Times Literary Supplement (May 26, 2023) – Alan Jenkins on Martin Amis, Young Russian fascists, The Rossettis at Tate Britain, Writers at the Hay Festival, Seamus Perry on ‘Byron’s Voice’.
In the Foreword to The War Against Cliché: Essays and reviews 1971-2000, a career-spanning collection of his journalism (literary and other), Martin Amis recalled how, when they started out in the early 1970s, he and his friends and colleagues touchingly assumed that literary criticism was as essential to civilization as literature itself was. Furthermore, “the most fantastic thing about this cultural moment” was that, in the debate between the Two Cultures, Art vs Science, “Art seemed to be winning”.
Städel Museum Frankfurt (May 23, 2023) – Rodin, Matisse, Gauguin, Picasso, Jean Arp, Yves Klein… They all created outstanding art in the truest sense of the word—reliefs. This summer, the Städel Museum is presenting a major exhibition on the relief from 1800 to the 1960s.
“This summer, our visitors will have the opportunity to encounter an exciting artistic medium—the relief: an art form between painting and sculpture that literally breaks through the confines of the frame and bursts the boundaries of our sense of sight! We are devoting a major exhibition to this sometimes underacknowledged medium.”
Is it painting or sculpture, surface or space? Hardly any artistic medium challenges our sense of sight like the relief. And that is what has always made it so appealing for the most famous artists. From 24 May to 17 September 2023, the exhibition will present prominent works spanning some 160 years by Bertel Thorvaldsen, Jules Dalou, Auguste Rodin, Medardo Rosso, Paul Gauguin, Henri Matisse, Pablo Picasso, Alexander Archipenko, Jean Arp, Kurt Schwitters, Sophie Taeuber-Arp, Yves Klein, Louise Nevelson, Lee Bontecou and others.
The British and American right differ in the weight they place on ideological purity. With a limited cast of characters – and an even smaller pool of funders – British conservatives can ill afford to divide their world into neoliberals and traditionalists. At NatCon London, the tirades about woke universities and pronouns often obscured political differences, but they can’t conceal them completely.
Stephen Satterfield, the host of the Netflix food-history series “High on the Hog,” was bent over the stove in his parents’ kitchen, near Atlanta. It was one o’clock on a February afternoon, and he was preparing Sunday dinner for the family. Most of the meal was canonical Black Southern food: turnip greens simmered for hours, cheese grits, biscuits baked in a cast-iron skillet.
The woods I know best, love best, are made of Northern hardwoods, sugar maple and white ash, timber-tall; black and yellow birch, tiger-skinned; seedlings and saplings of blighted beech and striped maple creeping up, knock-kneed, from a forest floor of princess pine and Christmas fern, shag-rugged. White-tailed deer dart through softwood stands of pine and hemlock, bucks and does, the last leaping fawn, leaving tracks that look like tiny human lungs, trails that people can only ever see in the snow, even though, long after snowmelt, dogs can smell them, tracking, snuffling, shuddering with the thrill of the hunt and noshing on deer scat for dog treats.
A twenty-two-year-old Ukrainian sniper, code-named Student, stuffed candy wrappers into his ears before firing a rifle at the Russians’ tree line. He’d been discharged from the hospital two weeks earlier, after being shot in the thigh.Photographs by Maxim Dondyuk for The New Yorker
From the cult comic book series “The Sandman” to the giddy novel “Good Omens” (co-written with his friend Terry Pratchett) to the horror-tinged children’s story “Coraline” and beyond, the fantasy writer Neil Gaiman is so inventive and so prolific that you’ve probably stumbled across his influential work without even realizing it.
The diversity myth by Peter Thiel Emperor of chaos by Gary Saul Morson Pfitzner & the conservative artist by Adam Kirsch Vermeer in Amsterdam by Benjamin Riley
New poems by Dylan Carpenter, Karl Kirchwey & John Barr
The Art Newspaper May 18, 2023: This week: the Frieze art fair and spring auctions in New York. As the Frieze Art Fair returns to The Shed in Manhattan, coinciding with the season’s big auctions.
The Art Newspaper’s live editor, Aimee Dawson, and our contributing editor Anny Shaw take the temperature of the market in New York.
Just as we completed the episode, the US Supreme Court ruled that Andy Warhol infringed on the photographer Lynn Goldstein’s copyright when he created a series of silkscreens based on her photograph of the late rock singer Prince. Coincidentally, we had already recorded an interview with our New York correspondent Laura Gilbert about the fact that a Manhattan judge last week refused to throw out two photographers’ long-running copyright lawsuits against the artist Richard Prince, for his New Portraits series, which appropriated their original images. 2021.
The Art Institute of Chicago (May 18, 2023) – Discover how the changing geography at the fringes of Paris in the 1880s influenced the work of five artists: Vincent van Gogh, Georges Seurat, Paul Signac, Emile Bernard, and Charles Angrand.
Getty Museum (May 17, 2023) – Imagine a menagerie of over 500 life-sized porcelain animals long gallery in a palace in Dresden. A Fox with a Chicken was a part of this new creation commissioned by Augustus II “The Strong” in the 18th century to share his love for Japanese porcelain with others.
Johann Gottlieb Kirchner produced the model for this life-size porcelain sculpture of a fox-looking a little guiltily around the chicken it is about to devour-as part of an extraordinary commission from Augustus the Strong, elector of Saxony and king of Poland, who envisioned a life-size porcelain menagerie for his Japanese Palace in Dresden. The Meissen Porcelain Manufactory had been operating for only twenty years when Augustus commissioned this series of porcelain animals to be rendered “in their natural sizes and colors.” The production of porcelain models of this size had never been attempted before in Europe.
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