The volume will be released to coincide with the centenary of Federico Fellini’s birth (January 2020), which will be celebrated in Italy with a traveling exhibition on the director that will start its journey from Milan in December 2019.
Tag Archives: Books
2020: Major Books, Films And Music From 1924 Enter U.S. Public Domain
From Duke Law “Center For The Study of the Public Domain”:
On January 1, 2020, works from 1924 will enter the US public domain, where they will be free for all to use and build upon, without permission or fee. These works include George Gershwin’s Rhapsody in Blue, silent films by Buster Keaton and Harold Lloyd, and books such as Thomas Mann’s The Magic Mountain, E. M. Forster’s A Passage to India, and A. A. Milne’s When We Were Very Young. These works were supposed to go into the public domain in 2000, after being copyrighted for 75 years. But before this could happen, Congress hit a 20-year pause button and extended their copyright term to 95 years.
Films
- Buster Keaton’s Sherlock, Jr. and The Navigator
- Harold Lloyd’s Girl Shy and Hot Water
- The first film adaptation of Peter Pan
- The Sea Hawk
- Secrets
- He Who Gets Slapped
- Dante’s Inferno
Books
Thomas Mann, The Magic Mountain- E.M. Forster, A Passage to India
- Ford Madox Ford, Some Do Not… (the first volume of his “Parade’s End” tetralogy)
- Eugene O’Neill, Desire Under the Elms
- Edith Wharton, Old New York (four novellas)
- Yevgeny Zamyatin, We (the English translation by Gregory Zilboorg)
- A.A. Milne, When We Were Very Young
- Hugh Lofting, Doctor Dolittle’s Circus
- Edgar Rice Burroughs, Tarzan and the Ant Men
- Agatha Christie, The Man in the Brown Suit
- Lord Dunsany (Edward Plunkett), The King of Elfland’s Daughter
Music
- Rhapsody in Blue, George Gershwin
- Fascinating Rhythm and Oh, Lady Be Good, music George Gershwin, lyrics Ira Gershwin
- Lazy, Irving Berlin
- Jealous Hearted Blues, Cora “Lovie” Austin (composer, pianist, bandleader) (recorded by Ma Rainey)
- Santa Claus Blues, Charley Straight and Gus Kahn (recorded by Louis Armstrong)
- Nobody’s Sweetheart, music Billy Meyers and Elmer Schoebel, lyrics Gus Kahn and Ernie Erdman
(Only the musical compositions referred to above are entering the public domain. Subsequent arrangements, orchestrations, or recordings of those compositions, such as Yuja Wang’s performance of Rhapsody in Blue, might still be copyrighted. You are free to copy, perform, record, or adapt Gershwin’s composition, but may need permission to use a specific recording of it.)
New Architecture Books: “Traces of J. B. Jackson – The Man Who Taught Us to See Everyday America”
After a varied life of traveling, writing, sketching, ranch labor, and significant service in army intelligence in World War II, Jackson moved to New Mexico and single-handedly created the magazine Landscape. As it grew under his direction throughout the 1950s and 1960s, Landscape attracted a wide range of contributors. Jackson became a man in demand as a lecturer and, beginning in the late 1960s, he established the field of landscape studies at Berkeley, Harvard, and elsewhere, mentoring many who later became important architects, planners, and scholars.
J. B. Jackson transformed forever how Americans understand their landscape, a concept he defined as land shaped by human presence. In the first major biography of the greatest pioneer in landscape studies, Helen Horowitz shares with us a man who focused on what he regarded as the essential American landscape, the everyday places of the
countryside and city, exploring them as texts that reveal important truths about society and culture, present and past. In Jackson’s words, landscape is “history made visible.”
Read Harvard Design Magazine article
Horowitz brings this singular person to life, revealing how Jackson changed our perception of the landscape and, through friendship as well as his writings, profoundly influenced the lives of many, including her own.
Top Travel Books: “The New York Times 36 Hours – USA & Canada” (Taschen)
In this fully revised and updated third edition of the best-selling USA & Canada volume, TASCHEN presents the best itineraries from across the continent. You’ll find marquee metropolises like New York, Montreal, and Los Angeles; world-famous natural wonders at Niagara Falls and the Grand Canyon; the hidden charm of Rust Belt cities like Duluth and Detroit, as well as 33 new stories including Anchorage, the Berkshires, Boulder, and many more.
To travel in North America is to face a delicious quandary: over these vast spaces with so many riches, from glittering cities to eccentric small towns and heart-stoppingly beautiful mountains and plains, how to experience as much as possible in limited time? The New York Times has the answer, offering up dream weekends with practical itineraries in its popular weekly 36 Hours column for nearly two decades.
- More than 5,400 hours worth of insightful itineraries to make the most of your stay
- Practical recommendations for more than 600 restaurants and 450 hotels
- Comprehensive revisions to all 130 itineraries
- New destinations including Downtown Miami, Oakland, Chattanooga, and more
- Color-coded tabs for each region
- Nearly 1,000 photos
- 33 new stories
- Detailed city-by-city maps that pinpoint every stop on your itinerary
The editor
Barbara Ireland edits the 36 Hours, Explorer, and forthcoming Cultured Traveler series of travel books in collaboration with The New York Times and TASCHEN. A writer and editor based in upstate New York, she is a former deputy Travel editor and deputy Op-Ed page editor at The New York Times. She is a graduate of Cornell University and was a John S. Knight journalism fellow at Stanford University.
