Tag Archives: Exhibits

Exhibitions: 19th Century European & American Art At The Denver Art Museum

The department of European and American Art Before 1900 oversees a collection that includes more than 3,000 artworks and is composed of painting, sculpture, and works on paper, with significant strengths in early Italian Renaissance, 19th century French painting, and British art from 1400 to 1900.

The Denver Art Museum began acquiring notable examples of European art as early as the 1930s, with donations from Samuel H. Kress, Mr. and Mrs. Simon Guggenheim, and the Havemeyers, to name a few. Their generosity helped initiate a collection that grew in time through gifts and purchases.

Exhibits: ‘Philip C. Curtis – Landscapes of Arizona’ (Phoenix Art Museum)

Philip C. Curtis saw the desert through a lens of magic realism.

Landscape remains one of the most popular subjects for artists visiting and residing in Arizona. Philip C. Curtis, while not known as a landscape painter, draws extensively on that subject. Curtis came to the state in 1937 to establish the Phoenix Federal Art Center under the Federal Art Project, a New Deal program. He left two years later to head a similar facility in Des Moines, Iowa, but returned to Arizona in 1947.

Settling in Scottsdale, he painted surreal compositions, with figures in Victorian costumes set in the desert. Arizona’s landscapes were a rich source of inspiration for him, and while his canvases do not portray any recognizable geological features, his work may be contextualized within the work of a broad spectrum of artists who came to the state. Curtis saw the desert through a lens of magic realism. This differed from Maxfield Parrish, Eugene Berman, and other artists who preferred more representational modes.

Art: ‘Retrospectrum – Bob Dylan’, Frost Art Museum

Art: ‘TITIAN – WOMEN, MYTH & POWER’, Isabella Stewart Gardner Museum, Boston

An exhibition many have called “the art show of the year” are now on display at the Isabella Stewart Gardner Museum in Boston. It includes a collection of masterworks by Titian, which have not been seen together in more than 400 years. Special correspondent Jared Bowen, of WGBH, takes a look as part of our arts and culture series, “CANVAS.”

Top Photography Exhibits: ‘Mario Giacomelli – Figure /Ground’ (The Getty Video)

In this virtual art opening and gallery walk-through, Getty curator Virginia Heckert guides you through two exhibitions of photography: Mario Giacomelli: Figure/Ground and The Expanded Landscape. The galleries reveal Giacomelli’s stunning, high-contrast black and white images made in and around the photographer’s hometown of Senigallia on the Adriatic coast of Italy in the late 20th century. Also presented are works in The Expanded Landscape, which focuses on contemporary photographers whose innovative approaches and insightful observations expand concepts of “landscape.” Learn more about the exhibition: https://www.getty.edu/art/exhibitions…

Exhibit View: ‘Mesopotamia – Civilization Begins’, The Getty Villa, Los Angeles

Mesopotamia—the land “between the rivers” in modern-day Iraq—was home to the ancient Sumerians, Babylonians, and Assyrians. Among their many achievements are the creation of the earliest known script (cuneiform), the formation of the first cities, the development of advanced astronomical and mathematical knowledge, and spectacular artistic and literary accomplishments. The exhibition covers three millennia, from the first cities in about 3200 BC to Alexander the Great’s conquest of Babylon in 331 BC.

Exhibition organized by the Musée du Louvre, Paris, and the J. Paul Getty Museum, Los Angeles.

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Art & Nostalgia: ‘Glass, Meet the Future’ (Video)

This film was commissioned by North Lands Creative, as part of the UK in Japan 2019-20 bilateral campaign, a partnership between British Council Scotland and Creative Scotland. Supported by project partners Toyama Institute of Glass Art, Toyama Glass Art Museum and Museum of Arts and Design, New York.

The Premiere is part of the “Glass, Meet the Future” Film Festival 2021”

In Collaboration with Rusty Coin Production and Daniel Del Risco Animation.

Project Developed in part OUR COMMON HUMANITY

Commission for the Royal Edinburgh Hospital —
by Edinburgh Lothian Foundation

Large Scale Installation in Partnership with GRAS Architects ( project lead — Jan Hajek )

Edinburgh, Scotland
2016-2021

Art: ‘After Raphael. 1520 -2020’ – State Hermitage Museum, Russia (Video)

A film about the Exhibition “After Raphael. 1520 – 2020” at the State Hermitage Museum. Director of the film – Manas Sirakanyan. The film was made with the support of the U.S. Ambassadors Fund for Cultural Preservation, U.S. Embassy Moscow and the Hermitage Museum Foundation (USA)

Raphael is the most influential artist of the Modern Era. Over the course of five centuries, exponents of Mannerism and Academicism, Caravaggisti and masters of the Baroque, Romantics and Modernists have invariably compared their own work with Raphael’s legacy. What is the cause of such fame? What did his name represent in this or that historical period, and what does it represent today? What connects the artist’s followers in different centuries? The exhibition in the Hermitage is an attempt to answer those questions and to look at the art of the past 500 years through the lens of Raphael’s influence.

The large-scale display includes more than 300 exhibits – paintings, graphic art, sculpture and applied art from the Hermitage’s own stocks and twelve other collections in Russia and Western Europe. They include both famous masterpieces and previously unknown works. Dozens of paintings and pieces of graphic art are leaving the museum’s storerooms and being presented to the public for the first time, while a whole number of the exhibits are going on show after painstaking restoration in the Hermitage’s workshops.

The display opens with works by the master himself: a painting and drawings from European collections. Without claiming to be a full representation of the artist’s oeuvre, they serve to set the tone, as it were, and after viewers have “tuned themselves in” it will be easier for them to identify echoes of Raphaelesque harmony in the works from later centuries. The choice of graphic art for this purpose reveals another dimension to the main metaphor: it is specifically the beauty of the clear, precise line, so evident in the drawings made by the master’s own hand, that lies at the foundation of the aesthetics of Raphael himself and many of his followers.

Exhibitions: ‘Kandinsky’ At The Guggenheim Bilbao In Spain (Nov ’20 To May ’21)

As a pioneer of abstraction and a renowned aesthetic theorist, Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, France) is among the foremost artistic innovators of the early twentieth century.

In his endeavor to free painting from its ties to the natural world, Kandinsky discovered a new subject matter based solely on the artist’s “inner necessity” that would remain his lifelong concern.

In Munich in the 1900s and early 1910s, Kandinsky began exploring the expressive possibilities of color and composition, but he was abruptly forced to leave Germany with the outbreak of World War I, in 1914. The artist eventually returned to his native Moscow, and there his pictorial vocabulary started to reflect the utopian experiments of the Russian avant-garde, who emphasized geometric shapes in an effort to establish a universal aesthetic language. Kandinsky subsequently joined the faculty of the Bauhaus, a German school of art and applied design that shared his belief in art’s ability to transform self and society. Compelled to abandon Germany again when the Bauhaus closed under Nazi pressure in 1933, he settled outside Paris, where Surrealism and the natural sciences influenced Kandinsky’s biomorphic imagery.

More so than any other artist, Kandinsky is intertwined with the history of the Solomon R. Guggenheim Foundation, established in New York in 1937. Industrialist and museum founder Solomon R. Guggenheim began collecting Kandinsky’s work in 1929 and met him at the Dessau Bauhaus the following year. This exhibition draws from the foundation’s extensive holdings to illustrate the full arc of Kandinsky’s seminal career.

Curator: Megan Fontanella

Organized by The Solomon R. Guggenheim Foundation, New York

Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.

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