the lost art of public conversation: It is right to be suspicious of anyone who claims that some prior epoch was a golden age of anything, whether it be talk shows, family values, civil discourse, or whatever else they find lacking in their own time.
A historical whodunit: Clara at the Door with a Revolver: The Scandalous Black Suspect, the Exemplary White Son, and the Murder That Shocked Toronto by Carolyn Whitzman
The Atlantic Magazine – May 2023 issue – In “American Madness,” appearing as the cover story of the May issue of The Atlantic, Jonathan Rosen writes about the extraordinary turned tragic trajectory of Michael’s life and illness, and makes a broader argument that how we treat people with severe mental illness in this country must change.
As countries in the global South refuse to take a side in the war in Ukraine, many in the West are struggling to understand why. Some speculate that these countries have opted for neutrality out of economic interest. Others see ideological alignments with Moscow and Beijing behind their unwillingness to take a stand—or even a lack of morals. But the behavior of large developing countries can be explained by something much simpler: the desire to avoid being trampled in a brawl among China, Russia, and the United States.
For China, Russia, and the West, the last year has been one of fear and conflict. Russia’s invasion of Ukraine has killed tens of thousands, perhaps even hundreds of thousands, of people. It has prompted the United States and Europe to rearm and has pushed Moscow and Washington back into Cold War–style competition.
Something has gone wrong with work. On this, everyone seems to agree. Less clear is the precise nature of the problem, let alone who or what is to blame. For some time we’ve been told that we’re in the midst of a Great Resignation. Workers are quitting their jobs en masse, repudiating not just their bosses but ambition itself—even the very idea of work.
I had my first panic attack when I was fifteen, in the middle of January, while I was sitting in geometry class. Winter in Illinois, flesh comes off the bones—what did we need geometry for? We could look at the naked angles of the trees, the circles in the sky at night.
The artist discusses artistry, artificial intelligence, and the human experience.
Chatbots and image generators, newly on the rise, have sparked our imaginations—and our fears. As artificial-intelligence machines sharpen their ability to translate written prompts into images that accurately capture both style and substance, some visual artists worry that their specialized skills might be rendered irrelevant.
A new crop of biotech startups want to revolutionize human reproduction.
In 2016, two Japanese reproductive biologists, Katsuhiko Hayashi and Mitinori Saitou, made an announcement in the journal Nature that read like a science-fiction novel. The researchers had taken skin cells from the tip of a mouse’s tail, reprogrammed them into stem cells, and then turned those stem cells into egg cells.
Drug syndicates and other criminal groups bought into the idea that a new kind of phone network couldn’t be infiltrated by cops. They were wrong—big time.
Many criminals have been convicted as a result of encrypted-phone stings—more than four hundred in the U.K. alone.Illustration by Max Löffler
I recently returned to the Metropolitan Opera to see The Hours, based on Michael Cunningham’s novel. It was wonderful to be back in the glittering hall, after three long pandemic years, listening to Renee Fleming, Joyce DiDonato, and Kelli O’Hara bring Virginia Woolf and Cunningham’s other characters to life. That experience sent me looking for novels about music, and I was thrilled to see that Brendan Slocumb has a new one coming out only a year after his bestselling debut,
In the fourth annual Indie Issue, we let the books speak for themselves in these excerpts from a trio of starred Indieland picks: a memoir by two sisters who survived the Holocaust; another memoir about a teen’s coming-of-age on a sailing-school ship; and a collection of short stories from a renowned Bengali author.
In Daniel Seymour’s From Auschwitz With Love, sisters Manci Grunberger Beran and Ruth Grunberger Mermelstein describe their arrival at the concentration camp:
Father realized that we didn’t have much time together. So, he said to us, “No matter what happens, I want you to remember three things.”
The author’s new book, “Saving Time: Discovering a Life Beyond the Clock,” urges readers to revise their conceptions of time and the world to nurture hope and action for a better future.