Join Curator Ann Dumas for a view inside the ‘Picasso and Paper’ exhibition, which features works spanning the artist’s entire career. Can you guess which work the artist made when he was just nine years old?
Tag Archives: Museums
Media: “Smithsonian Open Access” – 2.8 Million Images Into Public Domain
People everywhere can now download, remix and share Smithsonian Open Access content for any purpose, for free, from portraits of historic Americans to 3D scans of dinosaur fossils. What will you create, imagine and discover?
New Exhibitions: “Giorgio De Chirico – Metaphysical Painting” At The Musée de l’Orangerie, Paris (2020)
The exhibition Giorgio de Chirico. Metaphysical painting retraces the career and the artistic and philosophic influences of the artist Giorgio de Chirico from Munich to Turin, then to Paris where he discovered the artistic avant-garde of his era, and lastly Ferrare. The connections between the painter – discovered by Apollinaire and 
subsequently backed by the art dealer Paul Guillaume – and the Parisian cultural and literary circles will be highlighted as never before.
Born in Greece and trained in the fount of classical culture and late German Romanticism, de Chirico developed the foundations of a new artistic exploration alongside his younger brother Alberto Savinio. A student at the Academy of Fine Arts in Munich as of 1908, he discovered the thinking of Nietzsche and Schopenhauer as well as the works of Böcklin and Klinger. After travelling to Milan then Florence, it was in France, and more specifically Paris, as of autumn 1911, that he established his unique visual vocabulary through contact with the modernist artistic revolutions. He was quickly noticed by numerous artistic celebrities of the time, among whom Guillaume Apollinaire, Maurice Raynal, André Salmon, André Breton, Paul Éluard and Jean Paulhan were the first to take an interest in and promote his work.
The exhibition thus comes into its own at the Musée de l’Orangerie alongside the figure of Paul Guillaume, the first art dealer to work with Giorgio de Chirico. On his return to Italy in 1915, he and his brother Savinio were sent to Ferrare for military reasons, where he continued his artistic research. This period (June 1915-December 1918) provided an opportunity for painters Carlo Carrà and Giorgio Morandi to get to know the two brothers, thus resulting in the creation of what was later to be known as the “metaphysical movement” which brings the exhibition to a close.
Exhibition organised by the Musée d’Orsay and the Musée de l’Orangerie, Paris and the Hamburger Kunsthalle, Hamburg
Art: “What Is A Japanese Living National Treasure?” (British Museum Video)
The British Museum has been collecting artworks made by Japanese Living National Treasures since 2007, but what is a Living National treasure and why are they so important to Japanese Cultural Heritage? In this film Nicole Rousmaniere, research director of SISJAC and Hayashida Hiyaki of the Japan Kōgei Association talk all about the Living National treasures programme and highlight some of the most beautiful pieces of Japanese craftsmanship collected by the Museum.
Arts & Travel Videos: “Odunpazari Modern Museum” Is The New Cultural Center In Turkey
We visit a Kengo Kuma-designed art museum in Eskisehir that’s set to become Turkey’s new cultural hotspot.
Odunpazarı Modern Museum is designed by the internationally acclaimed Japanese architecture firm Kengo Kuma and Associates.
Kengo Kuma and Associates describes its philosophy as “Amalgamating nature and architecture in a manner that creates a strong bond between the ‘building’ and its ‘location’.” In his design of the OMM building, the architect thus reinterprets the historic fabric of the Odunpazarı district with a contemporary perspective. Paying homage to the local architecture of Odunpazarı, Ottoman dome architecture, and traditional Japanese architecture, OMM’s design is highlighted by four major components: geometry, light, stacking, and timber. Breaking away from conventional design through the transformation of simple geometric lines into complex images, the high-quality light entering the building, and the non-linear forms, the architectural stacking and the timber construction system alluding to the historic fabric of Odunpazarı constitute the sources of inspiration for the architecture of the museum building.
OMM – Odunpazarı Modern Art Foundation was founded in 2019 with the aim of contributing towards the development of cultural, social, and artistic life through events and activities centered on the familiarization and popularization of culture and arts in society, the advancement of art education, the support for artistic and cultural production, and the transmission of cultural values to future generations. OMM – Odunpazarı Modern Museum operates under the auspices of this foundation.
New Exhibitions: “El Greco – Ambition And Defiance” (Art Institute Of Chicago)
March 7 – June 21, 2020
This major exhibition charts the career of the artist known simply as El Greco. Over 57 works from across the world trace not only the development of his distinctive style but also the astounding ambition that drove him to relentlessly pursue success.
