Previews: The New Yorker Magazine – May 29, 2023

Marcellus Hall's “Open House” | The New Yorker

The New Yorker – May 29, 2023 issue:

Stephen Satterfield Puts Black Cuisine at the Center of U.S. History

A portrait of Stephen Satterfield.

The host of Netflix’s “High on the Hog” draws seductive stories from a bittersweet legacy.

By Dorothy Wickenden

Stephen Satterfield, the host of the Netflix food-history series “High on the Hog,” was bent over the stove in his parents’ kitchen, near Atlanta. It was one o’clock on a February afternoon, and he was preparing Sunday dinner for the family. Most of the meal was canonical Black Southern food: turnip greens simmered for hours, cheese grits, biscuits baked in a cast-iron skillet. 

What We Owe Our Trees

A black and white photograph of a dense forest.

Forests fed us, housed us, and made our way of life possible. But they can’t save us if we can’t save them.


By Jill Lepore

The woods I know best, love best, are made of Northern hardwoods, sugar maple and white ash, timber-tall; black and yellow birch, tiger-skinned; seedlings and saplings of blighted beech and striped maple creeping up, knock-kneed, from a forest floor of princess pine and Christmas fern, shag-rugged. White-tailed deer dart through softwood stands of pine and hemlock, bucks and does, the last leaping fawn, leaving tracks that look like tiny human lungs, trails that people can only ever see in the snow, even though, long after snowmelt, dogs can smell them, tracking, snuffling, shuddering with the thrill of the hunt and noshing on deer scat for dog treats. 

Two Weeks at the Front in Ukraine

A Ukrainian sniper positioned in a trench aims a rifle.

In the trenches in the Donbas, infantrymen face unrelenting horrors, from missiles to grenades to helicopter fire.

By Luke Mogelson

A twenty-two-year-old Ukrainian sniper, code-named Student, stuffed candy wrappers into his ears before firing a rifle at the Russians’ tree line. He’d been discharged from the hospital two weeks earlier, after being shot in the thigh.Photographs by Maxim Dondyuk for The New Yorker

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