Wallace Earle Stegner (February 18, 1909 – April 13, 1993) was an American novelist, short story writer, environmentalist, and historian, often called “The Dean of Western Writers”. He won the Pulitzer Prize in 1972 and the U.S. National Book Award in 1977.
Novelist and art writer Olivia Laing tells Robert Bound about ‘Funny Weather: Art in an Emergency’, her new collection of essays, columns and character studies from the past decade.Funny Weather brings together a career’s worth of Laing’s writing about art and culture, and their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Wolfgang Tillmans, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, Funny Weather celebrates art as an antidote to a terrifying political moment.
Olivia Laing is a widely acclaimed writer and critic. She’s a Fellow of the Royal Society of Literature and in 2018 was awarded the Windham-Campbell Prize for non-fiction. She’s the author of To the River, The Trip to Echo Spring and The Lonely City, which has been translated into 17 languages and sold over 100,000 copies worldwide.
Her latest book is Crudo, a real-time novel about the turbulent summer of 2017. It was a Sunday Times top ten bestseller and a New York Times notable book of 2018 and was shortlisted for the Goldsmiths Prize and the Gordon Burn Prize. In 2019 it won the 100th James Tait Black Memorial Prize.
Laing’s writing about art & culture appears in the Guardian, Financial Times and frieze, among many other publications.
Her collected essays, Funny Weather: Art in an Emergency, will be published on 16 April 2020. She’s currently working on Everybody, a book about bodies & freedom.
A personal chef monograph, and the first book, from globally-acclaimed chef Ana Roš of Hiša Franko in Slovenia
Set near the Italian border in Slovenia’s remote Soča valley, in the foothills of mountains and beside a turquoise river full of trout, Ana Roš tells the story of her life. Through essays, recollections, recipes, and photos, she shares the idyllic landscape that inspires her, the abundant seasonal ingredients from local foragers, the tales of fishing and exploring, and the evolution of her inventive and sophisticated food at Hiša Franko – where she has elevated Slovenian food and become influential in the global culinary landscape.
From a Maclean’s Magazine online essay (01/08/20):
Boomers tore down institutions—divorce rates went up, churchgoing went down. We demonized the corporations that previous generations had venerated, though we bought their products in record numbers, our idealism blurring with the search for the perfect pair of jeans. We wanted it all. In place of institutions, we created the cult of the individual, our own particular Frankenstein.
So much of our music comes back to us in unfortunate ways, Dylan’s anthems barely recognizable in sappy orchestral arrangements that fill the hours we spend on hold. And we seem to be permanently on hold these days. We are between 55 and 73 years old now, still defining this as middle age, still a potent economic force because of our numbers, controlling 70 per cent of disposable income, though it feels to many of us that we have already disposed of it. Still, we bought houses when they were vaguely affordable. And politicians still cater to us because we vote en masse. However, we are largely left out of the cultural conversation, as music and social media continues to evolve, always leaving us one app behind the curve.
From a Gentleman’s Journal online article:
Thankfully, Willem Dafoe and Willem Dafoe’s face have used this innate recognisability to their joint advantage. To date, the actor has appeared in well over 100 films, and his prolific career can be charted through the cracks and comments — some nice, some not so nice — that those in the industry have made about his looks.
In fact, in the intervening decades, Hollywood has called many, many times — as have independent filmmakers, foreign studios, animation houses, video game developers and scores of theatres. On the big screen, Dafoe has taken roles in Platoon, Mississippi Burning, Born on the Fourth of July, The English Patient, American Psycho and Shadow of the Vampire. He flew into The Aviator for a cameo, swung into the Spider-Man trilogy as the villainous Green Goblin and dipped his toe in voiceover work with Finding Nemo. He’s taken on John Carter, John Wick and narrated films from Vox Lux to The Great Wall. He’s been Oscar-nominated several times, for playing characters as wild and disparate as hammy vampires, Floridian motel managers and Vincent van Gogh. The man is a chameleon — and has managed to become one despite having Willem Dafoe’s face.
To read entire article: https://www.thegentlemansjournal.com/article/willem-dafoe-interview-face-hollywood-cover/
Boomers Daily 