Take a closer look at three touching, humanist drawings by Rembrandt (1606 –1669) in the Morgan’s collection. John Pierpont Morgan loved Rembrandt. He owned 500 prints by Rembrandt, and in 1909 acquired his first drawings by the artist. Today, the Morgan has about 23 drawings in the collection by Rembrandt. A master of the European Baroque, Rembrandt’s paintings are often of grand themes. In his drawings, there is an intimacy and affection that has endeared him to generations of viewers. Listen to Colin B. Bailey, Director of the Morgan, as he shares his perspective on Rembrandt’s facility, creativity, and mastery.
In the inaugural episode of “Where in the World?,” Curator Aimee Ng explores the history of mahogany, a material hidden beneath the surface of a Rembrandt portrait and sourced oceans away from the famed artist’s homeland.
The Frick’s temporary move to Frick Madison has prompted new ways of looking at our works of art. The reframing of the collection sheds light on the fact that the Frick’s art, although predominantly European, is undeniably linked to the world beyond Europe. In this series, we’re exploring some of these stories, asking “where in the world” we can find new connections to familiar objects.
To view the Rembrandt painting in detail, please visit our website: https://www.frick.org/rembrandtruts
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon discusses the life of the celebrated Dutch painter Rembrandt Harmensz. van Rijn by examining his largest self-portrait, the centerpiece of a room devoted to Rembrandt on the second floor of Frick Madison. Painted when he was deep in debt and facing financial ruin, the artist nonetheless presents a grand vision of himself. This week’s complementary cocktail is a whiskey sour.
To view this painting in detail, please visit our website: https://www.frick.org/rembrandtselfpo…
Arguably the greatest master of the Dutch Golden Age, Rembrandt is famed for several types of works: his monumental history paintings, his self-portraits and, as beautifully exemplified by the transcendent Abraham and the Angels, his intimate biblical scenes.
Rembrandt Harmenszoon van Rijn was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.
The Dutch Golden Age was a period in the history of the Netherlands, roughly spanning the era from 1581 to 1672, in which Dutch trade, science, and art and the Dutch military were among the most acclaimed in the world. The first section is characterized by the Eighty Years’ War, which ended in 1648.
Curator An Van Camp explains Rembrandt’s use of a printmaking technique known as etching, and what his early experiments tell us about the young artist’s working process.
The Young Rembrandt exhibition is open at the Ashmolean until 1 Nov 2020: https://www.ashmolean.org/youngrembrandt
Curator An Van Camp tells us about Rembrandt’s obsession with self portraits and how he improved his skill throughout his life.
Rembrandt Harmenszoon van Rijn; 15 July 1606 – 4 October 1669) was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. Unlike most Dutch masters of the 17th century, Rembrandt’s works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, and biblical and mythological themes as well as animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative and gave rise to important new genres. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer.
Witness the meteoric rise of Rembrandt, from his first tentative works as a teenager in his home town of Leiden, to the sublime masterpieces he produced in Amsterdam ten years later.
This landmark show explores the early years of the career of the most famous of all Dutch artists, Rembrandt van Rijn (1606–1669). Beginning with his earliest known paintings, prints and drawings made in the mid-1620s, and ending at the moment he rockets to stardom in Amsterdam in the mid-1630s, this exhibition charts an astonishing transformation.
This is the largest collection of works devoted to the young Rembrandt and includes over 30 of his paintings, and 90 drawings and prints from international and private collections. On display for the first time is the newly discovered painting Let the Little Children Come to Me.
Don’t miss this unprecedented opportunity to examine young Rembrandt’s work and observe his remarkable metamorphosis from insecure teenager to the greatest Dutch painter of all time.