Category Archives: Journals

PORTICO LITERARY QUARTERLY – FALL 2026

PORTICO LITERARY QUARTERLY: The latest issue features….

Cormac McCarthy’s Desert Wanderings

By Michael Crews

Tracy Daugherty’s biography of Cormac McCarthy is a landmark publication. Putting together the life of a writer who not only shunned publicity but actively worked to keep fans, journalists, the media, and academics off his trail requires the powers of both a skilled biographer and a nosy private detective. In that latter role, some of what Daugherty has uncovered is unsavory, though with the recent revelation of McCarthy’s relationship with Augusta Britt, who was sixteen when they began an affair, readers may be prepared for some of the shocks. One of Daugherty’s leitmotifs is McCarthy the “bad boy” and “outlaw,” and though such appellations risk cliché, the story he tells is of a man who, at least in the first half of his life, preferred the company of moonshiners, gamblers, hard drinkers, and petty criminals like his old Knoxville pal John Sheddan, who seems to have been the Falstaff to McCarthy’s Prince Hal.

Jean Toomer in Black and White

Helen Andrews

There are two books before me, which, if I mistake not, will mark an epoch,” wrote W. E. B. Du Bois in The Crisis magazine in 1924. One was a novel of middle-class African-American life by Jessie Fauset called There Is Confusion. The other was a collection of stories, songs, poems, and character sketches called…

Andre Dubus’s Sacramental Fictions

Christopher J. Scalia

During the last quarter of the twentieth century, few writers were more admired by peers and critics than Andre Dubus. But because Dubus’s territory was the relatively confined space of the short story and novella, he never enjoyed great commercial success or recognition. Dubus was destined to be a writer’s writer—what Joshua Bodwell calls a…

The Cello

By Lionel Shriver

In that we’ve been married for sixteen years, you really don’t have to try so hard to make your feelings known,” Janet said at the wheel. “I’m well aware you don’t want to do this.”

“I THINK I’ve been pretty stoic about it,” Rick said, eyes to the thick woods he’d be reflexively scanning for deer. Ever since they’d planted an ambitious garden behind their upstate New York summerhouse, the creatures that had once seemed so exquisite had become evil incarnate.

“Stoic? More like long-suffering,” Janet said. “You’ve hardly said a word the whole way here. But there’s no point in having joined Saint Peter’s if we don’t put our beliefs into practice. Charity doesn’t only mean parting with twenty bucks to get someone at the door to go away. It means sometimes doing what’s right when you don’t feel like it.”

THE PARIS REVIEW – FALL 2026

THE PARIS REVIEW : The latest features Interviews, Prose, Poetry and Art….

Svetlana Alexievich on the Art of Oral History: “If you cut straight to the part you need, which is what journalists do, it won’t be interesting, and it won’t be the truth, either. Not the whole truth.”

Donald Antrim on the Art of Fiction: “I deplored the idea that writing involves suffering, that it had to be a bloodletting. Later I found out that it would be, and maybe should be.”

Prose by Eka Kurniawan, Angie Sijun Lou, Brian Ma, Scott McClanahan, Sam McKinniss, Tomoka Shibasaki, and Woo Dayoung.

Poetry by Asha Futterman, Zakaria Mohammed, Geoffrey G. O’Brien, Vasko Popa, Diane Seuss, and Natalie Shapero.

Art by Gertrude Abercrombie, Silke Otto-Knapp, and Laura Owens; cover by Elizabeth Glaessner.

THE YALE REVIEW JOURNAL – FALL 2026 PREVIEW

Fall 2026 cover image

THE YALE REVIEW: The latest issue features….

Famous Writers School

My encounters with literary greats by Lucy Sante

How to Talk About Murder

Edgar Allan Poe’s stories are full of ghastly crimes, but the true horror lies in their confessions. By Emily Ogden

Moby-Dick and the Indefinite Sublime

On facing the white page by Tom McCarthy

THE PHILOSOPHER JOURNAL – SPRING 2026 PREVIEW

THE PHILOSOPHER JOURNAL: The latest issue features “Towards a Critical Theory of Finance

Hegel turned the world onto its head and Marx turned it back on its feet, and now finance is turning the world on its head again. In the early 19th century, Hegel proposed that human history was shaped by consciousness, by human spirit, by the head. Marx argued, in turn, that history was actually determined by practical social conditions, by the way people make their means of living, standing on their feet. It was capitalism that made it seem like heads, owners of industry and leaders of states and their apologists, intellectuals, made history happen, and not workers. The feet were the source of power while the heads claimed all the power for themselves. It is harder to believe this is true now. Industry does not matter much to finance, and labor even less. Finance packages up the productive economy to resell it according to its own rules. A few prescient people have been studying the way the new rules ruin living conditions, pervert political possibilities, and increasingly dominate the global order. Yet, there is still no field dedicated to theorising the ill effects of the newly upside-down world. We need, in short, a critical theory of finance.

In ‘Money,’ Stefan Eich exposes a paradox. Money needs everyone’s trust to operate, and yet economists and politicians claim that only they can decide on its uses. In ‘What is Monetary Policy,’ Leah Downey explains how the technocratic apparatus of policy prevents democratic decision-making. Melinda Cooper considers the challenge supposedly presented by Schumpeter’s view of the relation between family, capitalism, and democracy. Radhika Desai demonstrates a tradition in Marxist thought that already predicts financialisation and has a strong theory of it. Finally, Paul North briefly evaluates four very general positions from which to critique finance, as a preparation for a critical theory of finance.

Also in this issue, Peter West explores how Plato continues to speak to our present moment, with Angie Hobbs’ recent book offering a timely defence of dialogue against the rise of censorship, polarisation, and performative debate. Meanwhile, Marie Snyder reflects on The End Doesn’t Happen All at Once, a pandemic memoir in letters that traces how friendship, literature, and mutual care sustained lives through the disorientation and inequalities of Covid.

