In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon focuses on Francesco da Sangallo’s “St. John Baptizing,” which can be found at the very center of the third floor of Frick Madison. Commissioned in the 16th century for a church in the Tuscan town of Prato, the bronze statuette has been installed atop a facsimile of the marble holy water font on which it was originally displayed, allowing visitors to see it as it was meant to be viewed. This week’s complementary cocktail is the White Negroni, a modern twist on a classic Florentine cocktail.
Zao Wou-Ki was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Master artist Zao Wou-Ki was one of the titans of Chinese art in the post- war period. His energetic painting ‘13.02.62’, offered in our upcoming auction Beyond Legends: Modern Art Evening Sale (18 April | Hong Kong), is from the artist’s powerful ‘Hurricane Period’ when he arrived at the pinnacle of his career. Discover how Zao perfectly fused Eastern culture with Western modernism, bringing dynamic inspiration to this work.
Pablo Picasso is perhaps the Modern master most admired by Asian artists. His commitment to breaking with tradition resonated deeply with Chinese modernist pioneer Sanyu. In this episode of Expert Voices, our Head of Modern Art in Asia, Felix Kwok, introduces masterworks by both artists, which will headline our upcoming Beyond Legends: Modern Art Evening Sale (18 April | Hong Kong). ‘Nu Avec un Pékinois’ is a masterpiece from Sanyu’s post-war period that reflects themes of love and perseverance and ‘Buste de Matador’ from the 1970s is the first painting in Picasso’s final Matador and reflects an urgency in the face of mortality.
Dubuffet, Fautrier and Wols created powerful cathartic works in the aftermath of the Second World War. In this latest episode of Expert Voices, Sotheby’s specialist Haleigh Stoddard explores how all three artists translated their personal experiences on to canvas, from Fautrier’s abstract ‘Corps d’otage’ and ‘Tête d‘otage N. 15’, to Wols’ powerfully evocative ‘La Turquoise’, and Dubuffet’s vision of hope in ‘La Cavalière au Diamant’.
Jean Philippe Arthur Dubuffet was a French painter and sculptor. His idealistic approach to aesthetics embraced so-called “low art” and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making.
Jean Fautrier was a French painter, illustrator, printmaker, and sculptor. He was one of the most important practitioners of Tachisme.
Wols was the pseudonym of Alfred Otto Wolfgang Schulze, a German painter and photographer predominantly active in France. Though broadly unrecognized in his lifetime, he is considered a pioneer of lyrical abstraction, one of the most influential artists of the Tachisme movement.
Roberto Matta’s Prince of Blood (triptych) was not only the painter’s first contribution to Surrealism, it was also the first artistic attempt to visualize Einstein’s theory of space-time. In this episode of Anatomy of an Artwork, discover how Matta was inspired by Marcel Duchamp to create a work that gives visual form to a world in flux and contradictions.
Roberto Sebastián Antonio Matta Echaurren, better known as Roberto Matta, was one of Chile’s best-known painters and a seminal figure in 20th century abstract expressionist and surrealist art.
Vincent Van Gogh created many wonderful works during his time in Paris, not least some stunning paintings featuring the moulins of Montmartre. Sotheby’s upcoming Art Impressionniste et Moderne Evening Sale (25 March | Paris) offers one such highlight, ‘Scène de rue à Montmartre’. In this latest Sotheby’s video, specialist Etienne Hellman takes us on a tour of Montmartre, from the apartment where Van Gogh lived with his brother, to the very site where Van Gogh sat and created this incredible painting. Learn about the influence Paris had on Van Gogh’s oeuvre and how he executed this piece of Parisian history.
Orientalist art transports and immerses the viewer into a place in time. 100 and more years after it was painted, it beguiles us even now. Sotheby’s upcoming Orientalist sale (22 – 30 March) which includes works from the celebrated Najd Collection, features fascinating landscapes from John Lavery’s depictions of Tangier to Edward Lear’s View of the Pyramids Road. As well as stunning scenery, artists captured the lives of water sellers, musicians and soldiers, providing valuable documentary evidence of how the Orient looked at a time when the region was still an elusive dream to many.
In this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon examines the only work by Cimabue in a public collection in the United States, a small panel depicting “The Flagellation of Christ.” Acquired by the Frick in 1950, the attribution of this work was a topic of debate until a sister panel was discovered in 2000, establishing that they once belonged to a larger ensemble by the 13th-century Florentine. (In 2019, a third fragment was discovered.) As a nod to the gold background, this week’s complementary cocktail is the Gold Rush, a drink invented in New York in the 1920s.
Cimabue, also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence. Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style.
The Scottish Colourists were some of the most important and avant-garde artists working during the early 20th century. Their art was bold and vibrant and unlike anything that had been produced in Britain before. Sotheby’s upcoming sale ‘The Way of Colour: Pictures from the Harrison Collection’ (10 – 17 March) offers Fauvist inspired paintings by George Leslie Hunter, stunning still-lifes by Francis Campbell Boileau Cadell and Cezanne-like work by Samuel John Peploe.
In this week’s episode of “Cocktails with a Curator,” we welcome the Frick’s new Assistant Curator of Sculpture, Giulio Dalvit. In his premiere episode, he discusses one of the important bronze statuettes in the collection, a “Hercules” by Antico. A celebrated artist of great technical virtuosity, Antico worked primarily for the powerful Gonzaga family in Mantua in the late fifteenth and early sixteenth centuries. In celebration of Isabella d’Este, the marchioness of Mantua and one of Antico’s patrons, thisweek’s complementary drink is a glass of Malvasia, a sweet wine that Isabella would drink at breakfast. To view this object in detail, please visit our website: https://www.frick.org/anticohercules