Tag Archives: Literary Journals

PORTICO LITERARY QUARTERLY – FALL 2026

PORTICO LITERARY QUARTERLY: The latest issue features….

Cormac McCarthy’s Desert Wanderings

By Michael Crews

Tracy Daugherty’s biography of Cormac McCarthy is a landmark publication. Putting together the life of a writer who not only shunned publicity but actively worked to keep fans, journalists, the media, and academics off his trail requires the powers of both a skilled biographer and a nosy private detective. In that latter role, some of what Daugherty has uncovered is unsavory, though with the recent revelation of McCarthy’s relationship with Augusta Britt, who was sixteen when they began an affair, readers may be prepared for some of the shocks. One of Daugherty’s leitmotifs is McCarthy the “bad boy” and “outlaw,” and though such appellations risk cliché, the story he tells is of a man who, at least in the first half of his life, preferred the company of moonshiners, gamblers, hard drinkers, and petty criminals like his old Knoxville pal John Sheddan, who seems to have been the Falstaff to McCarthy’s Prince Hal.

Jean Toomer in Black and White

Helen Andrews

There are two books before me, which, if I mistake not, will mark an epoch,” wrote W. E. B. Du Bois in The Crisis magazine in 1924. One was a novel of middle-class African-American life by Jessie Fauset called There Is Confusion. The other was a collection of stories, songs, poems, and character sketches called…

Andre Dubus’s Sacramental Fictions

Christopher J. Scalia

During the last quarter of the twentieth century, few writers were more admired by peers and critics than Andre Dubus. But because Dubus’s territory was the relatively confined space of the short story and novella, he never enjoyed great commercial success or recognition. Dubus was destined to be a writer’s writer—what Joshua Bodwell calls a…

The Cello

By Lionel Shriver

In that we’ve been married for sixteen years, you really don’t have to try so hard to make your feelings known,” Janet said at the wheel. “I’m well aware you don’t want to do this.”

“I THINK I’ve been pretty stoic about it,” Rick said, eyes to the thick woods he’d be reflexively scanning for deer. Ever since they’d planted an ambitious garden behind their upstate New York summerhouse, the creatures that had once seemed so exquisite had become evil incarnate.

“Stoic? More like long-suffering,” Janet said. “You’ve hardly said a word the whole way here. But there’s no point in having joined Saint Peter’s if we don’t put our beliefs into practice. Charity doesn’t only mean parting with twenty bucks to get someone at the door to go away. It means sometimes doing what’s right when you don’t feel like it.”

THE PARIS REVIEW – FALL 2026

THE PARIS REVIEW : The latest features Interviews, Prose, Poetry and Art….

Svetlana Alexievich on the Art of Oral History: “If you cut straight to the part you need, which is what journalists do, it won’t be interesting, and it won’t be the truth, either. Not the whole truth.”

Donald Antrim on the Art of Fiction: “I deplored the idea that writing involves suffering, that it had to be a bloodletting. Later I found out that it would be, and maybe should be.”

Prose by Eka Kurniawan, Angie Sijun Lou, Brian Ma, Scott McClanahan, Sam McKinniss, Tomoka Shibasaki, and Woo Dayoung.

Poetry by Asha Futterman, Zakaria Mohammed, Geoffrey G. O’Brien, Vasko Popa, Diane Seuss, and Natalie Shapero.

Art by Gertrude Abercrombie, Silke Otto-Knapp, and Laura Owens; cover by Elizabeth Glaessner.

THE YALE REVIEW JOURNAL – FALL 2026 PREVIEW

Fall 2026 cover image

THE YALE REVIEW: The latest issue features….

Famous Writers School

My encounters with literary greats by Lucy Sante

How to Talk About Murder

Edgar Allan Poe’s stories are full of ghastly crimes, but the true horror lies in their confessions. By Emily Ogden

Moby-Dick and the Indefinite Sublime

On facing the white page by Tom McCarthy

THE PARIS REVIEW —- SUMMER 2026 ISSUE

THE PARIS REVIEW : The latest features Interviews, Prose, Poetry and Art….

Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.”

Yan Lianke on the Art of Fiction:  “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle. I was really writing about my own fear.”

Prose by Lucy Ellmann, Chad Fore, Daisy Hildyard, Chigozie Obioma, Daniel Saldaña París, and Shuang Xuetao.

Poetry by Zain Baweja, Jean Day, Hannah Piette, Frederick Seidel, Shamsher Bahadur Singh, Katana Smith, and Tran Hang My.

Art by Hadi Falapishi, Andrew Kuo, and Hannah Tishkoff; cover by Alex Da Corte.