Born in Crete as Domenikos Theotokopoulos (1541–1614), El Greco trained in the traditional manner of Byzantine icon painting. He moved to Venice in 1567 to learn a new artistic approach, absorbing developments in Venetian Renaissance painting through the lens of artists such as Titian and Tintoretto. The works El Greco painted during his time in Venice, however, reveal both his embrace of and struggles to fully adapt to this manner of painting.
Following this transformative period, El Greco went to Rome, probably in an attempt to attract patronage within the papal circle. There his acceptance into the elevated circle of Cardinal Alessandro Farnese brought a close association with the painter Giulio Clovio and the erudite historian and collector Fulvio Orsini. El Greco’s portraits, allegories, and religious paintings between 1570 and 1577 reflect these relationships as well as his complicated engagement with Michelangelo and other artistic luminaries of the 16th century.
Exhibitions: 88-Year Old Gerhard Richter “Painting After All” – Landscape As A Site Of Memory (The Met)
Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–Second World War Germany, in both broad and very personal terms.
This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass.
New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist’s technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist’s enduring interest in photographic imagery; Briony Fer looks at Richter’s family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist’s engagement with landscape as a site of memory; André Rottmann considers the impact of randomization and chance on Richter’s abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter’s rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art.
Metropolitan Museum of Art website
Gerhard Richter was born in Dresden on 9th February 1932, the first child of Horst and Hildegard Richter. A daughter, Gisela, followed four years later. They were in many respects an average middle-class family: Horst worked as a teacher at a secondary school in Dresden and Hildegard was a bookseller who liked to play the piano.1 In an interview with Robert Storr, Richter described his early family life as “simple, orderly, structured – mother playing the piano and father earning money.”2
In 1935, Horst accepted a teaching position at a school in Reichenau, a town which today is known as Bogatynia in Poland, at the time located in the German province Saxony. Settling in Reichenau was a drastic change for the family, which was accustomed to the vivid cultural life of the larger Dresden.3 Yet, it was also a move which would keep the family largely safe from the coming war. In the late 1930s Horst was conscripted into the German army, captured by Allied forces and detained as a prisoner of war until Germany’s defeat. In 1946, he was released and returned to his family, who had again relocated, this time to Waltersdorf, a village on the Czech border.
History: “Discovering Ancient Nubia: Kings and Pyramids in the Sudan”
Take a close look at the tombs of the Napatan kings who conquered and ruled Egypt from the late 8th century to 666 BCE, using objects that the MFA excavated from 1913 to 1932 with archeologist George Reisner.
Napatan kings later held sway over the kingdom of Kush in the northern Sudan, and built pyramids for themselves and their wives in cemeteries at Kurru and Napata. Studying these lavishly decorated pyramids, and the mortuary rites that took place in the attached chapels, makes clear some of the differences between ancient Egyptian and Napatan beliefs and priorities.
Susan K. Doll, Nubian scholar
Wednesday, October 30, 2019
Art Review: “The Floor Planers” By Impressionist Gustave Caillebotte (1875) (Musée d’Orsay Video)
For her performances in over sixty films and forty theatrical productions, Ariane Ascaride has notably been awarded the César for best actress in Marius and Jeannette (1998) and the Coppa Volpi for lead actress at the Venice mostra for Gloria Mundi (2019), two films directed by Robert Guédiguian. She is also a director and a screenwriter.
Les raboteurs de parquet (English title: The Floor Scrapers) is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures 102 by 146.5 centimetres (40.2 in × 57.7 in). It was originally given by Caillebotte’s family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, and in 1986, it was transferred again to the Musée d’Orsay in Paris, where it is currently displayed.
Top New Museum Exhibits: “Young Rembrandt” At The Ashmolean (Feb 27 – Jun 7)
Witness the meteoric rise of Rembrandt, from his first tentative works as a teenager in his home town of Leiden, to the sublime masterpieces he produced in Amsterdam ten years later.
This landmark show explores the early years of the career of the most famous of all Dutch artists, Rembrandt van Rijn (1606–1669). Beginning with his earliest known paintings, prints and drawings made in the mid-1620s, and ending at the moment he rockets to stardom in Amsterdam in the mid-1630s, this exhibition charts an astonishing transformation.
This is the largest collection of works devoted to the young Rembrandt and includes over 30 of his paintings, and 90 drawings and prints from international and private collections. On display for the first time is the newly discovered painting Let the Little Children Come to Me.
Don’t miss this unprecedented opportunity to examine young Rembrandt’s work and observe his remarkable metamorphosis from insecure teenager to the greatest Dutch painter of all time.
Boomers Daily 