Kristie Miller puzzles over our preference for how our well-being is distributed over time; Alison Stone delves into Victorian philosophy as a distinct tradition in which women philosophers played a significant role; Matthew Sharpe makes the case for reclaiming Stoicism from the manosphere and the far right; Mary Peterson continues a conversation started in her 2024 article in The Philosopher, on restorative justice and sexual misconduct; and Adrian K. Yee asks what ethical issues are raised by the use of machine learning in counterterrorism.

The Hedgehog Review – SUMMER 2026 Preview

THE HEDGEHOG REVIEW: The latest issue features ‘

The Fading Promise of Higher Education

A loss of public faith in higher education and and what it represents for the larger community. This issue also features a Symposium on Aspects of 1776 in commemoration of America at 250.

The University’s Never-Ending Crisis

Higher education has dealt with epistemic revolution before.

Benjamin S. Bernard

Artificial Negligence

Why are college administrators so eager to adopt AI?

Dennis M. Hogan

THE NEW ATLANTIS JOURNAL – SUMMER 2026 PREVIEW

THE NEW ATLANTIS JOURNAL: The latest issue features…

Offloading Ourselves

An inquiry into staying human in the age of AI

A New Piece of the Puzzle of Covid’s Origin

Wuhan’s biohazard disposal system suffered a cascade of failures in the months leading up to Covid: new revelations that official investigators have overlooked

You Probably Own This 7-Eleven (and That’s Why It Looks So Sad)

The qualities that make built places charming are best stewarded by people who live there. But America’s soul-crushing suburban districts are now owned by people far away — people who don’t even know they’re owners at all.

THE PARIS REVIEW —- SUMMER 2026 ISSUE

THE PARIS REVIEW : The latest features Interviews, Prose, Poetry and Art….

Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.”

Yan Lianke on the Art of Fiction:  “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle. I was really writing about my own fear.”

Prose by Lucy Ellmann, Chad Fore, Daisy Hildyard, Chigozie Obioma, Daniel Saldaña París, and Shuang Xuetao.

Poetry by Zain Baweja, Jean Day, Hannah Piette, Frederick Seidel, Shamsher Bahadur Singh, Katana Smith, and Tran Hang My.

Art by Hadi Falapishi, Andrew Kuo, and Hannah Tishkoff; cover by Alex Da Corte.

THE YALE REVIEW JOURNAL – SUMMER 2026 PREVIEW

The Yale Review Store

THE YALE REVIEW (March 11, 2025): The latest issue features a central folio, “What Was AI?,” exploring artificial intelligence through essays from Lauren Oyler, Christopher Sorrentino, and Melanie Mitchell. The issue also includes new memoirs and essays from Annie Ernaux and Namwali Serpell, alongside a visual portfolio by Vera Molnár.

Jagged Intelligence

The dangerous unknowns at the heart of LLMs by Melanie Mitchell

Reading the Declaration of Independence as Holy Text

How the American creed emerged—and evolved—over 250 years by Kathryn Lofton

Is the Twenty-First Century a Creative Void?

Critics mourn a bygone cultural era. But nostalgia for the new isn’t new by Audrey Wollen

The Birthday Party No One Wants

Why Americans aren’t celebrating the semiquincentennial by Samuel Moyn

I am back in writing hell. As if each time I start writing, I have to go through the same hell again. Annie Ernaux Unpublished journal entries

FREE INQUIRY JOURNAL – JUNE/JULY 2026 PREVIEW

In This Issue June/July 2026 | Free Inquiry

FREE INQUIRY JOURNAL: The latest issue features ‘The U.S.’ – Where It’s Been, Where It Is, Where It Should Go….

Medieval Christendom? Are They Serious?

Marian TupySteven Pinker

Would we be better off living in the Middle Ages? Astonishingly, influential voices on the American intellectual Right now seem to think so. Rather than affirming the Enlightenment ideals that inspired this country’s founding—reason, rights, markets, liberal democracy, and church–state separation—they are longing for, of all things, rule from the throne and altar. Last October …

The ‘Wall of Separation’ Needs a Good Patch Job!

Robert Louis Semes

On the 200th anniversary of his death on July 4, 1826, and the 250th anniversary of his Declaration of Independence, we need Thomas Jefferson now more than ever. We especially need his progressive views on the severance of church from state by a “wall of separation.” We in the United States live in troubling times …

Secular Approaches to Moral Education: Building Character without Commandments

Steve Grumette

The question confronting American educators today is not whether we should teach ethics to children—virtually everyone agrees that moral education is essential. The question is how we should teach ethics in an increasingly diverse society where traditional religious approaches no longer work for everyone. I believe we need to fundamentally rethink our approach to moral …

THE PARIS REVIEW-SPRING ’26

THE PARIS REVIEW : The Spring 2026 issue features Interviews, Prose, Poetry and Art….

  • Sarah Schulman on the Art of Nonfiction: “I like to have my say, obviously. And if people would have just let me talk, some of these books wouldn’t have had to be written.”
  • Darryl Pinckney on the Art of Nonfiction:  “There are moments when you run up against a white wall—there’s a white man, white man, white man, white man—and the story somehow has to be uncovered.”
  • Prose by Ingeborg Bachmann, Dan Bevacqua, Patrick Cottrell, Zans Brady Krohn, Tao Lin, David Szalay, and Yu Hua.
  • Poetry by Inger Christensen, Rachel Lapides, Enrique Lihn, Joyelle McSweeney, Nakahara Chuya, and Asiya Wadud.
  • Art by Cecily Brown, Tom Fairs, and Cauleen Smith; cover by Cecily Brown.