THE YALE REVIEW JOURNAL – SUMMER 2026 PREVIEW

The Yale Review Store

THE YALE REVIEW (March 11, 2025): The latest issue features a central folio, “What Was AI?,” exploring artificial intelligence through essays from Lauren Oyler, Christopher Sorrentino, and Melanie Mitchell. The issue also includes new memoirs and essays from Annie Ernaux and Namwali Serpell, alongside a visual portfolio by Vera Molnár.

Jagged Intelligence

The dangerous unknowns at the heart of LLMs by Melanie Mitchell

Reading the Declaration of Independence as Holy Text

How the American creed emerged—and evolved—over 250 years by Kathryn Lofton

Is the Twenty-First Century a Creative Void?

Critics mourn a bygone cultural era. But nostalgia for the new isn’t new by Audrey Wollen

The Birthday Party No One Wants

Why Americans aren’t celebrating the semiquincentennial by Samuel Moyn

I am back in writing hell. As if each time I start writing, I have to go through the same hell again. Annie Ernaux Unpublished journal entries

THE PARIS REVIEW-SPRING ’26

THE PARIS REVIEW : The Spring 2026 issue features Interviews, Prose, Poetry and Art….

  • Sarah Schulman on the Art of Nonfiction: “I like to have my say, obviously. And if people would have just let me talk, some of these books wouldn’t have had to be written.”
  • Darryl Pinckney on the Art of Nonfiction:  “There are moments when you run up against a white wall—there’s a white man, white man, white man, white man—and the story somehow has to be uncovered.”
  • Prose by Ingeborg Bachmann, Dan Bevacqua, Patrick Cottrell, Zans Brady Krohn, Tao Lin, David Szalay, and Yu Hua.
  • Poetry by Inger Christensen, Rachel Lapides, Enrique Lihn, Joyelle McSweeney, Nakahara Chuya, and Asiya Wadud.
  • Art by Cecily Brown, Tom Fairs, and Cauleen Smith; cover by Cecily Brown.

THE PARIS REVIEW ———- WINTER 2025/2026

THE PARIS REVIEW : The latest issue features Art of Criticism, Art of Poetry, Prose, Poetry and Art…

Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.”

Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.”

Prose by Eve Babitz, Marlene Morgan, Alec Niedenthal, Gwendoline Riley, and Elias Rodriques.

Poetry by Millicent Borges Accardi, Monzer Masri, Alice Oswald, Jana Prikryl, and Ed Roberson.

Art by Ali Banisadr, Pippa Garner, Joan Jonas, and Mieko Meguro; cover by Adebunmi Gbadebo.

THE PARIS REVIEW – FALL 2025

THE PARIS REVIEW : The latest issue features interviews with Maggie Nelson and Eliot Weinberger, prose by Bud Smith and Yan Lianke, poetry by Patricia Lockwood and Ishion Hutchinson, art by Martha Diamond and Talia Chetrit, a cover by Issy Wood, and more…

Eliot Weinberger on the Art of the Essay: “I have no interest in first-person investigation. Personally, I’ve never found myself an interesting person.”

Maggie Nelson on the Art of Nonfiction: “It’s important to notice when the spark of magic or curiosity is there and what snuffs it out, and being around too many writers, for me, snuffs it out.”

Prose by Anne Carson, Renny Gong, Aurora Huiza, Jordy Rosenberg, Bud Smith, and Yan Lianke.

Poetry by Roque Dalton, Ishion Hutchinson, Patricia Lockwood, Mariano Melgar, Eileen Myles, Katie Peterson, and authors unknown.

Art by Talia Chetrit, Martha Diamond, and Jamian Juliano-Villani; cover by Issy Wood.

THE PARIS REVIEW – SUMMER 2025 LITERARY PREVIEW

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THE PARIS REVIEW (June 24, 2025):

Fanny Howe on the Art of Poetry: “If I could say I was assigned something at birth, it would be to keep the soul fresh and clean, and to not let anything bring it down.”

Marie NDiaye on the Art of Fiction: “Oh, no! Reading beautiful books can’t be traumatizing. Seeing awful things can be—but reading? I don’t believe in that at all.”

Prose by Anuk Arudpragasam, Tom Crewe, GauZ’, Zans Brady Krohn, and Joy Williams.

Poetry by Will Alexander, John Berryman, Yongyu Chen, Eugene Ostashevsky, Ricardo Reis, and Nell Wright.

Art by Anne Collier, Celia Paul, and Alessandro Teoldi; cover by Tyler Mitchell.

Literature & Ideas: The Yale Review – Spring 2025

Spring 2025 cover image

THE YALE REVIEW (March 11, 2025): The latest issue features…

Finding the Real in Photorealism

Do we want art to transform our lives?

“Channel, 2019–24”

Capturing Los Angeles in crisis by Sasha Rudensky

Instagram

Is life online real? by Jesse Damiani

Storytelling

Is narrative real? by Mona Oraby