National Trust – Set on the shores of the Menai Strait, visitors to the gardens at Plas Newydd in Wales can take in the sea air and enjoy views of Snowdonia.
The gardens, dating back to the 16th century, owe much of their dramatic beauty to landscape designer Humphry Repton who in 1798, who planted trees to make the most of the views. Repton’s legacy influences the way the National Trust cares for the gardens today.
Discover ornate courtyards, a vibrant rhododendron garden and a tree house – features when the 6th Marquess of Anglesey lived at Plas Newydd with his family. You’ll also pick up a gardening tip to help you keep your flower beds happy and healthy over winter. The gardens at Plas Newydd are only open at weekends during the winter.
Country Life’s architecture editor John Goodall looks at the architecture of the Tudor home.
In April 1521, Edward Stafford, 3rd Duke of Buckingham, was urgently summoned from his seat at Thornbury, Gloucestershire, to appear before Henry VIII. The Duke could reasonably claim by birth to be the outstanding nobleman of his generation, boasting descent from Edward III and—arguably—possessed of a better claim to the throne than the Tudors.
He played the role of a great nobleman with proud perfection, both at home and in such public events as Henry VIII’s meeting with Francis I of France on the Field of Cloth of Gold, where he jousted and appeared in costume of fabulous expense. His birth and magnificence, however, also made him vulnerable to Court intrigue.
Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile, and inventive artists of the early 1500s. He created captivating portraits of courtiers, merchants, scholars, and statesmen in Basel, Switzerland, and later in England, and served as a court painter to Tudor King Henry VIII (1491–1547). Enriched by inscriptions, insignia, and evocative attributes, his portraits comprise eloquent visual statements of personal identity and illuminate the Renaissance culture of erudition, self-fashioning, luxury, and wit. February 11 through May 15, 2022
Caravaggio, or more accurately Michelangelo Merisi da Caravaggio (1571–1610), was always a name to be reckoned with. Notorious bad boy of Italian painting, the artist was at once celebrated and controversial: violent in temper, precise in technique, a creative master, and a man on the run. Today, he is considered one of the greatest influences in all art history.
This edition offers a neat and comprehensive Caravaggio catalogue raisonné. Each of his paintings is reproduced from recent top-quality photography, allowing for a vivid encounter with the artist’s ingenious repertoire of looks and gestures, as well as numerous detail shots of his boundary-breaking naturalism. Five accompanying chapters trace the complete arc of Caravaggio’s career from his first public commissions in Rome through to his growing celebrity status and trace his tempestuous personal life, in which drama loomed as prominently as in his canvases.
Sebastian Schützewas a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome. He is a member of the academic board of the Istituto Italiano per gli Studi Filosofici in Naples, and a member of the Österreichische Akademie der Wissenschaften. From 2003 to 2009 he held the Bader Chair in Southern Baroque Art at Queen’s University in Kingston. In 2009 he was appointed professor of early modern art history at Vienna University.
Cannenburg Castle or Cannenburch Castle is a watercastle in the Netherlands. It is situated in Vaassen, a town in the province of Gelderland.
The castle was built in the 16th century. Its shape has been preserved until today mainly unchanged. The building complex which contains many elements of the Renaissance architecture is completely surrounded by water. The floor plan is rectangular. There are almost square and covered towers at all four corners. The northeasterly one is equipped with an onion dome. On the front side facing south, another higher onion dome was built. This one significantly protrudes from the facade was. Directly above the entrance the coat of arms of Hendrik van Isendoorn and his wife Sophia Stommel are embedded in a sandstone sculpture. Above another sandstone sculpture shows Maarten van Rossum. The entrance used to be reached via a drawbridge over the moat. This was replaced by a permanent stone arch bridge.
According to its Historic England listing, Little Wolford Manordates from the late 15th or early 16th century, and although there have been 16th-, 17th- and 20th-century additions, Little Wolford Manor still follows the original medieval plan, its focal point being the great hall with its vaulted roof and hammer beams, minstrels’ gallery and huge fireplace.
An April 1957 piece in the now defunct The Antique Collector describes Little Wolford Manor, in the timeless timeless south Warwickshire village of Little Wolford, as a house ‘of truest Cotswold type… a small gem of Cotswold rural craftsmanship with many well-preserved features in wood as well as in stone’.
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon focuses on Francesco da Sangallo’s “St. John Baptizing,” which can be found at the very center of the third floor of Frick Madison. Commissioned in the 16th century for a church in the Tuscan town of Prato, the bronze statuette has been installed atop a facsimile of the marble holy water font on which it was originally displayed, allowing visitors to see it as it was meant to be viewed. This week’s complementary cocktail is the White Negroni, a modern twist on a classic Florentine cocktail.
Lastra a Signa is a comune in the metropolitan city of Florence in the Italian region Tuscany, located about 12 kilometres west of Florence.
This prestigious estate dates back to the 16th century and features the typical design of Florentine noble country homes: an elevated entrance, a square tower, and symmetrical elements on the façade.
The main villa measures 900 m2 and has several staggered levels. Its rooms feature elements which are typical of Tuscan tradition, such as some refined old floorings, vaulted ceilings or with wooden trabeation, some massive stone fireplaces, and frescoed walls. Every room has been furnished and decorated with great attention to detail.
This charming 16th-century home overlooks the valley leading to Florence, a city which is well-known as the cradle of the Renaissance, and offers a stunning view over the surroundings. It is surrounded by over 10 hectares of grounds which are completely fenced and feature many terracings, olive trees and tall trees. A Renaissance well and some charming potted lemon trees adorn the part of Italian-style in front of the villa.
All the world’s a stage, And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. Then a soldier, Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon’s mouth. And then the justice, In fair round belly with good capon lin’d, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper’d pantaloon, With spectacles on nose and pouch on side; His youthful hose, well sav’d, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything.
Leonardo da Vinci lived between 1452-1519. He was an Italian polymath of the High Renaissance who is widely considered one of the most diversely talented individuals ever to have lived. Performed by Chris Lines.