THE NEW YORK TIMES – If artificial intelligence had a voice, what would it sound like? Calm, like HAL 9000? Perky, like Alexa? Polite, like C-3PO?
Brent Katz, an editor of the A.I.-generated poetry collection, with Mr. Herzog at a Los Angeles recording studio.Credit…via Brent Katz
For the editors of “I Am Code: An Artificial Intelligence Speaks,” a collection of poems generated by A.I., the answer was obvious: Werner Herzog.
The 80-year-old German director, actor and author is a titan of independent cinema whose films often concern the hubris and folly of humankind. His speaking voice, known to audiences mostly through the stark, literary voice-over narration that accompanies many of his documentaries, carries an existential pathos and Teutonic gravitas that have made it a pop culture trademark.
Something like this, anyway, was on the minds of Brent Katz, Josh Morgenthau and Simon Rich, the editors of “I Am Code,” when they reached out to Mr. Herzog to ask if he would lend his formidable instrument to the audiobook version of their project.
Read by: Jennifer Kim and Julian Cihi Length: 13 hrs, 52 mins. Speed I listened: 1.7x–1.8x
I haven’t savored listening to a book in recent memory quite as much as I did this novel. It’s about two friends — Sadie Green and Sam Masur — who meet as kids in Los Angeles and then reconnect at MIT, where they begin developing experimental video games together. The lead characters (and let’s throw in the supporting ones too) are at times completely relatable, at times bittersweet, and almost always completely heartwarming. The book is mostly read by Kim except for a short fever dream by Cihi. Kim’s delivery might be monotone in places, but I found it steady, deliberate, and clear, so I didn’t have to miss a moment.
Read by: The author Length: 8 hrs, 12 mins. Speed I listened: 1.75x
Does there have to be a book about the making of 1988’s Bull Durham? Probably not. Did I get a kick out of this trip down memory lane with the movie’s writer-director? I did. It’s rare you get a glimpse into the making of a Hollywood movie in minute detail, and this one’s pretty soup to nuts, down to Shelton hiring the on-set script supervisor. These kind of books always start and end with the idea that everyone in Hollywood is crazy, and it’s good to be reminded of that. To that end, here, Kevin Costner’s agents tried to prevent him from starring as Minor League Baseball star Crash Davis, which turned out to be one of his most iconic roles. Shelton has a knowing but aw-shucks vibe that makes great company even if his performance of dialogue scenes from the original script could use more oomph.
Read by: Jonathan Coleman Length: 19 hrs, 41 mins Speed I listened: 2x
A darker addition to July’s “Hollywood Is Crazy Files” is this gripping account of Harvey Weinstein’s rise to and fall from power. You’re probably familiar with many of the sordid details in this book, and at 20 hours, it isn’t short. Still, I couldn’t turn off this compendium of the disgraced movie producer’s unbelievable behavior, from his rampant spending on hotel rooms to his truly despicable treatment of so many women. Auletta’s reporting is mostly firsthand, and hearing it cumulatively is jaw-dropping. As the narrator, Coleman is deadpan and direct enough to sometimes make you forget you aren’t listening to an actual thriller. Also kudos to the drippingly ironic title.
Letters of John Keats to His Family and Friends by John KEATS (1795 – 1821) and Sidney COLVIN (1845 – 1927)
Read by: Nemo and Eva Davis
Chapters: 00:00:00 – 00 – Preface 00:21:11 – 01 – Letter 1 – to Charles Cowden Clarke 00:22:21 – 02 – Letter 2 – to Benjamin Robert Haydon 00:24:06 – 03 – Letter 3 – to Benjamin Robert Haydon 00:25:00 – 04 – Letter 4 – to Charles Cowden Clarke 00:26:57 – 05 – Letter 5 – to John Hamilton Reynolds 00:28:25 – 06 – Letter 6 – to John Hamilton Reynolds 00:29:52 – 07 – Letter 7 – to George and Thomas Keats 00:34:17 – 08 – Letter 8 – to John Hamilton Reynolds 00:42:14 – 09 – Letter 9 – to Leigh Hunt 00:50:13 – 10 – Letter 10 – to Benjamin Robert Haydon 01:00:31 – 11 – Letter 11 – to Messrs. Taylor and Hessey 01:03:50 – 12 – Letter 12 – to Messrs. Taylor and Hessey 01:06:07 – 13 – Letter 13 – to Mariane and Jane Reynolds 01:10:34 – 14 – Letter 14 – to Fanny Keats 01:18:27 – 15 – Letter 15 – to Jane Reynolds 01:26:44 – 16 – Letter 16 – to John Hamilton Reynolds 01:34:49 – 17 – Letter 17 – to Benjamin Robert Haydon 01:37:39 – 18 – Letter 18 – to Benjamin Bailey 01:43:58 – 19 – Letter 19 – to Benjamin Bailey 01:51:33 – 20 – Letter 20 – to Benjamin Bailey 01:54:19 – 21 – Letter 21 – to Charles Wentworth Dilke 01:55:20 – 22 – Letter 22 – to Benjamin Bailey 02:05:23 – 23 – Letter 23 – to John Hamilton Reynolds 02:11:23 – 24 – Letter 24 – to George and Thomas Keats 02:16:25 – 25 – Letter 25 – to George and Thomas Keats 02:26:06 – 26 – Letter 26 – to Benjamin Robert Haydon 02:28:19 – 27 – Letter 27 – to John Taylor 02:29:30 – 28 – Letter 28 – to George and Thomas Keats 02:35:45 – 29 – Letter 29 – to John Taylor 02:37:09 – 30 – Letter 30 – to George and Thomas Keats 02:45:42 – 31 – Letter 31 – to Benjamin Bailey 02:53:40 – 32 – Letter 32 – to John Taylor 02:55:38 – 33 – Letter 33 – to John Hamilton Reynolds 03:00:19 – 34 – Letter 34 – to John Hamilton Reynolds 03:09:32 – 35 – Letter 35 – to John Taylor 03:10:23 – 36 – Letter 36 – to George and Thomas Keats 03:14:06 – 37 – Letter 37 – to John Hamilton Reynolds 03:20:52 – 38 – Letter 38 – to George and Thomas Keats 03:25:16 – 39 – Letter 39 – to John Taylor 03:28:39 – 40 – Letter 40 – to Messrs. Taylor and Hessey 03:29:39 – 41 – Letter 41 – to Benjamin Bailey 03:39:27 – 42 – Letter 42 – to John Hamilton Reynolds 03:46:04 – 43 – Letter 43 – to Benjamin Robert Haydon 03:51:10 – 44 – Letter 44 – to Messrs. Taylor and Hessey 03:52:54 – 45 – Letter 45 – to James Rice 03:58:59 – 46 – Letter 46 – to John Hamilton Reynolds 04:06:50 – 47 – Letter 47 – to Benjamin Robert Haydon 04:12:07 – 48 – Letter 48 – to John Hamilton Reynolds 04:17:53 – 49 – Letter 49 – to John Hamilton Reynolds 04:20:39 – 50 – Letter 50 – to John Taylor 04:24:29 – 51 – Letter 51 – to John Hamilton Reynolds 04:29:41 – 52 – Letter 52 – to John Hamilton Reynolds 04:46:49 – 53 – Letter 53 – to Benjamin Bailey 04:52:06 – 54 – Letter 54 – to Benjamin Bailey 04:57:26 – 55 – Letter 55 – to John Taylor 04:59:14 – 56 – Letter 56 – to Thomas Keats 05:08:57 – 57 – Letter 57 – to Fanny Keats 05:18:23 – 58 – Letter 58 – to Thomas Keats 05:28:49 – 59 – Letter 59 – to Thomas Keats 05:39:49 – 60 – Letter 60 – to John Hamilton Reynolds 05:48:19 – 61 – Letter 61 – to Thomas Keats 06:01:55 – 62 – Letter 62 – to Benjamin Bailey 06:16:12 – 63 – Letter 63 – to Thomas Keats 06:30:05 – 64 – Letter 64 – to Thomas Keats 06:43:57 – 65 – Letter 65 – to Mrs. Wylie 06:50:42 – 66 – Letter 66 – to Fanny Keats 06:53:45 – 67 – Letter 67 – to Fanny Keats 06:55:12 – 68 – Letter 68 – to Jane Reynolds 06:56:23 – 69 – Letter 69 – to Charles Wentworth Dilke
These are the letters of John Keats, as written to family, close friends and others during his brief, eventful years as an artist. (However, the editor chose to exclude love letters to Fanny Brawne, respecting their private nature.) The celebrated Keats letters were written between 1816-1820, and include those colorful entries penned during his 44-day tour with Charles Brown as they rambled through England, Ireland and Scotland. Also included are the famous, lengthy ‘journal letters,’ written to his brother George and sister-in-law in America. Not only a poetic genius, Keats shines in epistolary form. His letters brim with the emotion, wit and intelligence he routinely shared with intimates. – Summary by NemoR
The first three chapters of Ernest Hemingway’s classic novel.
For Whom the Bell Tolls is a novel by Ernest Hemingway published in 1940. It tells the story of Robert Jordan, a young American volunteer attached to a Republican guerrilla unit during the Spanish Civil War. As a dynamiter, he is assigned to blow up a bridge during an attack on the city of Segovia.
It was published just after the end of the Spanish Civil War (1936–1939), whose general lines were well known at the time. It assumes the reader knows that the war was between a democratically elected, pro-working-class and anti-Catholic government, supported by the Soviet Union, which many foreigners like Robert went to Spain to help, and a successful, dictatorial, Catholic, pro-landowner revolt, supported by Nazi Germany and Fascist Italy. It was commonly viewed as the dress rehearsal for the Second World War. In 1940, the year the book was published, the United States had not yet entered the war, which had begun on Sept. 1, 1939, with Nazi Germany’s invasion of Poland.
The novel is regarded as one of Hemingway’s best works, along with The Sun Also Rises, A Farewell to Arms, and The Old Man and the Sea.
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American journalist, novelist, short-story writer, and sportsman. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he won the Nobel Prize in Literature in 1954. He published seven novels, six short-story collections, and two nonfiction works. Three of his novels, four short-story collections, and three nonfiction works were published posthumously. Many of his works are considered classics of American literature.
An audio spy adventure based on a series of internationally bestselling books (published in 19 languages) by James Leasor, ‘Passport to Oblivion’ features an all-star cast that also includes Glynis Barber, Nickolas Grace, Michael Brandon and Terence Stamp as ‘C’ the Head of MI6.
‘Passport to Oblivion’ is the first of 10 planned audio recordings by award-winning Spiteful Puppet and based on books first published in the 1960s. The novels, which sold in their millions, have a worldwide fan base. This is the first time they have been adapted as audio dramas.
An audio spy adventure based on a series of internationally bestselling books (published in 19 languages) by James Leasor, ‘Passport to Oblivion’ features an all-star cast that also includes Glynis Barber, Nickolas Grace, Michael Brandon and Terence Stamp as ‘C’ the Head of MI6.
Boomers Daily 