New Art Books: “Renoir” By Gilles Néret (Taschen)
In an incisive text tracing the artist’s career and stylistic evolution, Gilles Néret shows how Renoir reinvented the painted female form, with his everyday goddesses and their plump forms, rounded hips and breasts. Renoir’s later phase, marked by his return to the simple pleasure of the female nude in his baigneuses series, was his most innovative and stylistically influential, and would inspire such masters as Matisse and Picasso.
Pierre-Auguste Renoir’s (1841–1919) timelessly charming paintings still reflect our ideals of
happiness, love, and beauty. Derived from our large-format volume, the most comprehensive retrospective of his work published to date, this compact edition examines the personal history and motivation behind the legend. Though he began by painting landscapes in the Impressionist style, Renoir found his true affinity in portraits, after which he abandoned the Impressionists altogether. Though often misunderstood, Renoir remains one of history’s most well-loved painters—undoubtedly because his works exude such warmth, tenderness, and good spirit.
The author
Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L’Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.
New Architecture Books: “Gaudí – The Complete Works” By Rainer Zerbst
Through brand-new photography, plans and drawings by Gaudí himself, historical photos, as well as an appendix detailing all his works—from buildings to furniture, decor to unfinished projects—this book presents Gaudí’s universe like never before. Like a personal tour through Barcelona, we discover how the “Dante of architecture” was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, and transforming fantastical visions into realities on the city streets.
The life of Antoni Gaudí (1852–1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona his clothes were so shabby passersby assumed he was a beggar.
Gaudí’s incomparable architecture channels much of this multifaceted intricacy. From the shimmering textures and skeletal forms of Casa Batlló to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his unique aesthetic enjoys global popularity and acclaim. His magnum opus, the Sagrada Familia, is the most-visited monument in Spain, and seven of his works are UNESCO World Heritage Sites.
The author
Rainer Zerbst studied modern languages at the University of Tübingen and in Wales from 1969 to 1975. From 1976 to 1982 he worked as a research assistant in the Department of English at the University of Tübingen. Since completing his doctorate in 1982, Zerbst has been active as a critic in the fields of art, literature, and theater.
New Literary Books: “Aging, Duration, And The English Novel” (CUP)
From a Cambridge University Press (CUP) listing:
Aging, Duration, and the English Novel argues that the formal disappearance of aging from the novel parallels the ideological pressure to identify as being young by repressing the process of growing old. The construction of aging as a shameful event that should be hidden – to improve one’s chances on the job market or secure a successful marriage – corresponds to the rise of the long novel, which draws upon the temporality of the body to map progress and decline onto the plots of nineteenth-century British modernity.
The rapid onset of dementia after an illness, the development of gray hair after a traumatic loss, the sudden appearance of a wrinkle in the brow of a spurned lover. The realist novel uses these conventions to accelerate the process of aging into a descriptive moment, writing the passage of years on the body all at once.
Profiles: Franco-American Illustrator Jessie Kanelos Weiner
Her work explores gastronomy, travel, lifestyle, architecture and pop culture for selected clients including Vogue, The New York Times, Wall Street Journal, Tmag, Afar, Vanity Fair France, M le Magazine du Monde, LVMH, Nespresso, Free People, and Penguin Press among many others.
Jessie Kanelos Weiner is a Franco-American illustrator, author and food stylist based in Paris and New York. Born and raised in Chicago, she was a costume designer in a previous life when picking up watercolor for the first time, developing her highly detailed, whimsical and instantly recognizable style. She is the coauthor of “Paris In Stride” (Rizzoli), author of “Edible Paradise”: A Coloring Book of Seasonal Fruits and Vegetables” (Universe) and 8 cookbooks published by Editions Marabout.
She is currently working on the next book in the “In Stride” series.
Photography & Art: “Surrealist Lee Miller” Was “Caustically Brilliant”
The Surrealist eye informed everything Miller did, and her work presents the world in a way that encourages us to view it in a different manner. Written and collected by her son Antony, Surrealist Lee Miller amasses more than one hundred full-page images from throughout the artist’s life as an attestation to her wonderful way of seeing.
A Surrealist before she even knew of the movement, Lee Miller was one of the most original photographic artists of the twentieth century. David E. Scherman, LIFE photographer and Miller’s close friend, described her as “caustically brilliant, yet totally loyal, unpretentious, human and intolerant of sham.
She was a consummate artist and a consummate clown; at once an upstate New York hick and cosmopolitan grande dame; a cold, soignée fashion model and a hoyden. . . . She was the nearest thing I knew to a mid-20th century renaissance woman.”
Top New Art Books: “Wayne Thiebaud – Mountains 1965 – 2019” (Rizolli)
In the 2000s, California-based painter Wayne Thiebaud began focusing on a series of mountain paintings, a subject he had first addressed in the 1960s and 1970s. Rendered in his signature confectionary palette, these colorful works combine memories of mountains he had seen in childhood and observations of the summits of the Sierra Nevada Range in Yosemite. With their heroic, exaggerated proportions and unusual perspectives, these paintings seem to combine fiction and reality. Conveying a sense of the sublime and the vast magnitude of our surroundings, they draw upon the history of landscape painting of the American West.
About The Author
Michael M. Thomas is a former curator at the Metropolitan Museum of Art and former investment partner of Lehman Brothers. He lives in Brooklyn, New York.
Margaretta Lovell is professor of American Art at UC Berkeley.
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