Times Literary Supplement (November 22, 2023): The new issue features Edward Thomas’s journey – The radical turn in English poetry; An AI emergency; Great American history; Magical thinking; Carry On Napoleon, and more…
Times Literary Supplement (November 17, 2023): The new issue #TheTLS features Revenge of the grown-ups – The downfall of Sam Bankman-Fried; 2023 Books of the Year; the elusive Shakespeare; Simone Weil; Philosophers and public affairs – and more…
November marks 400 years since arguably the greatest work of English literature was created, the First Folio, published seven years after the death of William Shakespeare and without which much of his work would have been lost for future generations to enjoy today.
The BBC is celebrating this extraordinary anniversary with an ambitious season of content across TV, Radio, BBC iPlayer & BBC Sounds exploring why, 400 years on, Shakespeare’s relevance and influence is as strong as ever. A wealth of programming featuring major actors and leading experts, including new documentaries, performance, music, drama, comedy, news coverage and the best of the BBC archive, as well as special items on flagship BBC shows, will celebrate the man, his world and his timeless writing.
Here’s how you can watch, listen and learn about Shakespeare across the BBC…
Watch our film to learn more about it. The First Folio is the first printed collection of William Shakespeare’s plays. It was produced in 1623, seven years after Shakespeare’s death, and contains 36 of Shakespeare’s works. Without this book we may not have had texts of 18 of Shakespeare’s plays, including Macbeth, Twelfth Night and The Tempest.
Find out more about the First, Second and Third Folios in the Royal Library and which kings owed them. Find out what Charles I wrote in the Second Folio shortly before his execution…
In this insightful documentary we are shown how Shakespeare knew the importance of not just reflecting the lives of the kings and queens who peppered his plays, but ordinary people too – including thieves, clowns and prostitutes.
Watch Simon Schama’s Shakespeare and Us on BBC Select in the US: https://bit.ly/49bpdiK and Canada: https://bit.ly/45WLLAX
Literary Review – April 2023 issue: The April issue of Literary Review is out now! In this month’s cover article, Kirsten Tambling looks at how Shakespeare’s Juliet has been reinterpreted and received through the ages.
Searching for Juliet: The Lives and Deaths of Shakespeare’s First Tragic Heroine – In 1611, the Somerset-born traveller Thomas Coryat described an Italian architectural novelty: a ‘very pleasant little tarrasse, that jutteth or butteth out from the maine building: the edge whereof is decked with many pretty little turned pillers … to leane over’.
Killing Thatcher: The IRA, the Manhunt and the Long War on the Crown
HISTORY TODAY MAGAZINE – APRIL 2023 ISSUE
The stage has a short memory, print a long one: 400 years since its first publication, Shakespeare’s First Folio is the reason we remember him.
Americanised globalisation and the new world of Russian business in the 1990s.
In the 1990s, a version of the satirical puppet show Spitting Image arrived on Russian television. A Muscovite once told the story of his father, who took great care to record every episode on VHS.
Maggie O’Farrell’s “Hamnet,” one of last year’s most widely acclaimed novels, imagines the life of William Shakespeare, his wife, Anne (or Agnes) Hathaway, and the couple’s son Hamnet, who died at 11 years old in 1596.
On this week’s podcast, O’Farrell says she always planned for the novel to have the ensemble cast it does, but that her deepest inspiration was to capture a sense of the young boy at its center.
“The engine behind the book for me was always the fact that I think Hamnet has been overlooked and underwritten by history,” she says. “I think he’s been consigned to a literary footnote. And I believe, quite strongly, that without him — without his tragically short life — we wouldn’t have the play ‘Hamlet.’ We probably wouldn’t have ‘Twelfth Night.’ As an audience, we are enormously in debt to him.”
Read by James Smillie
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lin’d,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans everything.
To soar over Stratford-upon-Avon in Warwickshire is to be transported back in time to the age of William Shakespeare; a man born in humble circumstances who would go on to become the most celebrated writer of all time.
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